the same forms as they did in the earliest ages, especially in the case of the larger animals" (so that the generic forms even of the larger animals prove not to be the same, but only 'especially' the same as in the earliest ages).[49]
This transparently illogical position is maintained ostensibly from first to last, much in the same spirit as in the two foregoing passages, written at intervals of thirteen years. But they are to be read by the light of the earlier one—placed as a lantern to the wary upon the threshold of his work in 1753—to the effect that a single, well substantiated case of degeneration would make it conceivable that all living beings were descended from a single common ancestor. If after having led up to this by a remorseless logic, a man is found five-and-twenty years later still substantiating cases of degeneration, as he has been substantiating them unceasingly in thirty quartos during the whole interval, there should be little question how seriously we are to take him when he wishes us to stop short of the conclusions he has told us we ought to draw from the premises that he has made it the business of his life to establish—especially when we know that he has a Sorbonne to keep a sharp eye upon him.
I believe that if the reader will bear in mind the twofold, serious and ironical, character of Buffon's work he will understand it, and feel an admiration for it which will grow continually greater and greater the more he studies it, otherwise he will miss the whole point.
Buffon on one of the early pages of his first volume protested against the introduction of either "plaisanterie" or "équivoque" (p. 25) into a serious work. But I have observed that there is an unconscious irony in most disclaimers of this nature. When a writer begins by saying that he has "an ineradicable tendency to make things clear," we may infer that we are going to be puzzled; so when he shows that he is haunted by a sense of the impropriety of allowing humour to intrude into his work, we may hope to be amused as well as interested. As showing how far the objection to humour which he expressed upon his twenty-fifth page succeeded in carrying him safely over his twenty-sixth and twenty-seventh, I will quote the following, which begins on page twenty-six:—
"Aldrovandus is the most learned and laborious of all naturalists; after sixty years of work he has left an immense number of volumes behind him, which have been printed at various times, the greater number of them after his death. It would be possible to reduce them to a tenth part if we could rid them of all useless and foreign matter, and of a prolixity which I find almost overwhelming; were this only done, his books should be regarded as among the best we have on the subject of natural history in its entirety. The plan of his work is good, his classification distinguished for its good sense, his dividing lines well marked, his descriptions sufficiently accurate—monotonous it is true, but painstaking; the historical part of his work is less good; it is often confused and fabulous, and the author shows too manifestly the credulous tendencies of his mind.
"While going over his work, I have been struck with that defect, or rather excess, which we find in almost all the books of a hundred or a couple of hundred years ago, and which prevails still among the Germans—I mean with that quantity of useless erudition with which they intentionally swell out their works, and the result of which is that their subject is overlaid with a mass of extraneous matter on which they enlarge with great complacency, but with no consideration whatever for their readers. They seem, in fact, to have forgotten what they have to say in their endeavour to tell us what has been said by other people.
"I picture to myself a man like Aldrovandus, after he has once conceived the design of writing a complete natural history. I see him in his library reading, one after the other, ancients, moderns, philosophers, theologians, jurisconsults, historians, travellers, poets, and reading with no other end than with that of catching at all words and phrases which can be forced from far or near into some kind of relation with his subject. I see him copying all these passages, or getting them copied for him, and arranging them in alphabetical order. He fills many portfolios with all manner of notes, often taken without either discrimination or research, and at last sets himself to write with a resolve that not one of all these notes shall remain unused. The result is that when he comes to his account of the cow or of the hen, he will tell us all that has ever yet been said about cows or hens; all that the ancients ever thought about them; all that has ever been imagined concerning their virtues, characters, and courage; every purpose to which they have ever yet been put; every story of every old woman that he can lay hold of; all the miracles which certain religions have ascribed to them; all the superstitions they have given rise to; all the metaphors and allegories which poets have drawn from them; the attributes that have been assigned to them; the representations that have been made of them in hieroglyphics and armorial bearings, in a word all the histories and all fables in which there was ever yet any mention either of a cow or hen. How much natural history is likely to be found in such a lumber room? and how is one to lay one's hand upon the little that there may actually be?"[50]
It is hoped that the reader will see Buffon, much us Buffon saw the learned Aldrovandus. He should see him going into his library, &c., and quietly chuckling to himself as he wrote such a passage as the one in which we lately found him saying that the larger animals had "especially" the same generic forms as they had always had. And the reader should probably see Daubenton chuckling also.
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