this is rare, here in the depths of the country.”
“You are right,” said Mme. la Marquise, with a deep sigh, which was almost a groan; “we are buried alive in this dreary place. And what about these players?—have you seen them, Jeanne?—are there any handsome young actors among them?”
“I have only had a glimpse of them, madame, and such people are so painted and fixed up, they say, that it is hard to tell what they really do look like; but there was one slender young man, with long, black curls and a very good figure, who had quite a grand air.”
“That must be the lover, Jeanne, for it is always the best looking young actor in the troupe who takes that part. It would be ridiculous, you know, to have a stout old codger, or a very ugly man, or even an awkward one, making declarations of love, and going down on their knees, and all that sort of thing—it would not do at all, Jeanne!”
“No, madame, it would not be very nice,” said the maid with a merry laugh, adding shrewdly, “and although it seems to make very little difference what husbands may be like, lovers should always be everything that is charming.”
“I confess that I have a weakness for those stage gallants,” Mme. la Marquise said with a little sigh, “they are so handsome, and so devoted—they always use such beautiful language, and make such graceful gestures—they are really irresistible. I cannot help feeling vexed when their impassioned appeals are received coldly, and they are driven to despair, as so often happens in plays; I would like to call them to me and try to console them, the bewitching creatures!”
“That is because madame has such a kind heart that she can’t bear to see any one suffer without trying to help and comfort them,” said the specious Jeanne. “Now I am of quite a different mind—nothing I would like better than to flout a sentimental suitor; fine words would not gain any favour with me—I should distrust them.”
“Oh! you don’t understand the matter, Jeanne! You have not read as many romances, or seen as many plays as I have. Did you say that young actor was very handsome?”
“Mme. la Marquise can judge for herself,” answered the maid, who had gone to the window, “for he is just crossing the court this blessed minute, on his way to the orangery, where they are rigging up their theatre.”
Mme. la Marquise hastened to the window, and there was Leander in full view, walking along slowly, apparently lost in thought, and wearing a tender, sad expression, which he considered especially effective and interesting—as we have said, he never for a moment forgot his role. As he drew near he looked up, as by a sudden inspiration, to the very window where the marquise stood watching him, and instantly taking off his hat with a grand flourish, so that its long feather swept the ground, made a very low obeisance, such as courtiers make to a queen; then drew himself up proudly to his full height, and darting an ardent glance of admiration and homage at the beautiful unknown, put on his broad felt hat again and went composedly on his way. It was admirably well done; a genuine cavalier, familiar with all the gallant usages in vogue at court, could not have acquitted himself better. Flattered by this mark of respect for her rank and admiration of her beauty, so gracefully tendered, Mme. la Marquise could not help acknowledging it by a slight bend of the head, and a little half suppressed smile. These favourable signs did not escape Leander, who, with his usual self-conceit, took a most exaggerated view of their import. He did not for a moment doubt that the fair mistress of the chateau—for he took it for granted it was she—had fallen violently in love with him, then and there; he felt sure that he had read it in her eyes and her smile. His heart beat tumultuously; he trembled with excitement; at last it had come! the dream of his life was to be accomplished; he, the poor, strolling player, had won the heart of a great lady; his fortune was made! He got through the rehearsal to which he had been summoned as best he might, and the instant it was over hastened back to his own room, to indite an impassioned appeal to his new divinity, and devise some means to insure its reaching her that same evening.
As everything was in readiness the play was to begin as soon as the invited guests had all assembled. The orangery had been transformed into a charming little theatre, and was brilliantly lighted by many clusters of wax candles. Behind the spectators the orange trees had been arranged in rows, rising one above the other, and filled the air with their delicious fragrance. In the front row of seats, which was composed of luxurious arm-chairs, were to be seen the beautiful Yolande de Foix, the Duchesse de Montalban, the Baronne d’Hagemeau, the Marquise de Bruyres, and many other titled dames, resplendent in gorgeous array, and vying with each other in magnificence and beauty. Rich velvets, brilliant satins, cloth of silver and gold, misty laces, gay ribbons, white feathers, tiaras of diamonds, strings of pearls, superb jewels, glittering in delicate shell-like ears, on white necks and rounded arms, were in profusion, and the scene would have graced the court itself. If the surpassingly lovely Yolande de Foix had not been present, several radiant mortal goddesses in the exceptionally brilliant assemblage might have made it difficult for a Paris to decide between their rival claims to the golden apple; but her beauty eclipsed them all, though it was rather that of the haughty Diana than the smiling Venus. Men raved about her, declared her irresistible, worshipped at her shrine, but never dared aspire to her love; one scornful glance from her cold blue eyes effectually extinguished any nascent hope, and the cruel beauty punished presumption as relentlessly, and won and flung away hearts with as much nonchalance, as ever did her immortal prototype, the fair goddess of the chase.
How was this exquisite creature dressed? It would require more sang-froid than we are possessed of to venture upon a description of her perfect toilet; her raiment floated about her graceful form like a luminous cloud, in which one could think only of herself; we believe, however, that there were clusters of pearls nestling amid the bright curls that made an aureola—a veritable golden glory—about her beautiful head.
Behind these fair ladies sat or stood the nobles and gentlemen who had the honour of being their fathers, husbands, and brothers. Some were leaning forward to whisper soft nothings and dainty compliments into willing ears, others lounging and fanning themselves lazily with their broad felt hats, and others still standing in the background looking admiringly at the pretty group before them. The hum of conversation filled the air, and a slight impatience was just beginning to manifest itself among the waiting audience, when the traditional three knocks were heard, and all suddenly subsided into silence.
The curtain rose slowly and revealed a very pretty scene representing a public square where several streets met, surrounded by picturesque houses with small latticed windows, overhanging gables, high peaked roofs, and smoke curling upwards from the slender chimneys against the blue sky.
One of these houses had a practicable door and window, whilst two of those in the side scenes enjoyed equal advantages, and one of them was furnished with a balcony. A few trees were scattered about in front of the houses, and, though the painting was not of the highest order of scenic art, the general effect was very good, and won a round of applause from the aristocratic audience. The piece opens with a quarrel between the testy old bourgeois, Pandolphe, and his daughter, Isabelle, who, being in love with a handsome young suitor, obstinately refuses to obey her father’s commands and marry a certain Captain Matamore, with whom he is perfectly infatuated. She is ably supported in her resistance by her pretty maid, Zerbine, who is well paid by Leander, the favoured lover, to espouse his cause. To all the curses and abuse that Pandolphe showers upon her, she answers gaily with the most exasperating and amusing impertinences, advising him to marry this fine captain himself if he is so fond of him; as for her part she will never suffer her dear, beautiful mistress to become the wife of that horrid old codger, that abominable bully, that detestable scarecrow! Whereupon Pandolphe, furiously angry, orders her into the house, so that he may speak to his daughter alone; and when she refuses to obey, and defies him to make her, he takes her by the shoulders and attempts to force her to go, but she, bending forward with admirable elasticity, from the waist only, at each vigorous effort of his, stands her ground and does not budge one inch from her place,
