firmly convinced that one should be tacked on to every remark made to a child who was being brought up.
But Anne waved the moral inconsequently aside and seized only on the delightful possibilities before it.
"Oh, I'm so glad she's pretty. Next to being beautiful oneself—and that's impossible in my case—it would be best to have a beautiful bosom friend. When I lived with Mrs. Thomas she had a bookcase in her sitting room with glass doors. There weren't any books in it; Mrs. Thomas kept her best china and her preserves there—when she had any preserves to keep. One of the doors was broken. Mr. Thomas smashed it one night when he was slightly intoxicated. But the other was whole and I used to pretend that my reflection in it was another little girl who lived in it. I called her Katie Maurice, and we were very intimate. I used to talk to her by the hour, especially on Sunday, and tell her everything. Katie was the comfort and consolation of my life. We used to pretend that the bookcase was enchanted and that if I only knew the spell I could open the door and step right into the room where Katie Maurice lived, instead of into Mrs. Thomas' shelves of preserves and china. And then Katie Maurice would have taken me by the hand and led me out into a wonderful place, all flowers and sunshine and fairies, and we would have lived there happy for ever after. When I went to live with Mrs. Hammond it just broke my heart to leave Katie Maurice. She felt it dreadfully, too, I know she did, for she was crying when she kissed me good-bye through the bookcase door. There was no bookcase at Mrs. Hammond's. But just up the river a little way from the house there was a long green little valley, and the loveliest echo lived there. It echoed back every word you said, even if you didn't talk a bit loud. So I imagined that it was a little girl called Violetta and we were great friends and I loved her almost as well as I loved Katie Maurice—not quite, but almost, you know. The night before I went to the asylum I said good-bye to Violetta, and oh, her good-bye came back to me in such sad, sad tones. I had become so attached to her that I hadn't the heart to imagine a bosom friend at the asylum, even if there had been any scope for imagination there."
"I think it's just as well there wasn't," said Marilla drily. "I don't approve of such goings-on. You seem to half believe your own imaginations. It will be well for you to have a real live friend to put such nonsense out of your head. But don't let Mrs. Barry hear you talking about your Katie Maurices and your Violettas or she'll think you tell stories."
"Oh, I won't. I couldn't talk of them to everybody—their memories are too sacred for that. But I thought I'd like to have you know about them. Oh, look, here's a big bee just tumbled out of an apple blossom. Just think what a lovely place to live—in an apple blossom! Fancy going to sleep in it when the wind was rocking it. If I wasn't a human girl I think I'd like to be a bee and live among the flowers."
"Yesterday you wanted to be a sea gull," sniffed Marilla. "I think you are very fickle minded. I told you to learn that prayer and not talk. But it seems impossible for you to stop talking if you've got anybody that will listen to you. So go up to your room and learn it."
"Oh, I know it pretty nearly all now—all but just the last line."
"Well, never mind, do as I tell you. Go to your room and finish learning it well, and stay there until I call you down to help me get tea."
"Can I take the apple blossoms with me for company?" pleaded Anne.
"No; you don't want your room cluttered up with flowers. You should have left them on the tree in the first place."
"I did feel a little that way, too," said Anne. "I kind of felt I shouldn't shorten their lovely lives by picking them—I wouldn't want to be picked if I were an apple blossom. But the temptation was IRRESISTIBLE. What do you do when you meet with an irresistible temptation?"
"Anne, did you hear me tell you to go to your room?"
Anne sighed, retreated to the east gable, and sat down in a chair by the window.
"There—I know this prayer. I learned that last sentence coming upstairs. Now I'm going to imagine things into this room so that they'll always stay imagined. The floor is covered with a white velvet carpet with pink roses all over it and there are pink silk curtains at the windows. The walls are hung with gold and silver brocade tapestry. The furniture is mahogany. I never saw any mahogany, but it does sound SO luxurious. This is a couch all heaped with gorgeous silken cushions, pink and blue and crimson and gold, and I am reclining gracefully on it. I can see my reflection in that splendid big mirror hanging on the wall. I am tall and regal, clad in a gown of trailing white lace, with a pearl cross on my breast and pearls in my hair. My hair is of midnight darkness and my skin is a clear ivory pallor. My name is the Lady Cordelia Fitzgerald. No, it isn't—I can't make THAT seem real."
She danced up to the little looking-glass and peered into it. Her pointed freckled face and solemn gray eyes peered back at her.
"You're only Anne of Green Gables," she said earnestly, "and I see you, just as you are looking now, whenever I try to imagine I'm the Lady Cordelia. But it's a million times nicer to be Anne of Green Gables than Anne of nowhere in particular, isn't it?"
She bent forward, kissed her reflection affectionately, and betook herself to the open window.
"Dear Snow Queen, good afternoon. And good afternoon dear birches down in the hollow. And good afternoon, dear gray house up on the hill. I wonder if Diana is to be my bosom friend. I hope she will, and I shall love her very much. But I must never quite forget Katie Maurice and Violetta. They would feel so hurt if I did and I'd hate to hurt anybody's feelings, even a little bookcase girl's or a little echo girl's. I must be careful to remember them and send them a kiss every day."
Anne blew a couple of airy kisses from her fingertips past the cherry blossoms and then, with her chin in her hands, drifted luxuriously out on a sea of daydreams.
Chapter 9 Mrs. Rachel Lynde Is Properly Horrified
Anne had been a fortnight at Green Gables before Mrs. Lynde arrived to inspect her. Mrs. Rachel, to do her justice, was not to blame for this. A severe and unseasonable attack of grippe had confined that good lady to her house ever since the occasion of her last visit to Green Gables. Mrs. Rachel was not often sick and had a well-defined contempt for people who were; but grippe, she asserted, was like no other illness on earth and could only be interpreted as one of the special visitations of Providence. As soon as her doctor allowed her to put her foot out-of-doors she hurried up to Green Gables, bursting with curiosity to see Matthew and Marilla's orphan, concerning whom all sorts of stories and suppositions had gone abroad in Avonlea.
Anne had made good use of every waking moment of that fortnight. Already she was acquainted with every tree and shrub about the place. She had discovered that a lane opened out below the apple orchard and ran up through a belt of woodland; and she had explored it to its furthest end in all its delicious vagaries of brook and bridge, fir coppice and wild cherry arch, corners thick with fern, and branching byways of maple and mountain ash.
She had made friends with the spring down in the hollow—that wonderful deep, clear icy-cold spring; it was set about with smooth red sandstones and rimmed in by great palm-like clumps of water fern; and beyond it was a log bridge over the brook.
That bridge led Anne's dancing feet up over a wooded hill beyond, where perpetual twilight reigned under the straight, thick-growing firs and spruces; the only flowers there were myriads of delicate "June bells," those shyest and sweetest of woodland blooms, and a few pale, aerial starflowers, like the spirits of last year's blossoms. Gossamers glimmered like threads of silver among the trees and the fir boughs and tassels seemed to utter friendly speech.
All these raptured voyages of exploration were made in the odd half hours which she was allowed
