the reins give the waiting horses the tangible signal. Now they pull; the vigorously shaken bells begin their familiar Janizary music so powerfully that instantly the spider web of the dream is torn. Again it is nothing but the shrill tone of the alarm clock.
“And still a third example. I see a kitchen maid walking along the corridor to the dining room with some dozens of plates piled high. The pillar of porcelain in her arms seems to me in danger of losing its balance. ‘Take care!’ I warn her. ‘The whole load will fall to the ground.’ Naturally, the inevitable retort follows: one is used to that, etc., and I still continue to follow the passing figure with apprehensive glances. Sure enough, at the threshold she stumbles — the brittle dishes fall and rattle and crash over the floor in a thousand pieces. But — the endless racket is not, as I soon notice, a real rattling, but really a ringing and with this ringing, as the awakened subject now realizes, the alarm has performed its duty.”
These dreams are very pretty, quite meaningful, not at all incoherent, as dreams usually are. We will not object to them on that score. That which is common to them all is that the situation terminates each time in a noise, which one recognizes upon waking up as the sound of the alarm. Thus we see here how a dream originates, but also discover something else. The dream does not recognize the alarm — indeed the alarm does not appear in the dream — the dream replaces the alarm sound with another, it interprets the stimulus which interrupts the sleep, but interprets it each time in a different way. Why? There is no answer to this question, it seems to be something arbitrary. But to understand the dream means to be able to say why it has chosen just this sound and no other for the interpretation of the alarm-clock stimulus. In quite analogous fashion, we must raise the objection to the Maury experiment that we see well enough that the stimulus appears in the dream, but that we do not discover why it appears in just this form; and that the form taken by the dream does not seem to follow from the nature of the sleep-disturbing stimulus. Moreover, in the Maury experiments a mass of other dream material links itself to the direct stimulus product; as, for example, the extravagant adventures in the cologne dream, for which one can give no account.
Now I shall ask you to consider the fact that the waking dreams offer by far the best chances for determining the influence of external sleep-disturbing stimuli. In most of the other cases it will be more difficult. One does not wake up in all dreams, and in the morning, when one remembers the dream of the night, how can one discover the disturbing stimulus which was perhaps in operation at night? I did succeed once in subsequently establishing such a sound stimulus, though naturally only in consequence of special circumstances. I woke up one morning in a place in the Tyrolese Mountains, with the certainty that I had dreamt the Pope had died. I could not explain the dream, but then my wife asked me: “Did you hear the terrible bell ringing that broke out early this morning from all the churches and chapels?” No, I had heard nothing, my sleep is a sound one, but thanks to this information I understood my dream. How often may such stimuli incite the sleeper to dream without his knowing of them afterward? Perhaps often, perhaps infrequently; when the stimulus can no longer be traced, one cannot be convinced of its existence. Even without this fact we have given up evaluating the sleep disturbing stimuli, since we know that they can explain only a little bit of the dream, and not the whole dream reaction.
But we need not give up this whole theory for that reason. In fact, it can be extended. It is clearly immaterial through what cause the sleep was disturbed and the psyche incited to dream. If the sensory stimulus is not always externally induced, it may be instead a stimulus proceeding from the internal organs, a so-called somatic stimulus. This conjecture is obvious, and it corresponds to the most popular conception of the origin of dreams. Dreams come from the stomach, one often hears it said. Unfortunately it may be assumed here again that the cases are frequent in which the somatic stimulus which operated during the night can no longer be traced after waking, and has thus become unverifiable. But let us not overlook the fact that many recognized experiences testify to the derivation of dreams from the somatic stimulus. It is in general indubitable that the condition of the internal organs can influence the dream. The relation of many a dream content to a distention of the bladder or to an excited condition of the genital organs, is so clear that it cannot be mistaken. From these transparent cases one can proceed to others in which, from the content of the dream, at least a justifiable conjecture may be made that such somatic stimuli have been operative, inasmuch as there is something in this content which may be conceived as elaboration, representation, interpretation of the stimuli. The dream investigator Schirmer (1861) insisted with particular emphasis on the derivation of the dream from organic stimuli, and cited several splendid examples in proof. For example, in a dream he sees “two rows of beautiful boys with blonde hair and delicate complexions stand opposite each other in preparation for a fight, fall upon each other, seize each other, take up the old position again, and repeat the whole performance;” here the interpretation of these rows of boys as teeth is plausible in itself, and it seems to become convincing when after this scene the dreamer “pulls a long tooth out of his jaws.” The interpretation of “long, narrow, winding corridors” as intestinal stimuli, seems sound and confirms Schirmer’s assertion that the dream above all seeks to represent the stimulus-producing organ by means of objects resembling it.
Thus we must be prepared to admit that the internal stimuli may play the same role in the dream as the external. Unfortunately, their evaluation is subject to the same difficulties as those we have already encountered. In a large number of cases the interpretation of the stimuli as somatic remains uncertain and undemonstrable. Not all dreams, but only a certain portion of them, arouse the suspicion that an internal organic stimulus was concerned in their causation. And finally, the internal stimuli will be as little able as the external sensory stimuli to explain any more of the dream than pertains to the direct reaction to the stimuli. The origin, therefore, of the rest of the dream remains obscure.
Let us, however, notice a peculiarity of dream life which becomes apparent in the study of these effects of stimuli. The dream does not simply reproduce the stimulus, but it elaborates it, it plays upon it, places it in a sequence of relationships, replaces it with something else. That is a side of dream activity which must interest us because it may lead us closer to the nature of the dream. If one does something under stimulation, then this stimulation need not exhaust the act. Shakespeare’s Macbeth, for example, is a drama created on the occasion of the coronation of the King who for the first time wore upon his head the crown symbolizing the union of three countries. But does this historical occasion cover the content of the drama, does it explain its greatness and its riddle? Perhaps the external and internal stimuli, acting upon the sleeper, are only the incitors of the dream, of whose nature nothing is betrayed to us from our knowledge of that fact.
The other element common to dreams, their psychic peculiarity, is on the one hand hard to comprehend, and on the other hand offers no point for further investigation. In dreams we perceive a thing for the most part in visual forms. Can the stimuli furnish a solution for this fact? Is it actually the stimulus which we experience? Why, then, is the experience visual when optic stimulation incited the dream only in the rarest cases? Or can it be proved, when we dream speeches, that during sleep a conversation or sounds resembling it reached our ear? This possibility I venture decisively to reject.
If, from the common elements of dreams, we get no further, then let us see what we can do with their differences. Dreams are often senseless, blurred, absurd; but there are some that are meaningful, sober, sensible. Let us see if the latter, the sensible dreams, can give some information concerning the senseless ones. I will give you the most recent sensible dream which was told me, the dream of a young man: “I was promenading in Kärtner Street, met Mr. X. there, whom I accompanied for a bit, and then I went to a restaurant. Two ladies and a gentleman seated themselves at my table. I was annoyed at this at first, and would not look at them. Then I did look, and found that they were quite pretty.” The dreamer adds that the evening before the dream he had really been in Kärtner Street, which is his usual route, and that he had met Mr. X. there. The other portion of the dream is no direct reminiscence, but bears a certain resemblance to a previous experience. Or another meaningful dream, that of a lady. “Her husband asks, ‘Doesn’t the piano need tuning?’ She: ‘It is not
