of that, I ken what I have to do, and that is no little, before it darkens. I have sat clavering with you ower lang, Maister Francie.”
And away she marched with a resolved step, and soon the clear octaves of her voice were heard in shrill admonition to her handmaidens.
Tyrrel paused a moment in deep thought, then took his hat, paid a visit to the stable, where his horse saluted him with feathering ears, and that low amicable neigh, with which that animal acknowledges the approach of a loving and beloved friend. Having seen that the faithful creature was in every respect attended to, Tyrrel availed himself of the continued and lingering twilight, to visit the old Castle, which, upon former occasions, had been his favourite evening walk. He remained while the light permitted, admiring the prospect we attempted to describe in the first chapter, and comparing, as in his former reverie, the faded hues of the glimmering landscape to those of human life, when early youth and hope have ceased to gild them.
A brisk walk to the inn, and a light supper on a Welsh rabbit and the dame's home-brewed, were stimulants of livelier, at least more resigned thoughts—and the Blue bedroom, to the honours of which he had been promoted, received him a contented, if not a cheerful tenant.
CHAPTER III.
ADMINISTRATION.
There must be government in all society—
Bees have their Queen, and stag-herds have their leader;
Rome had her Consuls, Athens had her Archons,
And we, sir, have our Managing Committee.
The Album of St. Ronan's.
Francis Tyrrel was, in the course of the next day, formally settled in his old quarters, where he announced his purpose of remaining for several days. The old-established carrier of the place brought his fishing-rod and travelling-trunk, with a letter to Meg, dated a week previously, desiring her to prepare to receive an old acquaintance. This annunciation, though something of the latest, Meg received with great complacency, observing it was a civil attention in Maister Tirl; and that John Hislop, though he was not just sae fast, was far surer than ony post of them a', or express either. She also observed with satisfaction, that there was no gun-case along with her guest's baggage; “for that weary gunning had brought him and her into trouble—the lairds had cried out upon't, as if she made her house a howff for common fowlers and poachers; and yet how could she hinder twa daft hempie callants from taking a start and an ower-loup?[10] They had been ower the neighbour's ground they had leave on up to the march, and they werena just to ken meiths when the moorfowl got up.”
In a day or two, her guest fell into such quiet and solitary habits, that Meg, herself the most restless and bustling of human creatures, began to be vexed, for want of the trouble which she expected to have had with him, experiencing, perhaps, the same sort of feeling from his extreme and passive indifference on all points, that a good horseman has for the over-patient steed, which he can scarce feel under him. His walks were devoted to the most solitary recesses among the neighbouring woods and hills—his fishing-rod was often left behind him, or carried merely as an apology for sauntering slowly by the banks of some little brooklet—and his success so indifferent, that Meg said the piper of Peebles[11] would have caught a creelfu' before Maister Francie made out the half-dozen; so that he was obliged, for peace's sake, to vindicate his character, by killing a handsome salmon.
Tyrrel's painting, as Meg called it, went on equally slowly: He often, indeed, showed her the sketches which he brought from his walks, and used to finish at home; but Meg held them very cheap. What signified, she said, a wheen bits of paper, wi' black and white scarts upon them, that he ca'd bushes, and trees, and craigs?—Couldna he paint them wi' green, and blue, and yellow, like the other folk? “Ye will never mak your bread that way, Maister Francie. Ye suld munt up a muckle square of canvass, like Dick Tinto, and paint folks ainsells, that they like muckle better to see than ony craig in the haill water; and I wadna muckle objeck even to some of the Wallers coming up and sitting to ye. They waste their time waur, I wis—and, I warrant, ye might make a guinea a-head of them. Dick made twa, but he was an auld used hand, and folk maun creep before they gang.”
In answer to these remonstrances, Tyrrel assured her, that the sketches with which he busied himself were held of such considerable value, that very often an artist in that line received much higher remuneration for these, than for portraits or coloured drawings. He added, that they were often taken for the purpose of illustrating popular poems, and hinted as if he himself were engaged in some labour of that nature.
Eagerly did Meg long to pour forth to Nelly Trotter, the fishwoman—whose cart formed the only neutral channel of communication between the Auld Town and the Well, and who was in favour with Meg, because, as Nelly passed her door in her way to the Well, she always had the first choice of her fish—the merits of her lodger as an artist. Luckie Dods had, in truth, been so much annoyed and bullied, as it were, with the report of clever persons, accomplished in all sorts of excellence, arriving day after day at the Hotel, that she was overjoyed in this fortunate opportunity to triumph over them in their own way; and it may be believed, that the excellences of her lodger lost nothing by being trumpeted through her mouth.
“I maun hae the best of the cart, Nelly—if you and me can gree—for it is for ane of the best of painters. Your fine folk down yonder would gie their lugs to look at what he has been doing—he gets gowd in goupins, for three downright skarts and three cross anes—And he is no an ungrateful loon, like Dick Tinto, that had nae sooner my good five-and-twenty shillings in his pocket, than he gaed down to birl it awa at their bonny hottle yonder, but a decent quiet lad, that kens when he is weel aff, and bides still at the auld howff—And what for no?—Tell them all this, and hear what they will say till't.”
“Indeed, mistress, I can tell ye that already, without stirring my shanks for the matter,” answered Nelly Trotter; “they will e'en say that ye are ae auld fule, and me anither, that may hae some judgment in cock-bree or in scate-rumples, but mauna fash our beards about ony thing else.”
“Wad they say sae, the frontless villains! and me been a housekeeper this thirty year!” exclaimed Meg; “I wadna hae them say it to my face! But I am no speaking without warrant—for what an I had spoken to the minister, lass, and shown him ane of the loose skarts of paper that Maister Tirl leaves fleeing about his room?—and what an he had said he had kend Lord Bidmore gie five guineas for the waur on't? and a' the warld kens he was lang tutor in the Bidmore family.”
“Troth,” answered her gossip, “I doubt if I was to tell a' this they would hardly believe me, mistress; for there are sae mony judges amang them, and they think sae muckle of themsells, and sae little of other folk, that unless ye were to send down the bit picture, I am no thinking they will believe a word that I can tell them.”
“No believe what an honest woman says—let abee to say twa o' them?” exclaimed Meg; “O the unbelieving generation!—Weel, Nelly, since my back is up, ye sall tak down the picture, or sketching, or whatever it is, (though I thought sketchers[12] were aye made of airn,) and shame wi' it the conceited crew that they are.—But see and bring't back wi' ye again, Nelly, for it's a thing of value; and trustna it out o' your hand, that I charge you, for I lippen no muckle to their honesty.—And, Nelly, ye may tell them he has an illustrated poem—illustrated—mind the word, Nelly—that is to be stuck as fou o' the like o'
