and turned back to the girl. She was looking out to sea again.
"By the way," he said, unconcernedly, and with no suggestion that anything in particular was responsible for his politeness. "I see you are on the lookout there for something. You may have my glass a moment, if you like, before I go on. They bring the ships very close."
The girl flushed with shy pleasure and seemed a little uncertain what to answer. Barron, meanwhile, showed no trace of a smile, but looked bored if anything, and, with a serious face, handed her the glass, then walked a little way off. He was grave and courteous, but made no attempt at friendship. He had noticed when Joan smiled that her teeth were fine, and that her full face, though sweet enough, was a shade too plump.
"Thank 'e kindly, sir," she said, taking the glass. "You see theer's a gert ship passin' down Channel, an'—an' my Joe's aboard 'er, an' they'm bound for furrin' paarts, an' I promised as I'd come to this here horny-winky [Footnote: Horny-winky—Lonely. Fit place for horny-winks.] plaace to get a last sight o' the vessel if I could." He made no answer, and, after a pause, she spoke again.
"I caan't see naught, but that's my fault, p'raps, not bein' used to sich things."
"Let me try and find the ship," he said, taking the glass, which he had put out of focus purposely. Then, while scanning the horizon where he had noted the smoke-trail, he spoke, his head turned from her.
"Who's Joe, if I may ask? Your brother, I daresay?"
"No, sir; Joe'm my sweetheart."
"There's a big three-masted ship being taken down the Channel by a small steamer."
"Ah! then I reckon that's the 'Anna,' 'cause Joe said 'twas tolerable certain they'd be in tow of a tug."
"You can see the smoke on the edge of the sea. Look below it."
He handed the glasses to her again and heard a little laugh of delight break from her lips. The surprise of the suddenly-magnified spectacle, visible only as a shadow to the naked eye, brought laughter; and Barron, now that the girl's attention was occupied, had leisure to look at her. She was more than a pretty cottage maid, and possessed some distinction and charm. There was a delicacy about her too—a sweet turn of lip, a purity of skin, a set of limb—which gave the lie to her rough speech. She was all Saxon to look at, with nothing of the Celt about her excepting her name and the old Cornish words upon her lips. Those he rejoiced in, for they showed that she still remained a free thing, primitive, innocent of School Boards, or like frost-biting influences.
Barron took mental notes. Joan Tregenza was a careless young woman, it seemed. Her dress had a button or two missing in front, and a safety-pin had taken their place. Her drab skirt was frayed a little and patched in one corner with a square of another material. But the colors were well enough, from the artist's point of view. He noted also that the girl's stockings were darned and badly needed further attention, for above her right shoe-heel a white scrap of Joan was visible. Her hands were a little large, but well shaped; her pose was free and fine, though the field-glasses spoiled the picture and the sun-bonnet hid the contour of her head.
"So you walked out from Mouzle to see the last of Joe's ship?" he asked, quite seriously and with no light note in his voice.
"From Newlyn. I ed'n a Mouzle maid," she answered.
"Is the 'Anna' coming home again soon?"
"No, sir. Her's bound for the Gulf of Californy, round t'other side the world, Joe sez. He reckons to be back agin' come winter."
"That's a long time."
"Iss, 'tis."
But there was no sentiment about the answer. Joan gazed without a shadow of emotion at the vanishing ship, and alluded to the duration of her sweetheart's absence in a voice that never trembled. Then she gave the glass back to Barron with many thanks, and evidently wanted to be gone, but stopped awkwardly, not quite knowing how to depart.
Meanwhile, showing no further cognizance of her, Barron took the glasses himself and looked at the distant ship.
"A splendid vessel," he said. "I expect you have a picture of her, haven't you?"
"No," she answered, "but I've got a lil ship Joe cut out o' wood an' painted butivul. Awnly that's another vessel what Joe sailed in afore."
"I'll tell you what I'll do," he said, "because you were good enough to explain all about the fishing-boats. I'll make a tiny picture of the 'Anna' and paint it and give it to you."
But the girl took fright instantly.
"You'm a artist, then?" she said, with alarm in her face and voice.
He shook his head.
"No, no. Do I look like an artist? I'm only a stranger down here for a day or two. I paint things sometimes for my own amusement, that's all."
"Pickshers?"
"They are not worth calling pictures. Just scraps of the sea and trees and cliffs and sky, to while away the time and remind me of beautiful things after I have left them."
"You ban't a artist ezacally, then?"
"Certainly not. Don't you like artists?"
"Faither don't. He'm a fisherman an' caan't abear many things as happens in the world. An' not artists. Genlemen have arsked him to let 'em take my picksher, 'cause they've painted a good few maidens to Newlyn; an' some of 'em wanted to paint faither as well; but he up an' sez 'No!' short. Paintin's vanity 'cordin' to faither, same as they flags an' cannels an' moosic to Newlyn church is vanity. Most purty things is vanity, faither reckons."
"I'm sure he's a wise man. And I think he's right, especially about the candles and flags in church. And now I must go on my walk. Let me see, shall I bring you the little picture of Joe's ship here? I often walk out this way."
He assumed she would take the picture, and now she feared to object.
Moreover, such a sketch would be precious in her eyes.
"Maybe 'tis troublin' of 'e, sir?"
"I've promised you. I always keep my word. I shall be here to-morrow about mid-afternoon, because it is lonely and quiet and beautiful. I'm going to try and paint the gorse, all blazing so brightly against the sky."
"Them prickly fuzz-bushes?"
"Yes; because they are very beautiful."
"But they'm everywheres. You might so well paint the bannel [Footnote: Bannel—Broom.] or the yether on the moors, mightn't 'e?"
"They are beautiful, too. Remember, I shall have Joe's ship for you to-morrow."
He nodded without smiling, and turned away until a point of the gorse had hidden her from sight. Then he sat down, loaded his pipe, and reflected.
"'Joe's ship,'" he said to himself, "a happy title enough."
And meantime the girl had looked after him with wonder and some amusement in her eyes, had rubbed her chin reflectively—a habit caught from her father—and had then scampered off smiling to herself.
"What
