The Works of Honoré de Balzac: About Catherine de' Medici, Seraphita, and Other Stories. Honore de Balzac
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"Come in here," said Pardaillan to Lecamus, signing to him to follow him through the carved door on the second floor, which was thrown open by a sentry on his recognizing Pardaillan.
Christophe's amazement may easily be imagined on entering this guardroom, so vast, that the military genius of our day has cut it across by a partition to form two rooms. It extends, in fact, both on the second floor, where the King lived, and on the first, occupied by the Queen-mother, for a third of the length of the front towards the court, and is lighted by two windows to the left and two to the right of the famous staircase. The young captain made his way toward the door leading to the King's room, which opened out of this hall, and desired one of the pages-in-waiting to tell Madame Dayelle, one of the Queen's ladies, that the furrier was in the guardroom with her surcoats.
At a sign from Pardaillan, Christophe went to stand by the side of an officer seated on a low stool in the corner of a chimney-place as large as his father's shop, at one end of this vast hall opposite another exactly like it at the other end. In talking with this gentleman, Christophe succeeded in interesting him by telling him the trivial details of his trade; and he seemed so completely the craftsman, that the officer volunteered this opinion to the captain of the Scotch Guard, who came in to cross-question the lad while scrutinizing him closely out of the corner of his eye.
Though Christophe Lecamus had had ample warning, he still did not understand the cold ferocity of the interested parties between whom Chaudieu had bid him stand. To an observer who should have mastered the secrets of the drama, as the historian knows them now, it would have seemed terrible to see this young fellow, the hope of two families, risking his life between two such powerful and pitiless machines as Catherine and the Guises. But how few brave hearts ever know the extent of their danger! From the way in which the quays of the city and the château were guarded, Christophe had expected to find snares and spies at every step, so he determined to conceal the importance of his errand and the agitation of his mind under the stupid tradesman's stare, which he had put on before Pardaillan, the officer of the Guard, and the captain.
The stir which in a royal residence attends the rising of the King began to be perceptible. The nobles, leaving their horses with their pages or grooms in the outer court, for no one but the King and Queen was allowed to enter the inner court on horseback, were mounting the splendid stairs in twos and threes and filling the guardroom, a large room with two fireplaces—where the huge mantels are now bereft of adornment, where squalid red tiles have taken the place of the fine mosaic flooring, where royal hangings covered the rough walls now daubed with whitewash, and where every art of an age unique in its splendor was displayed at its best.
Catholics and Protestants poured in as much to hear the news and study each other's faces as to pay their court to the King. His passionate affection for Mary Stuart, which neither the Queen-mother nor the Guises attempted to check, and Mary's politic submissiveness in yielding to it, deprived the King of all power; indeed, though he was now seventeen, he knew nothing of Royalty but its indulgences, and of marriage nothing but the raptures of first love. In point of fact, everybody tried to ingratiate himself with Queen Mary and her uncles, the Cardinal de Lorraine and the Grand Master of the Household.
All this bustle went on under the eyes of Christophe, who watched each fresh arrival with very natural excitement. A magnificent curtain, on each side of it a page and a yeoman of the Scotch Guard then on duty, showed him the entrance to that royal chamber, destined to be fatal to the son of the Grand Master, for the younger Balafré fell dead at the foot of the bed now occupied by Mary Stuart and Francis II. The Queen's ladies occupied the chimney-place opposite to that where Christophe was still chatting with the captain of the Guard. This fireplace, by its position, was the seat of honor, for it is built into the thick wall of the council-room, between the door into the royal chamber and that into the council-room, so that the ladies and gentlemen who had a right to sit there were close to where the King and the Queens must pass. The courtiers were certain to see Catherine; for her maids of honor, in mourning, like the rest of the Court, came up from her rooms conducted by the Countess Fieschi, and took their place on the side next the council-room, facing those of the young Queen, who, led by the Duchesse de Guise, took the opposite angle next the royal bedchamber.
Between the courtiers and the young ladies, all belonging to the first families in the kingdom, a space was kept of some few paces, which none but the greatest nobles were permitted to cross. The Countess Fieschi and the Duchesse de Guise were allowed by right of office to be seated in the midst of their noble charges, who all remained standing.
One of the first to mingle with these dangerous bevies was the Duc de Orléans, the King's brother, who came down from his rooms above, attended by his tutor, Monsieur de Cypierre. This young Prince, who was destined to reign before the end of the year, under the name of Charles IX., at the age of ten was excessively shy. The Duc d'Anjou and the Duc d'Alençon, his two brothers, and the infant Princess Marguerite, who became the wife of Henri IV., were still too young to appear at Court, and remained in their mother's apartments. The Duc d'Orléans, richly dressed in the fashion of the time, in silk trunk hose, a doublet of cloth of gold, brocaded with flowers in black, and a short cloak of embroidered velvet, all black, for he was still in mourning for the late King his father, bowed to the two elder ladies, and joined the group of his mother's maids of honor. Strongly disliking the Guisards (the adherents of the Guises), he replied coldly to the Duchess' greeting, and went to lean his elbow on the back of the Countess Fieschi's tall chair.
His tutor, Monsieur de Cypierre, one of the finest characters of that age, stood behind him as a shield. Amyot, in a simple abbé's gown, also attended the Prince; he was his instructor as well as being the teacher of the three other royal children, whose favor was afterwards so advantageous to him.
Between this chimney-place "of honor" and that at the further end of the hall—where the Guards stood in groups with their captain, a few courtiers, and Christophe carrying his box—the Chancellor Olivier, l'Hôpital's patron and predecessor, in the costume worn ever since by the Chancellors of France, was walking to and fro with Cardinal de Tournon, who had just arrived from Rome, and with whom he exchanged a few phrases in murmurs. On them was centered the general attention of the gentlemen packed against the wall dividing the hall from the King's bedroom, standing like a living tapestry against the rich figured hangings. In spite of the serious state of affairs, the Court presented the same appearance as every Court must, in every country, at every time, and in the midst of the greatest perils. Courtiers always talk of the most trivial subjects while thinking of the gravest, jesting while watching every physiognomy, and considering questions of love and marriage with heiresses in the midst of the most sanguinary catastrophes.
"What did you think of yesterday's fête?" asked Bourdeilles, the Lord of Brantôme, going up to Mademoiselle de Piennes, one of the elder Queen's maids of honor.
"Monsieur du Baïf and Monsieur du Bellay had had the most charming ideas," said she, pointing to the two gentlemen who had arranged everything, and who were standing close at hand. "I thought it in atrocious taste," she added in a whisper.
"You had no part in it?" said Miss Lewiston from the other side.
"What are you reading, madame?" said Amyot to Madame Fieschi.
"Amadis de Gaule, by the Seigneur des Essarts, purveyor-in-ordinary to the King's Artillery."
"A delightful work," said the handsome girl, who became famous as la Fosseuse, when she was lady-in-waiting to Queen Margaret of Navarre.
"The style is quite new," remarked Amyot. "Shall you adopt such barbarisms?" he asked, turning to Brantôme.
"The ladies like it! What is to be said?" cried Brantôme,