the murder of Lord Russell in its feverish interest in the expected legislative abortion. There was an appeal to the country; a premier retired to Italy; some few thousands were added to the credit column of the national ledger at the expense of a ministry, and once more the advent of royalty at St. James's dazzled the cockney eye and filled the cockney mouth to the stultification of the cockney brain. Lord Russell was forgotten—as completely as Saunders Leach—as totally as an isle sunk beneath the waters of oblivion.
The first time Sir Richard had essayed to write he had been deliciously horrified at the ease with which his pencil had followed the pressure of his new fingers. His recent clothes added an extra inch to his sleeves, and his broad cuffs fully concealed the white seam that ran around his wrist. The hand itself served his purposes well enough, but unmistakably it was not his own. He never laid the two together—never let his eyes fall upon the vicarious fingers if he could avoid it, for inevitably a sickening sensation of repulsion followed. His own fingers were long and tapering, the nails fine with pronounced "crowns," the back of the hand slender and smooth; the new one was broader and hairy, the fingers shorter and square at the ends, the nails thick and dull with no "crowns," and the veins blue and prominent. There were too many pores!
He loathed the thing, tell himself as often as he would that it was nothing but a mechanical device to supplement Nature. Physically he felt as if he were wearing a glove that was too small for him, into which he had been forced to stuff his hand. This seemed to produce a tight, swollen sensation which was the only indication of his abnormal condition. He ate, drove, used his keys, articulated his fingers, and even wrote with the same muscular freedom as before. His chirography actually and undeniably exhibited the same general characteristics, only intensified and with less certainty of stroke and pen-pressure. The letters which had previously been merely somewhat original in structure as suited a man of fashion, now became humpbacked and deformed. It was as though the spiritual qualities of Sir Richard's penmanship had shrunk away, leaving only the grotesque residue of a dwarfed and evil nature.
But apart from the question of chirography one other manifestation constantly reminded Mortmain of his crime. This was an itching in the grafted hand whenever its possessor became angry or excited. Even hard physical exercise produced the same phenomenon. It seemed as if Nature, having provided for the circulation of a certain amount of blood, found on reaching this particular extremity that the supply exceeded the power of reception. If angered, he found himself indulging in ungovernable fits of passion, with his eyes suffused and his head buzzing. At times he experienced an almost irresistible impulse to throttle somebody. On the slightest provocation the fingers of his right hand would curve and clutch, and a fierce longing seize him to compass the extinction of life in some animate being—to feel the slackening of the muscles in some victim—an emotion elemental, barbarous, cruel, but keen, masterful and pervading. He had an exhilarating sensation of strength and vitality new to him. Moreover, his attitude toward his fellow-men had imperceptibly altered. Before his operation he had hated all evil doers and been strongly loyal to government and law; now he sympathized with the lawbreakers. In defying society and deliberately violating its statutes, he had allied himself with its enemies.
This he realized and accepted. At any moment he might be called upon to face a criminal prosecution for the felony of mutilation; and there was still the peculiar and inexplicable silence of Flaggs in regard to the papers which he had taken away with him on the morning after the murder. No word had ever passed between them on the subject, and yet the notes were outstanding and in the hands of a more dangerous holder than even Lord Russell himself. By merely handing them to the executors, Flaggs could not only throw Sir Richard into bankruptcy, but could place him in the awkward position of having suppressed the notes at the time of Lord Russell's death. That, too, would lead to a still further and more delicate complication. He would naturally be asked how he had secured possession of the notes. It would be clear that they were in Lord Russell's hands at the time of the murder. Flaggs would explain that he had procured them from Sir Richard. So far as he was concerned, he had been safely "jugged" at the time of the murder. He could call a score of sergeants, matrons, and bobbies to prove that, and establish it by the police records themselves. Where, then, people would want to know, had Sir Richard obtained them? It would be a hard question to answer in such a way that the answer would carry any sort of conviction with it.
No one, of course, would believe that he had found them, as in fact was the case. Any such explanation would excite instant suspicion. If he should say that he had paid them and had received the notes from Lord Russell's lawyers, inquiry would at once demonstrate that the lawyers had never had possession of the notes, or received any money from Sir Richard. If he said that he had taken the money to Lord Russell and received the notes from him, his own evidence would place him upon the scene of the murder at approximately the moment of it. Further, no draft in payment of the notes would be found among Lord Russell's papers, and the suspicion would immediately arise that he had proffered a forged draft to secure possession of the notes, and then murdered the old man to get it back.
It was indeed a predicament of the worst sort. In Sir Richard the horrible unfairness of it bred a hatred for a society in which such things were possible. He looked at any moment to find himself made the defendant in a criminal prosecution, just or unjust—the unjust the more difficult of the two to escape. He needed money—money to fight with, money to live on, money to keep up his hollow pretense of respectability. And as his attitude toward society gradually changed, the dead-alive thing at his wrist with the white seam throbbed and itched until Mortmain longed fiercely to tear it off. At night he would dream—and this dream repeated itself over and over again—that he was fastened to some miserable convict, shackled by the wrist in such a way that somehow they two had grown together, and as he struggled in his sleep his fellow would turn into the grinning, jeering image of Flaggs—Flaggs fastened to him by a bond of burning, itching flesh—Flaggs joined to him like a Siamese twin, flesh of his flesh, blood of his blood—until by some unnatural evolution he became Flaggs and could see his own wretched shape writhing at the other end of their mutual arm. Then shaking, chilled, and covered with perspiration he would awake and look for Flaggs beside him, and hold his hand to the blue night-light only to find the seam about his wrist and the dead-white hand throbbing until he thought he should go mad.
By day he was haunted by the vision of Flaggs watching his house and following him along the streets. He could not get the fellow out of his mind. This terror of the drunken clerk became a positive obsession. As he walked the streets or drove in his brougham through the park he was constantly planning out what he should say when they should finally come together—when Flaggs should call for him, summon him as his own. Could he defy him? Could he palliate him? The hand twitched at the thought of it. He fancied that Flaggs followed him everywhere in various disguises, running swiftly behind, dodging into doorways and up side streets when he turned around. And this habit of turning around and glancing furtively up and down grew on Sir Richard, and with it grew the itching in his hand, until he suspected that people shook their heads and said that his illness had undermined his health more than they had supposed.
It was no bodily illness that thus affected Sir Richard, but spiritual degeneration. He went from dinner party to dinner party and from musicale to musicale, paying court to Lady Bella Forsythe as if no grotesque face were peering from behind the arras of his brain. Yet in reality he was preparing to meet Flaggs in the final struggle for supremacy. Flaggs, like death and the tax man, was coming—when? He could not tell, but inevitably. And he must be ready, armed cap-a-pie to meet him on every ground. He had at last resolved to marry Lady Bella. It was an essential in his campaign to defeat Flaggs. There must be plenty of money—money, that was what he needed, what he wanted. It was partly for Lady Bella that he had planned his musical entertainment, for, in addition to its practical desirability, if he purposed to retain his position in the social world, it would afford an excellent opportunity for presenting himself to her as a person worthy of her own high station and acquaintance. His own music—! Alas! the brain was willing, but the fingers were powerless. Where before he had produced the most delicate of harmonies there now resulted nothing but harsh discords. The hand would not stretch an octave!
