Citizen Bird: Scenes from Bird-Life in Plain English for Beginners. Elliott Coues

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Citizen Bird: Scenes from Bird-Life in Plain English for Beginners - Elliott Coues

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know they were words, if you could only understand them.

      The Tree Swallow wore a greenish-black cloak and a spotless white vest. He was trying to be polite and listen to the Barn Swallow as well as to the Purple Martin (the biggest Swallow of all), who was a little further along on the wire; but as they both spoke at once, he found it a difficult matter.

      "We shall all be turned out, I know," complained the Barn Swallow, "and after we have as good as owned Orchard Farm these three years, it is too bad. Those meddlesome House People have put two new pieces of glass in the hayloft window, and how shall I ever get in to build my nest?"

      "They may leave the window open," said the Bank Swallow soothingly, for he had a cheerful disposition; "I have noticed that hayloft windows are usually left open in warm weather."

      "Yes, they may leave it open, and then shut it some day after I have gone in," snapped Barney, darting off the perch to catch a fly, and grasping the wire so violently on his return, that the other birds fluttered and almost lost their footing. "What is all this trouble about?" asked the Martin in his soft rich voice. "I live ten miles further up country, and only pass here twice a year, so that I do not know the latest news. Why must you leave the farm? It seems to be a charming place for Bird People. I see a little box under the barn eaves that would make me a fine house."

      "It is a delightful place for us," replied the Barn Swallow; "but now the House People who own the farm are coming back to live here themselves, and everything is turned topsy-turvy. They should have asked us if we were willing for them to come. Bird People are of a much older race than House People anyway; it says so in their books, for I heard Rap, the lame boy down by the mill, reading about it one day when he was sitting by the river."

      All the other birds laughed merrily at this, and the Martin said, "Don't be greedy, Brother Barney; those people are quite welcome to their barns and houses, if they will only let us build in their trees. Bird People own the whole sky and some of our race dive in the sea and swim in the rivers where no House People can follow us."

      "You may say what you please," chattered poor unhappy Barney, "everything is awry. The Wrens always built behind the window-blinds, and now these blinds are flung wide open. The Song Sparrow nested in the long grass under the lilac bushes, but now it is all cut short; and they have trimmed away the nice mossy branches in the orchard where hundreds of the brothers built. Besides this, the Bluebird made his nest in a hole in the top of the old gate post, and what have those people done but put up a new post with no hole in it!"

      "Dear! dear! Think of it, think of it!" sang the Bluebird softly, taking his place on the wire with the others.

      "What if these people should bring children with them," continued Barney, who had not finished airing his grievances—"little BOYS and CATS! Children who might climb up to our nests and steal our eggs, boys with guns perhaps, and striped cats which no one can see, with feet that make no sound, and such claws and teeth—it makes me shiver to think of it." And all the birds shook so that the wire quivered and the Bank Swallow fell off, or would have fallen, if he had not spread his wings and saved himself.

      The Martin had nothing to say to this, but the little Bank Swallow, though somewhat shaken up, whispered, "There may be children who do not rob nests, and other boys like Rap, who would never shoot us. Cats are always sad things for birds, but these House People may not keep any!" And then he moved down a wire or two, frightened at having given his opinion.

      At that moment a Chimney Swift joined the group. This Swift, who nests in chimneys, is the sooty-colored bird that flies and feeds on the wing like a Swallow, and when he is in the air looks like a big spruce cone with wings. He was followed by a Catbird, who had been in a honeysuckle, by one of the farmhouse windows, and peeped inside out of curiosity. Both were excited and evidently bubbling over with news, which half the birds of the orchard were following them to hear. "I know all about it," cried the Swift, settling himself for a long talk.

      "I've seen the House People!" screamed the Catbird.

      "They wish well to the Bird People, and we shall be happier than before!" squeaked the Swift, breathless and eager. "Listen!"—and the birds all huddled together. "This morning when I flew down the chimney, wondering if I should dare build my nest there again, I heard a noise on the outside, so I dropped as far as I could and listened.

      "A voice said, 'Mammy Bun, we will leave this chimney for the birds; do not make a fire here until after they have nested!' I was so surprised that I nearly fell into the grate."

      "And I," interrupted the Catbird, "was looking in the window and saw the man who spoke, and Mammy Bun too. She is a very big person, wide like a wood-chuck, and has a dark face like the House People down in the warm country where I spend the winter."

      "There are children at the farm, I've seen them too," cried the Phoebe, who usually lived under the eaves of the cow-shed; "three of them—one big girl, one little girl, and a BOY!"

      "I told you so!" lisped the Barn Swallow; and a chorus of ohs and ahs arose that sounded like a strange message buzzing along the wires.

      "The BOY has a pocket full of pebbles and a shooter," gasped the Phoebe, pausing as if nothing more shocking could be said.

      "Yes, but the big girl coaxed the shooter away from him," said the Chimney Swift, who was quite provoked because his story had been interrupted; "she said, 'Cousin Nat, father won't let you shoot birds here or do anything to frighten them away, for he loves them and has spent half his life watching them and learning their ways, and they have grown so fearless hereabouts that they are like friends.'

      "But Nat said, 'Do let me shoot some, Cousin Olive. I don't see why Uncle Roy likes them. What good are birds anyway? They only sit in the street and say "chuck, chuck, chuck" all day long.'

      "'You say that because you have always lived in the city and the only birds you have watched are the English Sparrows, who are really as disagreeable as birds can possibly be,' said the big girl; 'but here you will see all the beautiful wild birds.'

      "Then the little girl said, 'Why, brother, you always loved our Canary!'

      "'Yes, but he is different; he is nice and yellow, and he knows something and sings too like everything; he isn't like these common tree birds.'"

      "Common tree birds indeed!" shrieked the Catbird.

      "That is what the boy called us," said the Chimney Swift, who then went on with his story about what he had heard the children say.

      "'Why you silly dear!' cried, the big girl, laughing a sweet little laugh like the Bobolink's song, 'that only proves how little you know about wild birds. Plenty of them are more brightly colored than your Canary, and some of those that wear the plainest feathers sing more beautifully than all the Canaries and cage birds in the world. This summer, when you have made friends with these wild birds, and they have let you see their homes and learn their secrets, you will make up your mind that there are no common birds; for every one of them has something very uncommon about it,'

      "Then our brother B. Oriole began to sing in the sugar maple over the shed. The sun was shining on his gay coat; the little girl pointed to him and whispered, 'Hush, Nat! you see Olive is right; please empty the stones out of your pocket.'"

      The Chimney Swift had hardly finished his story when there was another excitement.

      "News, more news!" called the Bank Swallow joyfully. He had been taking a skim over the meadows and orchard. "These House

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