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THE
OCEAN HOUSE
Also by Mary-Beth Hughes
The Loved Ones
Double Happiness
Wavemaker II
THE
OCEAN HOUSE
Stories
Mary-Beth Hughes
Atlantic Monthly Press
New York
Copyright © 2021 by Mary-Beth Hughes
All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Scanning, uploading, and electronic distribution of this book or the facilitation of such without the permission of the publisher is prohibited. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated. Any member of educational institutions wishing to photocopy part or all of the work for classroom use, or anthology, should send inquiries to Grove Atlantic, 154 West 14th Street, New York, NY 10011 or [email protected].
FIRST EDITION
Published simultaneously in Canada
Printed in the Canada
First Grove Atlantic hardcover edition: January 2021
This book is set in 1.5-pt. Scala LF by Alpha Design and Composition of Pittsfield, NH.
Library of Congress Cataloging-in-Publication data available for this title.
ISBN 978-0-8021-5753-9
eISBN 978-0-8021-5754-6
Atlantic Monthly Press
an imprint of Grove Atlantic
154 West 14th Street
New York, NY 10011
Distributed by Publishers Group West
For Duke,
and for Pod,
all my love.
Contents
How the Poets Learned to Love Her
The Ocean House
They were tiny girls lying on their bellies by the wide windows of the playroom, spying on their mother far below. She tiptoed along the seawall, holding steady on puddled dips and sharp edges of the black jetty. Waves burst and sprayed at her feet. The girls pressed in close, touching clouds and crabs etched in the glass along the lower rims. Their fingers worked into the grooves as they watched their mother—so light-footed, her bathing suit beneath a sundress—climb over the fence between the neighboring beach club property and their own. She’s a fish! their father liked to declare, but she didn’t like to be inside the ocean. She preferred salt water in a swimming pool where she could see the beginning and end.
Midmorning, Mrs. Hoving, despite her bad hip, walked all the way down the back stairs to retrieve milk and peaches. Their playroom was a round attic room on the turret end. But directly below, the grandest room of the house was empty. In the master bedroom a plinth raised the bed so high that, waking, their mother might see the waves first thing. Above the bed, a built-in carved canopy of shells and rosebuds lifted by four columns all painted white. The vista windows had ribbons of more rosebuds in pale-pink stained glass; the thorns were blunt and blue. A sleeping place for a sea queen. But their mother didn’t care for it. Thought it corny, trite. The window shade manufacturer’s silly dream for a wife who left him anyway. Then he went bankrupt. Why would she want to sleep there?
Their mother was content in a regular rectangular bedroom with cross breezes. Besides, the grand circular bedroom with the plinth, the canopy, the flat pink glass roses and stubby thorns was haunted by a small boy who swung by his feet and made slurping noises nibbling at the sleeper’s nose. Their mother said he liked to be left alone.
Of course they wanted to know how old he was, but she couldn’t say, which was frustrating because age was crucial to them at the time. Courtney was five, nearly five. Paige was three. Their mother was twenty-seven, so an old woman she said. Their father twenty-eight. But they were a year and a half apart, like Courtney and Paige. Mrs. Hoving claimed to be 103.
On the turret side of the house, below the haunted bedroom, was the circular dining room. Lower still, a cellar of sand and rock, entirely off-limits. But in the bright round dining room, where they were free to come and go, their mother hung a new wallpaper. She’d imported the white herons standing in the lime-colored reeds from Japan. The house made me do it, she said. And that made sense because it looked, when she was finished, as if it had been here from the start. Something to appease the fleeing wife, the broken husband, the hungry boy. All of them.
Don’t be flip, said their father, as if she’d said something cruel. Mrs. Hoving didn’t
