sapor. The ancients must have loved hares. Else why adopt the word lepores (obviously from lepus) but for some subtle analogy between the delicate flavour of the latter, and the finer relishes of wit in what we most poorly translate pleasantries. The fine madnesses of the poet are the very decoction of his diet. Thence is he hare-brained. Harum-scarum is a libellous unfounded phrase of modern usage. 'Tis true the hare is the most circumspect of animals, sleeping with her eye open. Her ears, ever erect, keep them in that wholesome exercise, which conduces them to form the very tit-bit of the admirers of this noble animal. Noble will I call her, in spite of her detractors, who from occasional demonstrations of the principle of self-preservation (common to all animals) infer in her a defect of heroism. Half a hundred horsemen with thrice the number of dogs, scour the country in pursuit of puss across three countries; and because the well-flavoured beast, weighing the odds, is willing to evade the hue and cry, with her delicate ears shrinking perchance from discord—comes the grave Naturalist, Linnæus perchance or Buffon, and gravely sets down the Hare as a—timid animal. Why, Achilles or Bully Dawson, would have declined the preposterous combat.
In fact, how light of digestion we feel after a hare! How tender its processes after swallowing! What chyle it promotes! How etherial! as if its living celerity were a type of its nimble coursing through the animal juices. The notice might be longer. It is intended less as a Natural History of the Hare, than a cursory thanks to the country "good Unknown." The hare has many friends, but none sincerer than
Elia.
TABLE-TALK BY THE LATE ELIA
(1833 and 1834)
The greatest pleasure I know, is to do a good action by stealth, and to have it found out by accident.
'Tis unpleasant to meet a beggar. It is painful to deny him; and, if you relieve him, it is so much out of your pocket.
Men marry for fortune, and sometimes to please their fancy; but, much oftener than is suspected, they consider what the world will say of it; how such a woman in their friends' eyes will look at the head of a table. Hence, we see so many insipid beauties made wives of, that could not have struck the particular fancy of any man, that had any fancy at all. These I call furniture wives; as men buy furniture pictures, because they suit this or that niche in their dining parlours.
Your universally cried-up beauties are the very last choice which a man of taste would make. What pleases all, cannot have that individual charm, which makes this or that countenance engaging to you, and to you only perhaps, you know not why. What gained the fair Gunnings titled husbands, who, after all, turned out very sorry wives? Popular repute.
It is a sore trial when a daughter shall marry against her father's approbation. A little hard-heartedness, and aversion to a reconcilement, is almost pardonable. After all, Will Dockwray's way is perhaps the wisest. His best-loved daughter made a most imprudent match; in fact, eloped with the last man in the world that her father would have wished her to marry. All the world said that he would never speak to her again. For months she durst not write to him, much less come near him. But, in a casual rencounter, he met her in the streets of Ware;—Ware, that will long remember the mild virtues of William Dockwray, Esq. What said the parent to his disobedient child, whose knees faltered under her at the sight of him? "Ha! Sukey, is it you?" with that benevolent aspect, with which he paced the streets of Ware, venerated as an angel, "come and dine with us on Sunday;" then turning away, and again turning back, as if he had forgotten something, he added, "and Sukey, do you hear, bring your husband with you." This was all the reproof she ever heard from him. Need it be added, that the match turned out better for Susan than the world expected?
"We read the Paradise Lost as a task," says Dr. Johnson. Nay, rather as a celestial recreation, of which the dullard mind is not at all hours alike recipient. "Nobody ever wished it longer;"—nor the moon rounder, he might have added. Why, 'tis the perfectness and completeness of it, which makes us imagine that not a line could be added to it, or diminished from it, with advantage. Would we have a cubit added to the stature of the Medicean Venus? Do we wish her taller?
Lear. Who are you? Mine eyes are not o' the best: I'll tell you straight … … Are you not Kent? Kent. The same; Your servant Kent. Where is your servant Caius? Lear. He's a good fellow, I can tell you that; He'll strike, and quickly too: he's dead and rotten. Kent. No, my good Lord; I am the very man—— Lear. I'll see that straight—— Kent. That from your first of difference and decay, Have follow'd your sad steps. Lear. You are welcome hither … … Albany. He knows not what he says; and vain it is That we present us to him. Edgar. Look up, my Lord. Kent. Vex not his ghost. O, let him pass! He hates him much. That would upon the rack of this rough world Stretch him out longer.
So ends 'King Lear,' the most stupendous of the Shakspearian dramas; and Kent, the noblest feature of the conceptions of his divine mind. This is the magnanimity of authorship, when a writer, having a topic presented to him, fruitful of beauties for common minds, waives his privilege, and trusts to the judicious few for understanding the reason of his abstinence. What a pudder would a common dramatist have raised here of a reconciliation scene, a perfect recognition, between the assumed Caius and his master!—to the suffusing of many fair eyes, and the moistening of cambric handkerchiefs. The old dying king partially catching at the truth, and immediately lapsing into obliviousness, with the high-minded carelessness of the other to have his services appreciated, as one that
——served not for gain,
Or follow'd out of form,
are among the most judicious, not to say heart-touching, strokes in Shakspeare.
Allied to this magnanimity it is, where the pith and point of an argument, the amplification of which might compromise the modesty of the speaker, is delivered briefly, and, as it were, parenthetically; as in those few but pregnant words, in which the man in the old 'Nut-brown Maid' rather intimates than reveals his unsuspected high birth to the woman:—
Now understand, to Westmorland,
Which is my heritage, I will you bring, and with a ring, By way of marriage, I will you take, and Lady make.
Turn we to the version of it, ten times diluted, of dear Mat. Prior—in his own way unequalled, and a poet now-a-days too much neglected—"In me," quoth Henry, addressing the astounded Emma—with a flourish and an attitude, as we may conceive:—
In me behold the potent Edgar's heir,
Illustrious Earl! him terrible in war,
Let Loire confess.
And with a deal of skimble-skamble stuff, as Hotspur would term it, more, presents the Lady with a full and true enumeration of his Papa's rent-roll in the fat soil by Deva.
But of all parentheses, (not to quit the topic too suddenly,) commend me to that most significant one, at the commencement of the old popular ballad of Fair Rosamund:—
When good King Henry ruled this land,
The second of that name,
Now mark—
(Besides the Queen) he dearly loved
A fair and comely dame.
There is great virtue in this besides.
Amidst
