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I hope that some readers may possibly be interested in these little tales of the Napoleonic soldiers to the extent of following them up to the springs from which they flow. The age was rich in military material, some of it the most human and the most picturesque that I have ever read. Setting aside historical works or the biographies of the leaders there is a mass of evidence written by the actual fighting men themselves, which describes their feelings and their experiences, stated always from the point of view of the particular branch of the service to which they belonged. The Cavalry were particularly happy in their writers of memoirs. Thus De Rocca in his “Memoires sur la guerre des Francais en Espagne” has given the narrative of a Hussar, while De Naylies in his “Memoires sur la guerre d'Espagne” gives the same campaigns from the point of view of the Dragoon. Then we have the “Souvenirs Militaires du Colonel de Gonneville,” which treats a series of wars, including that of Spain, as seen from under the steel-brimmed hair-crested helmet of a Cuirassier. Pre-eminent among all these works, and among all military memoirs, are the famous reminiscences of Marbot, which can be obtained in an English form. Marbot was a Chasseur, so again we obtain the Cavalry point of view. Among other books which help one to an understanding of the Napoleonic soldier I would specially recommend “Les Cahiers du Capitaine Coignet,” which treat the wars from the point of view of the private of the Guards, and “Les Memoires du Sergeant Bourgoyne,” who was a non-commissioned officer in the same corps. The Journal of Sergeant Fricasse and the Recollections of de Fezenac and of de Segur complete the materials from which I have worked in my endeavour to give a true historical and military atmosphere to an imaginary figure.
I. How Brigadier Gerard Lost His Ear
It was the old Brigadier who was talking in the cafe.
I have seen a great many cities, my friends. I would not dare to tell you how many I have entered as a conqueror with eight hundred of my little fighting devils clanking and jingling behind me. The cavalry were in front of the Grande Armee, and the Hussars of Conflans were in front of the cavalry, and I was in front of the Hussars. But of all the cities which we visited Venice is the most ill-built and ridiculous. I cannot imagine how the people who laid it out thought that the cavalry could manoeuvre. It would puzzle Murat or Lassalle to bring a squadron into that square of theirs. For this reason we left Kellermann's heavy brigade and also my own Hussars at Padua on the mainland. But Suchet with the infantry held the town, and he had chosen me as his aide-de-camp for that winter, because he was pleased about the affair of the Italian fencing-master at Milan. The fellow was a good swordsman, and it was fortunate for the credit of French arms that it was I who was opposed to him. Besides, he deserved a lesson, for if one does not like a prima donna's singing one can always be silent, but it is intolerable that a public affront should be put upon a pretty woman. So the sympathy was all with me, and after the affair had blown over and the man's widow had been pensioned Suchet chose me as his own galloper, and I followed him to Venice, where I had the strange adventure which I am about to tell you.
You have not been to Venice? No, for it is seldom that the French travel. We were great travellers in those days. From Moscow to Cairo we had travelled everywhere, but we went in larger parties than were convenient to those whom we visited, and we carried our passports in our limbers. It will be a bad day for Europe when the French start travelling again, for they are slow to leave their homes, but when they have done so no one can say how far they will go if they have a guide like our little man to point out the way. But the great days are gone and the great men are dead, and here am I, the last of them, drinking wine of Suresnes and telling old tales in a cafe.
But it is of Venice that I would speak. The folk there live like water-rats upon a mud-bank, but the houses are very fine, and the churches, especially that of St. Mark, are as great as any I have seen. But above all they are proud of their statues and their pictures, which are the most famous in Europe. There are many soldiers who think that because one's trade is to make war one should never have a thought above fighting and plunder. There was old Bouvet, for example– the one who was killed by the Prussians on the day that I won the Emperor's medal; if you took him away from the camp and the canteen, and spoke to him of books or of art, he would sit and stare at you. But the highest soldier is a man like myself who can understand the things of the mind and the soul. It is true that I was very young when I joined the army, and that the quarter-master was my only teacher, but if you go about the world with your eyes open you cannot help learning a great deal.
Thus I was able to admire the pictures in Venice, and to know the names of the great men, Michael Titiens, and Angelus, and the others, who had painted them. No one can say that Napoleon did not admire them also, for the very first thing which he did when he captured the town was to send the best of them to Paris. We all took what we could get, and I had two pictures for my share.
One of them, called “Nymphs Surprised,” I kept for myself, and the other, “Saint Barbara,” I sent as a present for my mother.
It must be confessed, however, that some of our men behaved very badly in this matter of the statues and the pictures. The people at Venice were very much attached to them, and as to the four bronze horses which stood over the gate of their great church, they loved them as dearly as if they had been their children. I have always been a judge of a horse, and I had a good look at these ones, but I could not see that there was much to be said for them. They were too coarse-limbed for light cavalry charges and they had not the weight for the gun-teams.
However, they were the only four horses, alive or dead, in the whole town, so it was not to be expected that the people would know any better. They wept bitterly when they were sent away, and ten French soldiers were found floating in the canals that night. As a punishment for these murders a great many more of their pictures were sent away, and the soldiers took to breaking the statues and firing their muskets at the stained-glass windows.
This made the people furious, and there was very bad feeling in the town. Many officers and men disappeared during that winter, and even their bodies were never found.
For myself I had plenty to do, and I never found the time heavy on my hands. In every country it has been my custom to try to learn the language. For this reason I always look round for some lady who will be kind enough to teach it to me, and then we practise it together. This is the most interesting way of picking it up, and before I was thirty I could speak nearly every tongue in Europe; but it must be confessed that what you learn is not of much use for the ordinary purposes of life. My business, for example, has usually been with soldiers and peasants, and what advantage is it to be able to say to them that I love only them, and that I will come back when the wars are over?
Never have I had so sweet a teacher as in Venice. Lucia was her first name, and her second– but a gentleman forgets second names. I can say this with all discretion, that she was of one of the senatorial families of Venice and that her grandfather had been Doge of the town.
She was of an exquisite beauty– and when I, Etienne Gerard, use such a word as “exquisite,” my friends, it has a meaning. I have judgment, I have memories, I have the means of comparison. Of all the women who have loved me there are not twenty to whom I could apply such a term as that. But I say again that Lucia was exquisite.
Of the dark type I do not recall her equal unless it were Dolores of Toledo. There was a little brunette whom I loved at Santarem when I was soldiering under Massena in Portugal– her name has escaped me. She was of a perfect beauty, but she had not the figure nor the grace of Lucia. There was Agnes also. I could not put one before the other, but I do none an injustice when I say that Lucia was the equal of the best.
It was over this matter of pictures that I had first met her, for her father owned a palace on the farther side of the Rialto Bridge upon the Grand Canal, and it was so packed with wall-paintings that Suchet sent a party of sappers to cut some of them out and send them to Paris.
I had gone down with them, and after I had
