were the facts established by the police on the day after the commission of that mysterious crime. Facts that were vague and incoherent in themselves, and which were not explained by any subsequent discoveries. The movements of Antoinette Bréhat remained as inexplicable as those of the blonde Lady, and the police discovered no trace of that mysterious creature with the golden hair who had killed Baron d'Hautrec and had failed to take from his finger the famous diamond that had once shone in the royal crown of France.
The heirs of the Baron d'Hautrec could not fail to benefit by such notoriety. They established in the house an exhibition of the furniture and other objects which were to be sold at the auction rooms of Drouot & Co. Modern furniture of indifferent taste, various objects of no artistic value ... but, in the centre of the room, in a case of purple velvet, protected by a glass globe, and guarded by two officers, was the famous blue diamond ring.
A large magnificent diamond of incomparable purity, and of that indefinite blue which the clear water receives from an unclouded sky, of that blue which can be detected in the whiteness of linen. Some admired, some enthused ... and some looked with horror on the chamber of the victim, on the spot where the corpse had lain, on the floor divested of its blood-stained carpet, and especially the walls, the unsurmountable walls over which the criminal must have passed. Some assured themselves that the marble mantel did not move, others imagined gaping holes, mouths of tunnels, secret connections with the sewers, and the catacombs—
The sale of the blue diamond took place at the salesroom of Drouot & Co. The place was crowded to suffocation, and the bidding was carried to the verge of folly. The sale was attended by all those who usually appear at similar events in Paris; those who buy, and those who make a pretense of being able to buy; bankers, brokers, artists, women of all classes, two cabinet ministers, an Italian tenor, an exiled king who, in order to maintain his credit, bid, with much ostentation, and in a loud voice, as high as one hundred thousand francs. One hundred thousand francs! He could offer that sum without any danger of his bid being accepted. The Italian tenor risked one hundred and fifty thousand, and a member of the Comédie-Française bid one hundred and seventy-five thousand francs.
When the bidding reached two hundred thousand francs, the smaller competitors fell out of the race. At two hundred and fifty thousand, only two bidders remained in the field: Herschmann, the well-known capitalist, the king of gold mines; and the Countess de Crozon, the wealthy American, whose collection of diamonds and precious stones is famed throughout the world.
"Two hundred and sixty thousand ... two hundred and seventy thousand ... seventy-five ... eighty...." exclaimed the auctioneer, as he glanced at the two competitors in succession. "Two hundred and eighty thousand for madame.... Do I hear any more?"
"Three hundred thousand," said Herschmann.
There was a short silence. The countess was standing, smiling, but pale from excitement. She was leaning against the back of the chair in front of her. She knew, and so did everyone present, that the issue of the duel was certain; logically, inevitably, it must terminate to the advantage of the capitalist, who had untold millions with which to indulge his caprices. However, the countess made another bid:
"Three hundred and five thousand."
Another silence. All eyes were now directed to the capitalist in the expectation that he would raise the bidding. But Herschmann was not paying any attention to the sale; his eyes were fixed on a sheet of paper which he held in his right hand, while the other hand held a torn envelope.
"Three hundred and five thousand," repeated the auctioneer. "Once!... Twice!... For the last time.... Do I hear any more?... Once!... Twice!... Am I offered any more? Last chance!..."
Herschmann did not move.
"Third and last time!... Sold!" exclaimed the auctioneer, as his hammer fell.
"Four hundred thousand," cried Herschman, starting up, as if the sound of the hammer had roused him from his stupor.
Too late; the auctioneer's decision was irrevocable. Some of Herschmann's acquaintances pressed around him. What was the matter? Why did he not speak sooner? He laughed, and said:
"Ma foi! I simply forgot—in a moment of abstraction."
"That is strange."
"You see, I just received a letter."
"And that letter was sufficient—"
"To distract my attention? Yes, for a moment."
Ganimard was there. He had come to witness the sale of the ring. He stopped one of the attendants of the auction room, and said:
"Was it you who carried the letter to Monsieur Herschmann?"
"Yes."
"Who gave it to you?"
"A lady."
"Where is she?"
"Where is she?... She was sitting down there ... the lady who wore a thick veil."
"She has gone?"
"Yes, just this moment."
Ganimard hastened to the door, and saw the lady descending the stairs. He ran after her. A crush of people delayed him at the entrance. When he reached the sidewalk, she had disappeared. He returned to the auction room, accosted Herschmann, introduced himself, and enquired about the letter. Herschmann handed it to him. It was carelessly scribbled in pencil, in a handwriting unknown to the capitalist, and contained these few words:
"The blue diamond brings misfortune. Remember the Baron d'Hautrec."
The vicissitudes of the blue diamond were not yet at an end. Although it had become well-known through the murder of the Baron d'Hautrec and the incidents at the auction-rooms, it was six months later that it attained even greater celebrity. During the following summer, the Countess de Crozon was robbed of the famous jewel she had taken so much trouble to acquire.
Let me recall that strange affair, of which the exciting and dramatic incidents sent a thrill through all of us, and over which I am now permitted to throw some light.
On the evening of August 10, the guests of the Count and Countess de Crozon were assembled in the drawing-room of the magnificent château which overlooks the Bay de Somme. To entertain her friends, the countess seated herself at the piano to play for them, after first placing her jewels on a small table near the piano, and, amongst them, was the ring of the Baron d'Hautrec.
An hour later, the count and the majority of the guests retired, including his two cousins and Madame de Réal, an intimate friend of the countess. The latter remained in the drawing-room with Herr Bleichen, the Austrian consul, and his wife.
They conversed for a time, and then the countess extinguished the large lamp that stood on a table in the centre of the room. At the same moment, Herr Bleichen extinguished the two piano lamps. There was a momentary darkness; then the consul lighted a candle, and the three of them retired to their rooms. But, as soon as she reached her apartment, the countess remembered her jewels and sent her maid to get them. When the maid returned with the jewels, she placed them on the mantel without the countess looking at them. Next day, Madame de Crozon found that one of her rings was missing; it was the blue diamond ring.
She informed her husband, and, after talking it over, they reached the conclusion that the maid was above suspicion, and that the guilty party must be
