1524 a rumour was spread abroad that Erasmus was going to write against Luther, which produced the following characteristic letter from the Great Reformer: “Grace and peace from the Lord Jesus. I shall not complain of you for having behaved yourself as a man alienated from us, for the sake of keeping fair with the Papists; nor was I much offended that in your printed books, to gain their favour or soften their fury, you censured us with too much acrimony. We saw that the Lord had not conferred on you the discernment, courage, and resolution to join with us in freely and openly opposing these monsters; therefore we did not expect from you what greatly surpasseth your strength and capacity. We have borne with your weakness, and honoured that portion of the gift of God which is in you. … I never wished that deserting your own province you should come over to our camp. You might indeed have favoured us not a little by your wit and eloquence: but as you have not the courage requisite, it is safer for you to serve the Lord in your own way. Only we feared that our adversaries should entice you to write against us, in which case necessity would have constrained us to oppose you to your face. I am concerned that the resentment of so many eminent persons of your party has been excited against you: this must have given you great uneasiness; for virtue like yours, mere human virtue, cannot raise a man above being affected by such trials. Our cause is in no peril, although even Erasmus should attack it with all his might: so far are we from dreading the keenest strokes of his wit. On the other hand, my dear Erasmus, if you duly reflect on your own weakness, you will abstain from those sharp, spiteful figures of rhetoric, and treat of subjects better suited to your powers.” Erasmus’s answer is not found in the collection of his letters; but he must have been touched to the quick.
In 1527 he published two dialogues: the first, on ‘The pronunciation of the Greek and Latin Languages;’ full of learning and curious research: the second, entitled ‘Ciceronianus.’ In this lively piece he ridicules those Italian pedants who banished every word or phrase unauthorized by Cicero. His satire, however, is not directed against Cicero’s style, but against the servility of mere imitation. In a subsequent preface to a new edition of the Tusculan Questions, he almost canonizes Cicero, both for his matter and expression. Julius Scaliger had launched more than one philippic against him for his treatment of the Ciceronians; but he considered this preface as a kind of penance for former blasphemies, and admitted it as an atonement to the shade of the great Roman. Erasmus had at this time fixed his residence at Bâsle. He was advancing in years, and complained in his letters of poverty and sickness. Pope Paul III., notwithstanding his Colloquies, professed high regard for him, and his friends thought that he was likely to obtain high preferment. Of this matter Erasmus writes thus: “The Pope had resolved to add some learned men to the college of Cardinals, and I was named to be one. But to my promotion it was objected, that my state of health would unfit me for that function, and that my income was not sufficient.”
In the summer of 1536 his state of exhaustion became alarming. His last letter is dated June 20, and subscribed thus: “Erasmus Rot. ægra manu.” He died July 12, in the 59th year of his age, and was buried in the cathedral of Bâsle. His friend Beatus Rhenanus describes his person and manners. He was low of stature, but not remarkably short, well-shaped, of a fair complexion, grey eyes, a cheerful countenance, a low voice, and an agreeable utterance. His memory was tenacious. He was a pleasant companion, a constant friend, generous and charitable. Erasmus had one peculiarity, humorously noticed by himself; namely, that he could not endure even the smell of fish. On this he observed, that though a good Catholic in other respects, he had a most heterodox and Lutheran stomach.
With many great and good qualities, Erasmus had obvious failings. Bayle has censured his irritability when attacked by adversaries; his editor, Le Clerc, condemns his lukewarmness and timidity in the business of the Reformation. Jortin defends him with zeal, and extenuates what he cannot defend. “Erasmus was fighting for his honour and his life; being accused of nothing less than heterodoxy, impiety, and blasphemy, by men whose forehead was a rock, and whose tongue was a razor. To be misrepresented as a pedant and a dunce is no great matter; for time and truth put folly to flight: to be accused of heresy by bigots, priests, politicians, and infidels, is a serious affair; as they know too well who have had the misfortune to feel the effects of it.” Dr. Jortin here speaks with bitter fellow-feeling for Erasmus, as he himself had been similarly attacked by the high church party of his day. He goes on to give his opinion, that even for his lukewarmness in promoting the Reformation, much may be said, and with truth. “Erasmus was not entirely free from the prejudices of education. He had some indistinct and confused notions about the authority of the Catholic Church, which made it not lawful to depart from her, corrupted as he believed her to be. He was also much shocked by the violent measures and personal quarrels of the Reformers. Though, as Protestants, we are more obliged to Luther, Melancthon, and others, than to him, yet we and all the nations in Europe are infinitely indebted to Erasmus for spending a long and laborious life in opposing ignorance and superstition, and in promoting literature and true piety.” To us his character appears to be strongly illustrated by his own declaration, “Had Luther written truly every thing that he wrote, his seditious liberty would nevertheless have much displeased me. I would rather even err in some matters, than contend for the truth with the world in such a tumult.” A zealous advocate of peace at all times, it is but just to believe that he sincerely dreaded the contests sure to rise from open schism in the church. And it was no unpardonable frailty, if this feeling were nourished by a temperament, which confessedly was not desirous of the palm of martyrdom.
It is impossible to give the contents of works occupying ten volumes in folio. They have been printed under the inspection of the learned Mr. Le Clerc. The biography of Erasmus is to be found at large in Bayle’s Dictionary, and the copious lives of Knight and Jortin.
From the bronze statue of Erasmus at Rotterdam.
Engraved by W. Holl. TITIAN. From the Picture of Titian & Aretin painted by Titian, in his Majesty’s Collection at Windsor. Under the Superintendance of the Society for the Diffusion of Useful Knowledge. London, Published by Charles Knight, Pall Mall East.
TITIAN.
On looking back to the commencement of the sixteenth century, by far the most brilliant epoch of modern art, we cannot but marvel at the splendour and variety of talent concentrated within the brief space of half a century, or less. Michael Angelo, Raphael, Correggio, Titian, all fellow-labourers, with many others inferior to these mighty masters, yet whose works are prized by kings and nobles as their most precious treasures—by what strange prodigality of natural gifts, or happy combination of circumstances was so rare an assemblage of genius produced in so short a time? The most obvious explanation is to be found in the princely patronage then afforded to the arts by princes and churchmen. By this none profited more largely or more justly than the great painter, whose life it is our task to relate.
Tiziano Vecelli was born of an honourable family at Capo del Cadore, a small town on the confines of Friuli, in 1480. He soon manifested the bent of his genius, and at the age of ten was consigned to the care of an uncle residing in Venice, who placed him under the tuition of Giovanni Bellini, then in the zenith of his fame. The style of Bellini though forcible is dry and hard, and little credit has been given to him for his pupil’s success. It is probable, however, that Titian imbibed in his school those habits of accurate imitation, which enabled him afterwards to unite boldness and truth, and to indulge in the most daring execution, without degenerating into mannerism. The elements of his future style he found first indicated by Lionardo da Vinci, and more developed in the works of Giorgione, who adopted the principles of Lionardo,
