Politics, Economy, and Society. Paul Ricoeur

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most salient features of the development of his thought over a period of six decades. This is complemented by a thematic criterion, which has led to retaining the most significant texts and – a more difficult task – setting aside those deemed circumstantial: those with less apparent philosophical intent, as the content was focused on a question specific to a point in time.

      The first section brings together texts from the 1950s and 1960s, written in the context of the Christianisme social [Social Christianity] movement during the period, from 1958 to 1970, when Ricoeur was its president. Is there any need to underscore this fact? Since these writings, which contain reflections that remain entirely pertinent today, are related to a political and theological context that is now distant from our own, we have provided in notes, when necessary, some information useful for understanding them. It was indeed within the framework of this Protestant movement that the philosopher first developed his political thought. Far from a Christian apologetic, it was for him a matter of articulating conviction and responsibility, paying particular attention to giving an account of the tradition within which he placed himself, through the mediation of the public debate he solicited. On the basis of this foothold, an evolution ensued, and over its course the philosopher continued, little by little, to strip his formulations of their theological or biblical references, as if increasingly to open them up to discussion in secular terms.

      In this respect, the text “The Adventures of the State and the Task of Christians” constitutes the exception that proves the rule. For this 1958 article is the transposition in theological terms of “The Political Paradox,” the seminal text published the preceding year in the journal Esprit, after the Soviet repression of the Budapest uprising in October 1956.7 In these circumstances, the “Christians’ task” is to demonstrate with respect to the State both responsibility, by actively participating in democratic institutions, and critical vigilance. In the first instance, Ricoeur dismisses, back-to-back, anarchism and the apology of submission. In the second, he rejects both millennialist utopia and sterile criticism. The central point is focused on the double-sided reality which is the State, a protective and pedagogical institution, but at the same time the power that is potentially subjugating through lies and illusions.

      In his effort to grasp the political as such, Ricoeur discerns an evil specific to it, the grandeur of the political ambition and its claims. The result of this is a critique of Marxism, published in 1959 in “From Marxism to Contemporary Communism.” If Marxism succumbed to political evil with Stalinism, this is because it, quite wrongly, made political domination the consequence of another evil: economic exploitation. In this text, Ricoeur presents a diagnosis of “the petrification of Marxism.” The following year, however, in “Socialism Today,” he is no less critical in the face of “the gradual downfall of the great dream of the founders of socialism,” degraded to the welfare state. The heirs of Marx and Proudhon are in serious danger of turning away from the fundamental significance of work in human activity, to the benefit of a simple socialization of abundance and, finally, to the promotion of the “common man” (l’homme quelconque). Beyond the question of Ricoeur’s political allegiances – he, the great reader of Marx, is not himself Marxist, but socialist in his leanings – it is his philosophical approach that is especially to be underscored. The terms, “dream,” “decline,” and “petrification” seem to suggest that political evil is accompanied over time by the ideological rigidness of utopia in the domain of the social imagination.

      The reflection on Hegel nevertheless leads to a proposal. In fact, Ricoeur advances the possibility of a function that would be related more to the imagination than to knowledge, here a utopian function, which would be the site of figures portraying the realization of man, in the forward projection of his freedom – rather than in the mode of totalization. The theme of imagination, clearly present in Ricoeur, thus finds an application in the political field. One has only to consider on this point writings that can be found elsewhere.9

      The next three texts date from the 1990s. “Morality, Ethics, and Politics” (1993) provides a summary of Ricoeur’s political thinking as it has progressively unfolded since “The Political Paradox.” It is not without importance that this text was published in Pouvoir, a journal intended for constitutional scholars and political figures, as if to solicit a dialogue with interlocutors who were not necessarily philosophers. The major interest of this article is to have set out a multi-storied architecture, after the model of Oneself as Another, superimposing an anthropology, an ethics, and a politics. The political sphere occupies the top level. Among other developments, two new “paradoxes” are added to the first. This construction no longer concerns the cognitive realm alone, but also includes action, sensibility, and temporality. It requires that the citizen be capable of reconciling opposites, combining belonging and distancing, identity and otherness, conviction and responsibility.10 A democratic ethics comes to light, which strives to make both the institution and protest possible, relying on the lived experience of conflict internalized in individuals.11

      In “Responsibility and Fragility” (1992), as well as in “Morality, Ethics, and Politics,” Ricoeur conceives of the political by linking it to the ethical.12 This is the corollary of political liberalism. Indeed, once the State abstains from intervening, not everything is political. There are apolitical, or pre-political, margins where civil society flourishes. However, the freedom of action animating social mores and ethical life produces a certain sense of the desire-to-live-together, which in a democracy serves to impress its orientation on the political. In return, democracy is entrusted to the protection of the citizenry, auditors of its fragility. This is highlighted in the 1992 article. To do this, Ricoeur identifies the points of fragility belonging, precisely, to the three figures of the “Political Paradox,” providing to citizens the corresponding themes of vigilance and participation.

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