those which its opponents array against it.
In every age in which a supernaturalistic system is preached we must accordingly expect to find the world standing up stubbornly against it, essentially unconverted and hostile, whatever name it may have been christened with; and we may expect the spirit of the world to find expression, not only in overt opposition to the supernaturalistic system, but also in the surviving or supervening worldliness of the faithful. Such an insidious revulsion of the natural man against a religion he does not openly discard is what, in modern Christendom, we call the Renaissance. No less than the Revolution (which is the later open rebellion against the same traditions) the Renaissance is radically inimical to Christianity. To say that Christianity survives, even if weakened or disestablished, is to say that the Renaissance and the Revolution are still incomplete, Far from being past events they are living programmes. The ideal of the Renaissance is to restore pagan standards in polite learning, in philosophy, in sentiment, and in morals. It is to abandon and exactly reverse one's baptismal vows. Instead of forsaking this wicked world, the men of the Renaissance accept, love, and cultivate the world, with all its pomp and vanities; they believe in the blamelessness of natural life and in its perfectibility; or they cling at least to a noble ambition to perfect it and a glorious ability to enjoy it. Instead of renouncing the flesh, they feed, refine, and adorn it; their arts glorify its beauty and its passions. And far from renouncing the devil—if we understand by the devil the proud assertion on the part of the finite of its autonomy, autonomy of the intellect in science, autonomy of the heart and will in morals—the men of the Renaissance are possessed by the devil altogether. They worship nothing and acknowledge authority in nothing save in their own spirit. No opposition could be more radical and complete than that between the Renaissance and the anti-worldly religion of the gospel.
"I see a vision," Nietzsche says somewhere, "so full of meaning, yet so wonderfully strange—Cæsar Borgia become pope! Do you understand? Ah, that would verily have been the triumph for which I am longing to-day. Then Christianity would have been done for." And Nietzsche goes on to accuse Luther of having spoiled this lovely possibility, which was about to be realised, by frightening the papacy out of its mellow paganism into something like a restoration of the old acrid Christianity. A dream of this sort, even if less melodramatic than Nietzsche's, has visited the mind of many a neo-Catholic or neo-pagan. If the humanistic tendencies of the Renaissance could have worked on unimpeded, might not a revolution from above, a gradual rationalisation, have transformed the church? Its dogma might have been insensibly understood to be nothing but myth, its miracles nothing but legend, its sacraments mere symbols, its Bible pure literature, its liturgy just poetry, its hierarchy an administrative convenience, its ethics an historical accident, and its whole function simply to lend a warm mystical aureole to human culture and ignorance. The Reformation prevented this euthanasia of Christianity. It re-expressed the unenlightened absolutism of the old religion; it insisted that dogma was scientifically true, that salvation was urgent and fearfully doubtful, that the world, and the worldly paganised church, were as Sodom and Gomorrah, and that sin, though natural to man, was to God an abomination. In fighting this movement, which soon became heretical, the Catholic church had to fight it with its own weapons, and thereby reawakened in its own bosom the same sinister convictions. It did not have to dig deep to find them. Even without Luther, convinced Catholics would have appeared in plenty to prevent Cæsar Borgia, had he secured the tiara, from being pope in any novel fashion or with any revolutionary result. The supernaturalism, the literal realism, the other-worldliness of the Catholic church are too much the soul of it to depart without causing its dissolution. While the church lives at all, it must live on the strength which these principles can lend it. And they are not altogether weak. Persons who feel themselves to be exiles in this world—and what noble mind, from Empedocles down, has not had that feeling?—are mightily inclined to believe themselves citizens of another. There will always be spontaneous, instinctive Christians; and when, under the oppression of sin, salvation is looked for and miracles are expected, the supernatural scheme of salvation which historical Christianity offers will not always be despised. The modernists think the church is doomed if it turns a deaf ear to the higher criticism or ignores the philosophy of M. Bergson. But it has outlived greater storms. A moment when any exotic superstition can find excitable minds to welcome it, when new and grotesque forms of faith can spread among the people, when the ultimate impotence of science is the theme of every cheap philosopher, when constructive philology is reefing its sails, when the judicious grieve at the portentous metaphysical shams of yesterday and smile at those of to-day—such a moment is rather ill chosen for prophesying the extinction of a deep-rooted system of religion because your own studies make it seem to you incredible; especially if you hold a theory of knowledge that regards all opinions as arbitrary postulates, which it may become convenient to abandon at any moment.
Modernism is the infiltration into minds that begin by being Catholic and wish to remain so of two contemporary influences: one the rationalistic study of the Bible and of church history, the other modern philosophy, especially in its mystical and idealistic forms. The sensitiveness of the modernists to these two influences is creditable to them as men, however perturbing it may be to them as Catholics; for what makes them adopt the views of rationalistic historians is simply the fact that those views seem, in substance, convincingly true; and what makes them wander into transcendental speculations is the warmth of their souls, needing to express their faith anew, and to follow their inmost inspiration, wherever it may lead them. A scrupulous honesty in admitting the probable facts of history, and a fresh upwelling of mystical experience, these are the motives, creditable to any spiritual man, that have made modernists of so many. But these excellent things appear in the modernists under rather unfortunate circumstances. For the modernists to begin with are Catholics, and usually priests; they are pledged to a fixed creed, touching matters both of history and of philosophy; and it would be a marvel if rationalistic criticism of the Bible and rationalistic church history confirmed that creed on its historical side, or if irresponsible personal speculations, in the manner of Ritschl or of M. Bergson, confirmed its metaphysics.
I am far from wishing to suggest that an orthodox Christian cannot be scrupulously honest in admitting the probable facts, or cannot have a fresh spiritual experience, or frame an original philosophy. But what we think probable hangs on our standard of probability and of evidence; the spiritual experiences that come to us are according to our disposition and affections; and any new philosophy we frame will be an answer to the particular problems that beset us, and an expression of the solutions we hope for. Now this standard of probability, this disposition, and these problems and hopes may be those of a Christian or they may not. The true Christian, for instance, will begin by regarding miracles as probable; he will either believe he has experienced them in his own person, or hope for them earnestly; nothing will seem to him more natural, more in consonance with the actual texture of life, than that they should have occurred abundantly and continuously in the past. When he finds the record of one he will not inquire, like the rationalist, how that false record could have been concocted; but rather he will ask how the rationalist, in spite of so many witnesses to the contrary, has acquired his fixed assurance of the universality of the commonplace. An answer perhaps could be offered of which the rationalist need not be ashamed. We might say that faith in the universality of the commonplace (in its origin, no doubt, simply an imaginative presumption) is justified by our systematic mastery of matter in the arts. The rejection of miracles a priori expresses a conviction that the laws by which we can always control or predict the movement of matter govern that movement universally; and evidently, if the material course of history is fixed mechanically, the mental and moral course of it is thereby fixed on the same plan; for a mind not expressed somehow in matter cannot be revealed to the historian. This may be good philosophy, but we could not think so if we were good Christians. We should then expect to move matter by prayer. Rationalistic history and criticism are therefore based, as Pius X. most accurately observed in his Encyclical on modernism, on rationalistic philosophy; and we might add that rationalistic philosophy is based on practical art, and that practical art, by which we help ourselves, like Prometheus, and make instruments of what religion worships, when this art is carried beyond the narrowest bounds, is the essence of pride and irreligion. Miners, machinists, and artisans are irreligious by trade. Religion is the love of life in the consciousness of impotence.
