The Phantom Ship. Фредерик Марриет

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of it have been removed. It is a feeling of satisfaction and relief at having rid ourselves of the memento of mortality, the silent evidence of the futility of our pursuits and anticipations. We know that we must one day die, but we always wish to forget it. The continual remembrance would be too great a check upon our mundane desires and wishes; and, although we are told that we ever should have futurity in our thoughts, we find that life is not to be enjoyed if we are not permitted occasional forgetfulness. For who would plan what rarely he is permitted to execute, if each moment of the day he thought of death? We either hope that we may live longer than others, or we forget that we may not.

      If this buoyant feeling had not been planted in our nature, how little would the world have been improved even from the Deluge! Philip walked into the room where his mother had lain one short hour before, and unwittingly felt relief. Taking down the cabinet, he now recommenced his task; the back panel was soon removed, and a secret drawer discovered; he drew it out, and it contained what he presumed to be the object of his search—a large key with a slight coat of rust upon it, which came off upon its being handled. Under the key was a paper, the writing on which was somewhat discoloured; it was in his mother’s hand, and ran as follows:—

      “It is now two nights since a horrible event took place which has induced me to close the lower chamber, and my brain is still bursting with terror. Should I not, during my lifetime, reveal what occurred, still this key will be required, as at my death the room will be opened. When I rushed from it I hastened upstairs, and remained that night with my child; the next morning I summoned up sufficient courage, to go down, turn the key and bring it up into my chamber. It is now closed till I close my eyes in death. No privation, no suffering, shall induce me to open it, although in the iron cupboard under the buffet farthest from the window, there is money sufficient for all my wants; that money will remain there for my child, to whom, if I do not impart the fatal secret, he must be satisfied that it is one which it were better should be concealed—one so horrible as to induce me to take the steps which I now do. The keys of the cupboards and buffets were, I think, lying on the table, or in my work-box, when I quitted the room. There is a letter on the table—at least I think so. It is sealed. Let not the seal be broken but by my son, and not by him unless he knows the secret. Let it be burnt by the priest—for it is cursed;—and even should my son know all that I do, oh, let him pause—let him reflect well before he breaks the seal—for ’twere better he should know NO MORE!”

      “Not know more!” thought Philip, as his eyes were still fixed upon the paper. “Yes, but I must and will know more, so forgive me dearest mother, if I waste no time in reflection. It would be but time thrown away, when one is resolved as I am.”

      Philip pressed his lips to his mother’s signature, folded up the paper and put it into his pocket; then taking the key, he proceeded downstairs.

      It was about noon when Philip descended to open the chamber; the sun shone bright, the sky was clear, and all without was cheerful and joyous. The front door of the cottage being closed, there was not much light in the passage when Philip put the key into the lock of the long-closed door, and with some difficulty turned it round. To say that when he pushed open the door he felt no alarm would not be correct; he did feel alarm, and his heart palpitated; but he felt more than was requisite of determination to conquer that alarm, and to conquer more, should more be created by what he should behold. He opened the door, but did not immediately enter the room: he paused where he stood, for he felt as if he was about to intrude into the retreat of a disembodied spirit, and that that spirit might reappear. He waited a minute, for the effort of opening the door had taken away his breath, and, as he recovered himself, he looked within.

      He could but imperfectly distinguish the objects in the chamber, but through the joints of the shutters there were three brilliant beams of sunshine forcing their way across the room, which at first induced him to recoil as if from something supernatural; but a little reflection reassured him. After about a minute’s pause, Philip went into the kitchen, lighted a candle, and, sighing deeply two or three times as if to relieve his heart, he summoned his resolution, and walked towards the fatal room. He first stopped at the threshold, and, by the light of the candle, took a hasty survey. All was still: and the table on which the letter had been left, being behind the door, was concealed by its being opened. It must be done, thought Philip: and why not at once? continued he, resuming his courage; and, with a firm step, he walked into the room and went to unfasten the shutters. If his hand trembled a little when he called to mind how supernaturally they had last been opened, it is not surprising. We are but mortal, and we shrink from contact with aught beyond this life. When the fastenings were removed and the shutters unfolded, a stream of light poured into the room so vivid as to dazzle his eyesight; strange to say, this very light of a brilliant day overthrew the resolution of Philip more than the previous gloom and darkness had done; and with the candle in his hand, he retreated hastily into the kitchen to re-summon his courage, and there he remained for some minutes with his face covered, and in deep thought.

      It is singular that his reveries at last ended by reverting to the fair daughter of Mynheer Poots, and her first appearance at the window; and he felt as if the flood of light which had just driven him from the one, was not more impressive and startling than her enchanting form at the other. His mind dwelling upon this beauteous vision appeared to restore Philip’s confidence; he now rose and boldly walked into the room. We shall not describe the objects it contained as they chanced to meet the eyes of Philip, but attempt a more lucid arrangement.

      The room was about twelve or fourteen feet square, with but one window; opposite to the door stood the chimney and fireplace, with a high buffet of dark wood on each side. The floor of the room was not dirty, although about its upper parts spiders had run their cobwebs in every direction. In the centre of the ceiling hung a quicksilver globe, a common ornament in those days, but the major part of it had lost its brilliancy, the spiders’ webs enclosing it like a shroud. Over the chimney-piece were hung two or three drawings, framed and glazed, but a dusty mildew was spotted over the glass, so that little of them could be distinguished. In the centre of the mantelpiece was an image of the Virgin Mary, of pure silver, in a shrine of the same metal, but it was tarnished to the colour of bronze or iron; some Indian figures stood on each side of it. The glass doors of the buffets on each side of the chimney-piece were also so dimmed that little of what was within could be distinguished: the light and heat which had been poured into the room, even for so short a time, had already gathered up the damp of many years, and it lay as a mist, and mingled with the dust upon the panes of glass: still here and there a glittering of silver vessels could be discerned, for the glass doors had protected them from turning black, although much dimmed in lustre.

      On the wall facing the window were other prints, in frames equally veiled in damp and cobwebs and also two bird-cages. The bird-cages Philip approached, and looked into them. The occupants, of course, had long been dead; but at the bottom of the cages was a small heap of yellow feathers, through which the little white bones of the skeletons were to be seen, proving that they had been brought from the Canary Isles; and, at that period, such birds were highly valued. Philip appeared to wish to examine everything before he sought that which he most dreaded, yet most wished, to find. There were several chairs round the room: on one of them was some linen; he took it up. It was some that must have belonged to him when he was yet a child. At last, Philip turned his eyes to the wall not yet examined (that opposite the chimney piece), through which the door was pierced, and behind the door as it lay open, he was to find the table, the couch, the work-box, and the FATAL LETTER. As he turned round, his pulse, which had gradually recovered its regular motion, beat more quickly, but he made the effort, and it was over. At first he examined the walls, against which were hung swords and pistols of various sorts but chiefly Asiatic bows and arrows, and other implements of destruction. Philip’s eyes gradually descended upon the table and little couch behind it, where his mother stated herself to have been seated when his father made his awful visit. The work-box and all its implements were on the table, just as she had left them. The keys she mentioned were also lying there, but Philip looked, and looked again; there was no letter, he now advanced nearer, examined closely—there was none that he could perceive, either on the

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