belonging to old Loizon, where Philip worked. This forge was as though buried beneath trees. It was very dark there; the red glare of a formidable furnace alone lit up with great flashes five blacksmiths; who hammered upon their anvils with a terrible din. They were standing enveloped in flame, like demons, their eyes fixed on the red-hot iron they were pounding; and their dull ideas rose and fell with their hammers.
Simon entered without being noticed, and went quietly to pluck his friend by the sleeve. The latter turned round. All at once the work came to a standstill, and all the men looked on, very attentive. Then, in the midst of this unaccustomed silence, rose the slender pipe of Simon:
“Say, Philip, the Michaude boy told me just now that you were not altogether my papa.”
“Why not?” asked the blacksmith,
The child replied with all innocence:
“Because you are not my mamma’s husband.”
No one laughed. Philip remained standing, leaning his forehead upon the back of his great hands, which supported the handle of his hammer standing upright upon the anvil. He mused. His four companions watched him, and Simon, a tiny mite among these giants, anxiously waited. Suddenly, one of the smiths, answering to the sentiment of all, said to Philip:
“La Blanchotte is a good, honest girl, and upright and steady in spite of her misfortune, and would make a worthy wife for an honest man.”
“That is true,” remarked the three others.
The smith continued:
“Is it the girl’s fault if she went wrong? She had been promised marriage; and I know more than one who is much respected to-day, and who sinned every bit as much.”
“That is true,” responded the three men in chorus.
He resumed:
“How hard she has toiled, poor thing, to bring up her child all alone, and how she has wept all these years she has never gone out except to church, God only knows.”
“This is also true,” said the others.
Then nothing was heard but the bellows which fanned the fire of the furnace. Philip hastily bent himself down to Simon:
“Go and tell your mother that I am coming to speak to her this evening.” Then he pushed the child out by the shoulders. He returned to his work, and with a single blow the five hammers again fell upon their anvils. Thus they wrought the iron until nightfall, strong, powerful, happy, like contented hammers. But just as the great bell of a cathedral resounds upon feast days above the jingling of the other bells, so Philip’s hammer, sounding above the rest, clanged second after second with a deafening uproar. And he stood amid the flying sparks plying his trade vigorously.
The sky was full of stars as he knocked at La Blanchotte’s door. He had on his Sunday blouse, a clean shirt, and his beard was trimmed. The young woman showed herself upon the threshold, and said in a grieved tone:
“It is ill to come thus when night has fallen, Mr. Philip.”
He wished to answer, but stammered and stood confused before her.
She resumed:
“You understand, do you not, that it will not do for me to be talked about again.”
“What does that matter to me, if you will be my wife!”
No voice replied to him, but he believed that he heard in the shadow of the room the sound of a falling body. He entered quickly; and Simon, who had gone to bed, distinguished the sound of a kiss and some words that his mother murmured softly. Then, all at once, he found himself lifted up by the hands of his friend, who, holding him at the length of his herculean arms, exclaimed:
“You will tell them, your schoolmates, that your papa is Philip Remy, the blacksmith, and that he will pull the ears of all who do you any harm.”
On the morrow, when the school was full and lessons were about to begin, little Simon stood up, quite pale with trembling lips:
“My papa,” said he in a clear voice, “is Philip Remy, the blacksmith, and he has promised to pull the ears of all who does me any harm.”
This time no one laughed, for he was very well known, was Philip Remy, the blacksmith, and was a papa of whom any one in the world would have been proud.
SUICIDES
To Georges Legrand.
Hardly a day goes by without our reading a news item like the following in some newspaper:
“On Wednesday night the people living in No. 40 Rue de —— , were awakened by two successive shots. The explosions seemed to come from the apartment occupied by M. X —— . The door was broken in and the man was found bathed in his blood, still holding in one hand the revolver with which he had taken his life.
“M. X —— was fifty-seven years of age, enjoying a comfortable income, and had everything necessary to make him happy. No cause can be found for his action.”
What terrible grief, what unknown suffering, hidden despair, secret wounds drive these presumably happy persons to suicide? We search, we imagine tragedies of love, we suspect financial troubles, and, as we never find anything definite, we apply to these deaths the word “mystery.”
A letter found on the desk of one of these “suicides without cause,” and written during his last night, beside his loaded revolver, has come into our hands. We deem it rather interesting. It reveals none of those great catastrophes which we always expect to find behind these acts of despair; but it shows us the slow succession of the little vexations of life, the disintegration of a lonely existence, whose dreams have disappeared; it gives the reason for these tragic ends, which only nervous and high-strung people can understand.
Here it is:
“It is midnight. When I have finished this letter I shall kill myself. Why? I shall attempt to give the reasons, not for those who may read these lines, but for myself, to kindle my waning courage, to impress upon myself the fatal necessity of this act which can, at best, be only deferred.
“I was brought up by simple-minded parents who were unquestioning believers. And I believed as they did.
“My dream lasted a long time. The last veil has just been torn from my eyes.
“During the last few years a strange change has been taking place within me. All the events of Life, which formerly had to me the glow of a beautiful sunset, are now fading away. The true meaning of things has appeared to me in its brutal reality; and the true reason for love has bred in me disgust even for this poetic sentiment: ‘We are the eternal toys of foolish and charming illusions, which are always being renewed.’
“On growing older, I had become partly reconciled to the awful mystery of life, to the uselessness of effort; when the emptiness of everything appeared to me in a new light, this evening, after dinner.
“Formerly, I was
