Angel Island. Inez Haynes Gillmore
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It is likely that all this personal popularity would have been the result of that trick of personality. But many good fairies had been summoned to Honey’s christening; he had good looks besides. He was really tall, although his broad shoulders seemed to reduce him to medium height. Brown-skinned, brown-eyed, brown-haired, his skin was as smooth as satin, his eyes as clear as crystal, his hair as thick as fur. His expression had tremendous sparkle. But his main physical charm was a smile which crumpled his brown face into an engaging irregularity of contour and lighted it with an expression brilliant with mirth and friendliness.
He was a true soldier of fortune. In the ten years which his business career covered be had engaged in a score of business ventures. He had lost two fortunes. Born in the West, educated in the East, he had flashed from coast to coast so often that he himself would have found it hard to say where he belonged.
He was the admiration and the wonder and the paragon and the criterion of his friend Billy Fairfax, who had trailed his meteoric course through college and who, when the Brian Boru went down, was accompanying him on his most recent adventure—a globe-trotting trip in the interests of a moving-picture company. Socially they made an excellent team. For Billy contributed money, birth, breeding, and position to augment Honey’s initiative, enterprise, audacity, and charm. Billy Fairfax offered other contrasts quite as striking. On his physical side, he was shapelessly strong and hopelessly ugly, a big, shock-headed blond. On his personal side “mere mutt-man” was the way one girl put it, “too much of a damned gentleman” Honey Smith said to him regularly.
Billy Fairfax was not, however, without charm of a certain shy, evasive, slow-going kind; and he was not without his own distinction. His huge fortune had permitted him to cultivate many expensive sports and sporting tastes. His studs and kennels and strings of polo ponies were famous. He was a polo-player well above the average and an aviator not far below it.
Pete Murphy, the fifth of the group, was the delight of them all. The carriage of a bantam rooster, the courage of a lion, more brain than he could stagger under; a disposition fiery, mercurial, sanguine, witty; he was made, according to Billy Fairfax’s dictum, of “wire and brass tacks,” and he possessed what Honey Smith (who himself had no mean gift in that direction) called “the gift of gab.” He lived by writing magazine articles. Also he wrote fiction, verse, and drama. Also he was a painter. Also he was a musician. In short, he was an Irishman.
Artistically, he had all the perception of the Celt plus the acquired sapience of the painter’s training. If he could have existed in a universe which consisted entirely of sound and color, a universe inhabited only by disembodied spirits, he would have been its ablest citizen; but he was utterly disqualified to live in a human world. He was absolutely incapable of judging people. His tendency was to underestimate men and to overestimate women. His life bore all the scars inevitable to such an instinct. Women, in particular, had played ducks and drakes with his career. Weakly chivalrous, mindlessly gallant, he lacked the faculty of learning by experience—especially where the other sex were concerned. “Predestined to be stung!” was, his first wife’s laconic comment on her ex-husband. She, for instance, was undoubtedly the blameworthy one in their marital failure, but she had managed to extract a ruinous alimony from him. Twice married and twice divorced, he was traveled through the Orient to write a series of muck raking articles and, incidentally if possible, to forget his last unhappy matrimonial venture.
Physically, Pete was the black type of Celt. The wild thatch of his scrubbing-brush hair shone purple in the light. Scrape his face as he would, the purple shadow of his beard seemed ingrained in his white white skin. Black-browed and black-lashed, he had the luminous blue-gray-green eyes of the colleen. There was a curious untamable quality in his look that was the mixture of two mad strains, the aloofness of the Celt and the aloofness of the genius.
Three weeks passed. The clear, warm-cool, lucid, sunny weather kept up. The ocean flattened, gradually. Twice every twenty-four hours the tide brought treasure; but it brought less and less every day. Occasionally came a stiffened human reminder of their great disaster. But calloused as they were now to these experiences, the men buried it with hasty ceremony and forgot.
By this time an incongruous collection stretched in parallel lines above the high-water mark. “Something, anything, everything—and then some,” remarked Honey Smith. Wood wreckage of all descriptions, acres of furniture, broken, split, blistered, discolored, swollen; piles of carpets, rugs, towels, bed-linen, stained, faded, shrunken, torn; files of swollen mattresses, pillows, cushions, life-preservers; heaps of table-silver and kitchen-ware tarnished and rusty; mounds of china and glass; mountains of tinned goods, barrels boxes, books, suit-cases, leather bags; trunks and trunks and more trunks and still more trunks; for, mainly, the trunks had saved themselves.
Part of the time, in between tides, they tried to separate the grain of this huge collection of lumber from the chaff; part of the time they made exploring trips into the interior. At night they sat about their huge fire and talked.
The island proved to be about twenty miles in length by seven in width. It was uninhabited and there were no large animals on it. It was Frank Merrill’s theory that it was the exposed peak of a huge extinct volcano. In the center, filling the crater, was a little fresh-water lake. The island was heavily wooded; but in contour it presented only diminutive contrasts of hill and valley. And except as the semi-tropical foliage offered novelties of leaf and flower, the beauties of unfamiliar shapes and colors, it did not seem particularly interesting. Ralph Addington was the guide of these expeditions. From this tree, he pointed out, the South Sea Islander manufactured the tappa cloth, from that the poeepooee, from yonder the arva. Honey Smith used to say that the only depressing thing about these trips was the utter silence of the gorgeous birds which they saw on every side. On the other hand, they extracted what comfort they could from Merrill’s and Addington’s assurance that, should the ship’s supply give out, they could live comfortably enough on birds’ eggs, fruit, and fish.
Sorting what Honey Smith called the “ship-duffle” was one prolonged adventure. At first they made little progress; for all five of them gathered over each important find, chattering like girls. Each man followed the bent of his individual instinct for acquisitiveness. Frank Merrill picked out books, paper, writing materials of every sort. Ralph Addington ran to clothes. The habit of the man with whom it is a business policy to appear well-dressed maintained itself; even in their Eveless Eden, he presented a certain tailored smartness. Billy Fairfax selected kitchen utensils and tools. Later, he came across a box filled with tennis rackets, nets, and balls. The rackets’ strings had snapped and the balls were dead. He began immediately to restring the rackets, to make new balls from twine, to lay out a court. Like true soldiers of fortune, Honey Smith and Pete Murphy made no special collection; they looted for mere loot’s sake.
One day, in the midst of one of their raids, Honey Smith yelled a surprised and triumphant, “By jiminy!” The others showed no signs, of interest. Honey was an alarmist; the treasure of the moment might prove to be a Japanese print or a corkscrew. But as nobody stirred or spoke, he