Homes and Haunts of the Most Eminent British Poets. William Howitt
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Stella died in 1727–8, having borne the secret and corroding suffering of the position imposed by the selfishness of Swift for upward of thirty years. Mrs. Whiteway, a lady who was on terms of great intimacy with Swift, and spent much time at the deanery of St. Patrick's, stated, that when Stella was on her death-bed, she expostulated with Swift on his having kept their marriage unnecessarily secret, and expressed her fear that it might leave a stain on her reputation, to which Swift replied, "Well, my dear, if you wish it, it shall be owned." Stella replied, "It is too late!"
Scott says "he received this report of Mrs. Whiteway with pleasure, as vindicating the dean from the charge of cold-blooded and hard-hearted cruelty to the unfortunate Stella, when on the verge of existence." How does it vindicate him from any such charge? The avowal was never made by him; and so dubious was the very fact of the marriage left, as far as any act of Swift's was concerned, that its very existence has since been strenuously denied, especially by Mr. Monck Mason in his History of St. Patrick's Cathedral. The simple truth is, that the whole of Swift's conduct to Stella for thirty-three years was a piece of "cold-blooded and hard-hearted cruelty," which admits of no defense. Such was the treatment which all ladies who manifested an attachment to Swift received at his hands; is it any wonder that such a man went mad?
These circumstances have given a singular character to the biography of Swift; the letters of Stella and Vanessa, which have been published, convert it, by their passion and heart-eloquence, into a species of romance; in which, however, Swift himself plays the part of a very clever, witty, and domineering, but certainly not attractive hero. Moorpark will always possess an interest connected with Stella. It was amid its pleasant groves that, young, beautiful, and confiding, she indulged with Swift in those dreams of after life which he was so bitterly to falsify. There is a cavern about three quarters of a mile from the mansion, called Mother Ludlam's Hole, which the country tradition represents as having been a frequent resort of Swift and Stella in their walks. It lies half way down the side of the hill, covered with wood toward the southern extremity of the park. It seems to have been hewn out of the sandstone rock, and to have increased considerably in its dimensions since it was described by Grose. The greatest height of this excavation may be about twelve feet, and its breadth twenty, but at the distance of about thirty feet from the entrance it becomes so low and narrow as to be passable only by a person crawling on his hands and knees. From the bottom of the cave issues a small, clear stream, and two stone benches have been placed for the accommodation of visitors. The gloom and uncertain depth of the grotto, the sound of the water, and the beauty of the surrounding solitary scene, surveyed through the dark arched entrance, shagged with weeds and the roots of trees, give the spot an impressive effect. Grose gives a jocose account of the origin of the name of the cave. Old Mother Ludlam, he tells us, was a white witch, one who neither killed hogs, rode on broomsticks, nor made children vomit nails and crooked pins, but, on the contrary, did all the good she could. That the country people, when in want of any article, say a frying-pan or a spade, would come to the cave at midnight, and, turning three times round, would three times say, "Pray, good Mother Ludlam, lend me such a thing, and I will return it within two days." The next morning, on going there again, the article would be found laid at the entrance of the cave. At length the borrower of a large caldron was not punctual in returning it, which so irritated the good mother, that when it did come she refused to take it in again, and in course of time it was conveyed away to Waverley Abbey, and, at the dissolution of the monasteries, was deposited in Frensham Church. From the hour of the non-appearance of the caldron, however, at its proper time, Mother Ludlam never would lend the slightest thing.
The resorts and residences of Swift in London, during his life there, have no very peculiar interest. He frequented freely the houses of the great political characters with whom he was connected. His immediate friends were Harley, Bolingbroke, Godolphin. He was a frequent attendant at Leicester House, the court of the Prince of Wales, afterward George II. He was on the most familiar terms with all the literati, Gay, Pope, Addison, and for a considerable period, Steele, etc. He was often at Twickenham for months together, and Button's Coffee-house was the constant resort of the wits of the time, among whom he played a very conspicuous part. It is not in these places, however, that the deep interest of Swift's life has settled, and, therefore, we pass at once across the Channel to Ireland, and seek his homes there. We have already noticed his brief abode at Kilroot; his next residence was at Laracor, in Meath.
Swift was about thirty-two years of age when he attended Lord Berkeley, one of the lords-justices of Ireland, to that country as his chaplain and private secretary. Berkeley had promised him the first good church living that fell vacant, but the rich deanery of Derry soon after falling out, he would only sell it to Swift for a thousand pounds. Swift resented this in such a manner, that to prevent making so formidable an enemy, he gave him the next vacancy—the rectory of Agher, and the vicarage of Laracor and Rathbeggan. These livings, united, amounted to about £230 yearly; and the prebend of Dunlavin being added in the year 1700, raised Swift's income to between £350 and £400. His manner of taking possession of Laracor, where he resolved to live, was characteristic. He was a great walker, and he is said to have walked down incognito to Laracor from Dublin, making doggerel rhymes on the places which he passed through. Many anecdotes are related of this journey. Arriving, he entered the curate's house, demanded his name, and announced himself bluntly "as his master." All was bustle to receive a person of such consequence, who, apparently, was determined to make his consequence felt. The curate's wife was ordered to lay aside the doctor's clean shirt and stockings, which he carried in his pocket; nor did Swift relax his airs of domination until he had excited much alarm, which his subsequent and friendly conduct to the worthy couple turned into respectful attachment.
These brusqueries of the dean's were, no doubt, very amusing to himself, and are agreeable enough to read of, but they must have been any thing but agreeable to those upon whom they were played off. They betray a want of regard to the feelings of others, and were, every one of them, offenses against the best laws of society, which every one who regards the kindly sparing of the feelings of the humble and the modest ought to condemn. However respectful might be the after attachment of this worthy curate and his wife, we may well believe that the first strange rudeness and severity of the dreaded dean would leave a wound and a terror behind that were not deserved, and that no one ought willingly to inflict. There were cases where folly merited the eccentric chastisement which Swift gave them. The farmer's wife who invited him to dinner, and then spoiled the dinner by repeatedly complaining that it really was too poor for him to sit down to, though the table groaned with good things, deserved, in some degree, the retort, "Then why did you not get a better? you knew I was coming; I have a good mind to go away and dine on a red herring." Yet even there, the good-natured country habit of the woman was somewhat too severely punished. She meant well.
Swift seemed to settle down at Laracor in good earnest. He found the church and parsonage much neglected and dilapidated, and set about their repairs at once. He was active and regular in the discharge of his clerical duties. He read prayers twice a week, and preached regularly on Sundays. The prayers were thinly attended, and it was on one of these occasions that Lord Orrery represents him as addressing the clerk, Roger Coxe, as "My dearly beloved Roger." The truth of the anecdote has been disputed, and is said to exist in an old jest-book, printed half a century before. This does not, however, render it at all improbable that Swift did not make use of the jest, especially when we know that Roger was himself a humorist and a joker; as, for instance, when Swift asked Roger why he wore a red waistcoat, and he replied, because he belonged to the church militant.
STELLA'S HOUSE.