was the word she applied to herself; but as her limbs and head were in just proportion to the slight, fragile body, no word in ever so slight a degree suggestive of deformity could properly be applied to her; with soft, thick, brown hair, and peculiar eyes, of which I find it difficult to give a description as they appeared to me in her later life. They were large and well-shaped, their colour a reddish brown, but if the iris were closely examined, it appeared to be composed of a great variety of tints. The usual expression was of quiet, listening intelligence; but now and then, on some just occasion for vivid interest or wholesome indignation, a light would shine out, as if some spiritual lamp had been kindled, which glowed behind those expressive orbs. I never saw the like in any other human creature. As for the rest of her features, they were plain, large, and ill-set; but, unless you began to catalogue them, you were hardly aware of the fact, for the eyes and power of the countenance overbalanced every physical defect; the crooked mouth and the large nose were forgotten, and the whole face arrested the attention, and presently attracted all those whom she herself would have cared to attract. Her hands and feet were the smallest I ever saw; when one of the former was placed in mine, it was like the soft touch of a bird in the middle of my palm. The delicate long fingers had a peculiar fineness of sensation, which was one reason why all her handiwork, of whatever kind—writing, sewing, knitting—was so clear in its minuteness. She was remarkably neat in her whole personal attire; but she was dainty as to the fit of her shoes and gloves.”—1831.
Harriet
Martineau’s
Biographical Sketches.
“There was something inexpressibly affecting in the aspect of the frail little creature who had done such wonderful things, and who was able to bear up, with so bright an eye and so composed a countenance, under not only such a weight of sorrow, but such a prospect of solitude. In her deep mourning dress (neat as a Quaker’s), with her beautiful hair, smooth and brown, her fine eyes, and her sensible face indicating a habit of self-control, she seemed a perfect household image—irresistibly recalling Wordsworth’s description of that domestic treasure. And she was this.”—1850.
Bayne’s
Two great Englishwomen.
“I can only say of this lady, vide tantum. I saw her first just as I rose out of an illness from which I never thought to recover. I remember the trembling little frame, the little hand, the great honest eyes. An impetuous honesty seemed to me to characterise the woman. … She gave me the impression of being a very pure, and lofty, and high-minded person. A great and holy reverence of right and truth seemed to be with her always. Such, in our brief interview, she appeared to me.”—1851.
HENRY, LORD BROUGHAM
1778–1868
Ticknor’s Life and Letters.
“Brougham, whom I knew in society, and from seeing him both at his chambers and at my own lodgings, is now about thirty-eight, tall, thin, and rather awkward, with a plain and not very expressive countenance, and simple or even slovenly manners. He is evidently nervous, and a slight convulsive movement about the muscles of his lips gives him an unpleasant expression now and then. In short, all that is exterior in him, and all that goes to make up the first impression, is unfavourable. The first thing that removes this impression is the heartiness and good-will he shows you, whose motive cannot be mistaken, for such kindness comes only from the heart. This is the first thing, but a stranger presently begins to remark his conversation. On common topics nobody is more commonplace. He does not feel them, but if the subject excites him, there is an air of originality in his remarks which, if it convinces you of nothing else, convinces you that you are talking with an extraordinary man. He does not like to join in a general conversation, but prefers to talk apart with only two or three persons, and, though with great interest and zeal, in an undertone. If, however, he does launch into it, all the little, trim, gay pleasure-boats must keep well out of the way of his great black collier, as Gibbon said of Fox. He listens carefully and fairly—and with a kindness which would be provoking if it were not genuine—to all his adversary has to say; but when his time comes to answer, it is with that bare, bold, bullion talent which either crushes itself or its opponent. … Yet I suspect the impression Brougham generally leaves is that of a good-natured friend. At least that is the impression I have most frequently found, both in England and on the Continent.”—1819.
Newspaper
cutting
1876.
“Standing in the narrow Gothic railed-off place reserved for the public—the throne at the opposite extremity of the House—you may see on one of the benches to the right, almost every forenoon, Saturday and Sunday excepted, during the session, a very old man with a white head, and attired in a simple frock and trousers of shepherd’s plaid. It is a leonine head, and the white locks are bushy and profuse. So, too, the eyebrows, penthouses to eyes somewhat weak now, but that can flash fire yet upon occasion. The face is ploughed with wrinkles, as well it may be, for the old man will never see fourscore years again, and of these, threescore, at the very least, have been spent in study and the hardest labour, mental and physical. The nose is a marvel—protuberant, rugose, aggressive, inquiring and defiant: unlovely, but intellectual. There is a trumpet mouth, a belligerent mouth, projecting and self-asserting; largish ears, and on chin or cheeks no vestige of hair. Not a beautiful man this, on any theory of beauty, Hogarthesque, Ruskinesque, Winclemenesque, or otherwise. Rather a shaggy, gnarled, battered, weather-beaten, ugly, faithful, Scotch-collie type. Not a soft, imploring, yielding face. Rather a tearing, mocking, pugnacious cast of countenance. The mouth is fashioned to the saying of harsh, hard, impertinent things: not cruel, but downright; but never to whisper compliments, or simper out platitudes. A nose, too, that can snuff the battle afar off, and with dilated nostrils breathe forth a glory that is sometimes terrible; but not a nose for a pouncet-box, or a Covent Garden bouquet, or a flacon of Frangipani. Would not care much for truffles either, I think, or the delicate aroma of sparkling Moselle. Would prefer onions or strongly-infused malt and hops; something honest and unsophisticated. Watch this old man narrowly, young visitor to the Lords. Scan his furrowed visage. Mark his odd angular ways and gestures passing uncouth. Now he crouches, very dog-like, in his crimson bench: clasps one shepherd’s plaid leg in both his hands. Botherem, q.c., is talking nonsense, I think. Now the legs are crossed, and the hands thrown behind the head; now he digs his elbows into the little Gothic writing-table before him, and buries his hands in that puissant white hair of his. The quiddities of Floorem, q.c., are beyond human patience. Then with a wrench, a wriggle, a shake, a half-turn and half-start up—still very dog-like, but of the Newfoundland rather, now—he asks a lawyer or a witness a question. Question very sharp and to the point, not often complimentary by times, and couched in that which is neither broad Scotch nor Northumbrian burr, but a rebellious mixture of the two. Mark him well, eye him closely: you have not much time to lose. Alas! the giant is very old, though with frame yet unenfeebled, with intellect yet gloriously unclouded. But the sands are running, ever running. Watch him, mark him, eye him, score him on your mind tablets: then home, and in after years it may be your lot to tell your children that once at least you have seen with your own eyes the famous Lord of Vaux; once listened to the voice which has shaken thrones and made tyrants tremble; that has been a herald of deliverance to millions pining in slavery and captivity; a voice that has given utterance, in man’s most eloquent words, to the noblest, wisest thoughts lent to this man of men by heaven; a voice that has been trumpet-sounding these sixty years past in defence of Truth, and Right, and Justice; in advocacy of the claims of learning and industry, and of the liberties of the great English people, from whose ranks he rose; a voice that should be entitled to a hearing in a Walhalla of wise heroes, after Francis of Verulam and Isaac of Grantham;
