The End of Men. Christina Sweeney-Baird

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Lisa

       Catherine

       Strength

       Helen

       Article in the Washington Post on 13 March 2029

       Dawn

       Elizabeth

       Adaptation

       Article in the Washington Post on 8 December 2029

       Dawn

       Catherine

       Amanda

       Catherine

       Jamie

       Catherine

       Amanda

       Rosamie

       Elizabeth

       Article in the Washington Post on 30 June 2030

       Dawn

       Catherine

       Lisa

       Dawn

       Remembrance

       Catherine

       Foreword to ‘Stories of the Great Male Plague’ by Catherine Lawrence

       Acknowledgements

       About the Author

       About the Publisher

       Author’s Note

      I first heard about coronavirus as most people likely did, through snippets of news and emails from friends saying, ‘Have you seen this? So weird!’ For a number of weeks, it felt distant in that way so many foreign news stories do. Something awful and scary but ultimately a disease I would remain personally unaffected by.

      Only a few months on from those emails and news reports, I’m sitting in my flat in central London in lockdown. I leave the house once a day for exercise, and shop for food and other essentials once a week. I don’t know when I’ll next see my family, my friends or my colleagues. Billions of people around the world are in the same position. I feel immeasurably fortunate to still be employed and to have recovered from suspected coronavirus (I have not been tested but experienced the virus’s tell-tale cough, breathlessness and extreme fatigue after returning to London from a trip to Northern Italy). I know you’re meant to ‘live your truth’ through art and everything, but contracting coronavirus was a step towards authenticity I could have done without.

      It’s an understatement to say it feels surreal that I wrote a book about a viral pandemic just as a viral pandemic swept the world. More than one person has half-jokingly called me Cassandra. When I started writing The End of Men in September 2018 it felt like the ultimate thought experiment. How far could I take my imagination? How would a global pandemic with an enormous death rate change the world? What would the world look like without men, or the majority of them? I wrote the first draft of the book in nine months, finishing with a burst of intense writing in June 2019. Now, as I edit the book for my publishers, I find myself testing my imaginary world against the real one. I gauge the distance between what I have written and what is happening. As a writer of speculative fiction, this is not something I ever expected.

      Coronavirus doesn’t have a death rate as high as the virus I have imagined in my novel. Nonetheless, we are experiencing in real life the greatest pandemic of our lifetimes, which is more than I ever could have imagined in my wildest nightmares. The world I wrote about was meant to stay safely within the pages of my novel; it is now far more closely reflected by the world than I ever could have expected. I hope that by the time you’re reading this, there is a vaccine. I hope our healthcare systems survive and economies recover. I hope your loved ones are safe and that the world has returned to that wonderful, boring, nostalgic state I now crave: normality.

      Christina Sweeney-Baird

      12 April 2020

BEFORE

       Catherine

       London, United Kingdom Five Days Before

      Do you need to dress up for Halloween if you’re a parent? This has never been an issue before. Theodore turned three a few months ago so until now I’ve just dressed him up as something cute (a carrot, then a lion and then an adorable fireman with a fuzzy helmet) and taken photos of him in the house. I don’t want to be a boring parent who everyone thinks is snooty and above the joy of dressing up. I also don’t want to be embarrassingly keen. Do all the other parents make an effort? Do any of them? Why does no one ever explain this stuff to you in advance?

      Beatrice, my only real friend at Theodore’s nursery, said she would rather die than dress up in something flammable but she works in investment banking and buys £2,000 handbags ‘when she’s had a bad day’ so I don’t think she’s necessarily a good indication of what the other mothers in this quiet part of South London will do.

      I’m eyeing up the costumes uneasily. ‘Sexy witch’. No. ‘Sexy Handmaid’s Tale Handmaid’. Will get me banned from the St Joseph’s Parent Teacher Association for life. ‘Sexy pumpkin’. Nonsense. What would Phoebe do? She’s the most sensible and pragmatic of my friends, with an uncanny ability to conjure up an easy answer to a problem as if it had been there, waiting for you all along. Phoebe would say to just wear black and throw on a witch hat, so that’s what I decide to do. I suspect the results of Phoebe’s daughters’ trick-or-treating will be slightly more upmarket than the sweets we’ll be collecting tonight. She lives in a terrifyingly expensive area of Battersea thanks to a huge inheritance from her father last year. He left her his five-bedroom house with a massive garden but, as she likes to joke, her Roman nose was a steep price to pay.

      Looking down at my watch I realise I’m running late for pick-up again. I take the hat and leg it to the nursery. I’m charged £20 per five minutes that I’m late, a rate so extortionate I’m tempted to set up my own nursery because it must be the highest legal interest rate in the country.

      I do the rushed Hi, hi, hello, yes, I know, late again, despite working from home a lot! Ha! Yes, I am disorganised, funny, hilarious, such humour interaction with the other mothers as I throw myself through the door and pick up a forlorn Theodore.

      ‘Mummy was late again,’ he sighs.

      ‘Sorry darling, I was buying a witch hat for tomorrow.’

      His face lights up. The power of distraction. Halloween has suddenly flipped from being a thing he had a remote understanding of last

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