The Greatest Works of Gene Stratton-Porter. Stratton-Porter Gene

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The Greatest Works of Gene Stratton-Porter - Stratton-Porter Gene

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this I mean: there is something fine, strong, and full of power in your face. There is something you are to do in this world, and no matter how you work at all these other things, or how successfully you do them, it is all wasted until you find the ONE THING that you can do best. If you hadn't a thing in the world to keep you, and could go anywhere you please and do anything you want, what would you do?” persisted the Angel.

      “I'd go to Chicago and sing in the First Episcopal choir,” answered Freckles promptly.

      The Angel dropped on a seat—the hat she had removed and held in her fingers rolled to her feet. “There!” she exclaimed vehemently. “You can see what I'm going to be. Nothing! Absolutely nothing! You can sing? Of course you can sing! It is written all over you.”

      “Anyone with half wit could have seen he could sing, without having to be told,” she thought. “It's in the slenderness of his fingers and his quick nervous touch. It is in the brightness of his hair, the fire of his eyes, the breadth of his chest, the muscles of his throat and neck; and above all, it's in every tone of his voice, for even as he speak it's the sweetest sound I ever heard from the throat of a mortal.”

      “Will you do something for me?” she asked.

      “I'll do anything in the world you want me to,” said Freckles largely, “and if I can't do what you want, I'll go to work at once and I'll try 'til I can.”

      “Good! That's business!” said the Angel. “You go over there and stand before that hedge and sing something. Just anything you think of first.”

      Freckles faced the Angel from his banked wall of brown, blue, and crimson, with its background of solid green, and lifting his face to the sky, he sang the first thing that came into his mind. It was a children's song that he had led for the little folks at the Home many times, recalled to his mind by the Angel's exclamation:

      “To fairyland we go,

       With a song of joy, heigh-o.

       In dreams we'll stand upon that shore

       And all the realm behold;

       We'll see the sights so grand

       That belong to fairyland,

       Its mysteries we will explore,

       Its beauties will unfold.

       “Oh, tra, la, la, oh, ha, ha, ha!

       We're happy now as we can be,

       Our welcome song we will prolong,

       And greet you with our melody.

       O fairyland, sweet fairyland,

       We love to sing——”

      No song could have given the intense sweetness and rollicking quality of Freckles' voice better scope. He forgot everything but pride in his work. He was singing the chorus, and the Angel was shivering in ecstasy, when clip! clip! came the sharply beating feet of a swiftly ridden horse down the trail from the north. They both sprang toward the entrance.

      “Freckles! Freckles!” called the voice of the Bird Woman.

      They were at the trail on the instant.

      “Both those revolvers loaded?” she asked.

      “Yes,” said Freckles.

      “Is there a way you can cut across the swamp and reach the chicken tree in a few minutes, and with little noise?”

      “Yes.”

      “Then go flying,” said the Bird Woman. “Give the Angel a lift behind me, and we will ride the horse back where you left him and wait for you. I finished Little Chicken in no time and put him back. His mother came so close, I felt sure she would enter the log. The light was fine, so I set and focused the camera and covered it with branches, attached the long hose, and went away over a hundred feet and hid in some bushes to wait. A short, stout man and a tall, dark one passed me so closely I almost could have reached out and touched them. They carried a big saw on their shoulders. They said they could work until near noon, and then they must lay off until you passed and then try to load and get out at night. They went on—not entirely from sight—and began cutting a tree. Mr. McLean told me the other day what would probably happen here, and if they fell that tree he loses his wager on you. Keep to the east and north and hustle. We'll meet you at the carriage. I always am armed. Give Angel one of your revolvers, and you keep the other. We will separate and creep toward them from different sides and give them a fusillade that will send them flying. You hurry, now!”

      She lifted the reins and started briskly down the trail. The Angel, hatless and with sparkling eyes, was clinging around her waist.

      Freckles wheeled and ran. He worked his way with much care, dodging limbs and bushes with noiseless tread, and cutting as closely where he thought the men were as he felt that he dared if he were to remain unseen. As he ran he tried to think. It was Wessner, burning for his revenge, aided by the bully of the locality, that he was going to meet. He was accustomed to that thought but not to the complication of having two women on his hands who undoubtedly would have to be taken care of in spite of the Bird Woman's offer to help him. His heart was jarring as it never had before with running. He must follow the Bird Woman's plan and meet them at the carriage, but if they really did intend to try to help him, he must not allow it. Allow the Angel to try to handle a revolver in his defence? Never! Not for all the trees in the Limberlost! She might shoot herself. She might forget to watch sharply and run across a snake that was not particularly well behaved that morning. Freckles permitted himself a grim smile as he went speeding on.

      When he reached the carriage, the Bird Woman and the Angel had the horse hitched, the outfit packed, and were calmly waiting. The Bird Woman held a revolver in her hand. She wore dark clothing. They had pinned a big focusing cloth over the front of the Angel's light dress.

      “Give Angel one of your revolvers, quick!” said the Bird Woman. “We will creep up until we are in fair range. The underbrush is so thick and they are so busy that they will never notice us, if we don't make a noise. You fire first, then I will pop in from my direction, and then you, Angel, and shoot quite high, or else very low. We mustn't really hit them. We'll go close enough to the cowards to make it interesting, and keep it up until we have them going.”

      Freckles protested.

      The Bird Woman reached over, and, taking the smaller revolver from his belt, handed it to the Angel. “Keep your nerve steady, dear; watch where you step, and shoot high,” she said. “Go straight at them from where you are. Wait until you hear Freckles' first shot, then follow me as closely as you can, to let them know that we outnumber them. If you want to save McLean's wager on you, now you go!” she commanded Freckles, who, with an agonized glance at the Angel, ran toward the east.

      The Bird Woman chose the middle distance, and for a last time cautioned the Angel as she moved away to lie down and shoot high.

      Through the underbrush the Bird Woman crept even more closely than she had intended, found a clear range, and waited for Freckles' shot. There was one long minute of sickening suspense. The men straightened for breath. Work was difficult with a handsaw in the heat of the swamp. As they rested, the big dark fellow took a bottle from his pocket and began oiling the saw.

      “We got to keep mighty quiet,” he said, “and wait to fell it until that damned guard has gone to his dinner.”

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