hilarious if a little hard to take: the lady who painted in her bra, the hipster who flirted with her in his little fedora. We bumped into each other in the laundry room, and went for a walk on the jetty at sunset, and talked about marriage, and stayed out late, and spilled our guts.
Wasn’t that the whole point of this place? To take a break and clear your head? And who really gave a fuck what two people did at an arts conference in some swinging summer paradise? Real life was so lonely anyway, and I figured I’d never see her again, so on the last night we went back to her dorm room and goofed around.
When the conference ended, we started zipping notes back and forth, just a few, then more and more. For a while I thought she’d leave him, and if she left him, maybe I’d leave Robin. But then she didn’t, and I didn’t, either. I saw her once in the fall, for an hour of furious hand holding and making out in a candlelit booth in New York City. And once in March, at her house in Connecticut. Then things got heavy and she stopped talking to me.
In June I sent her a birthday card and asked if she’d be coming back to the conference. It took her three weeks to say maybe. And now, after signing my contract and promising to play softball, as I headed to the tent for lunch, I thought about what might happen if she did. It didn’t help to think about it, but I’d spent a lot of time thinking about it anyway. I got excited. I still had passion. I came over a rise and the whole town lay beneath me, the buildings old and stinking of charm and practically spilling into the bay. I caught a whiff of sea life, a funky low-tide odor. For so long, I’d been deprived of even accidental physical contact. I needed love; short of love, I needed something. I saw myself as adventurous, amorous, and brave. I got stuck in some loop of possibilities and had to stifle a ridiculous little moan. I felt a dog-eared excitement, and rode that familiar surge of energy. By the time I reached the tent, people had worn a muddy track across the lawn between the check-in table and the buffet.
“Ha ya doin’? Everything good at home?”
“Yes!”
“You believe we’re back here again?”
I got something to eat and scanned the tent for the face I’d kissed and held, for those long legs of such smooth, glassy skin, striding briskly in the fresh breeze off the bay, for that stranger who’d hovered over me, gasping and weeping.
I didn’t see her, but students sometimes walked into town for meals. I went over by the brick wall and sat with some other faculty members, Vicky Capodanno, a painter, Tom McLaughlin, an old guy who’d written a memoir of his childhood, and this idiot biographer named Dennis Fleigel, who was waving his sandwich in the air. He had his foot propped on Vicky’s chair as she cut her salad.
“I read your book,” he said. I put my bag on the wall and downed my lemonade. I just wanted to eat. “Graphic novel, comic book, whatever you call it. What do you call it?”
“I’m not in that argument.”
“Do you check the number on Amazon?”
“It’s not in print.” I was eating some kind of chef’s salad, dry raw beets, chunks of cheddar, and these mysterious white cubes of something. This was a new, wholesome food service. “Hello, Vicky. Hi, Tom.”
“Richie,” Tom said. “How are you, bud?”
Vicky looked at me with deep intensity. “How are you?”
I couldn’t remember if I’d ever responded to her last email, from Vermont, where she’d gone to take a break from New York, trying to quit smoking, childless and out of romantic options, wondering how I was, asking for photos of me with my kids, or just my kids, or any cute kid stories—and I grinned at her like a lobotomized dope.
“I was just saying,” Dennis said, “that my book was selling, it sold pretty well, Amazon number below ten thousand for two straight years, word of mouth was good, but then that movie came out.”
“What movie?”
“Ring-a-Ding Ding. It’s about Sinatra, and when it came out, my Amazon number went from ten thousand to a hundred and fifty thousand, and it never went lower ever again.”
Charlene Wetzel joined us, smiling, and said, “I think I have a stalker.” More people sat down. “He wore sunglasses in class,” she said. “Last year, it took a few days. This year, first day: stalker.”
Heather Hinman, who taught poetry and had a coiled energy that included her hair, said that one of her students asked what font she typed in. Roberta Moser put her plate down and told us that she’d just finished an interview with the local NPR and that the questions were dumb.
I began to feel hopeless and desperate in a familiar way.
Dennis explained that NPR was fine for pushing an art film or a book, but that the machinery that promotes a studio movie is so much bigger. “Ring-a-Ding Ding the movie killed Ring-a-Ding Ding the book, and it never recovered.”
“What are we talking about?” Roberta asked.
“My book Ring-a-Ding Ding,” Dennis said, “and how it got killed by Ring-a-Ding Ding the movie, which I also wrote.”
Roberta smiled at Dennis. “I still don’t understand.”
Tom McLaughlin brought over a bottle of wine. Frederick Stugatz sat down with Ilana Zimmer, who put some wine to her lips and said, “I just got back from six weeks as artist in residence at the University of Bologna.”
Heather took a drink and said, “After this I go to Ole Miss.”
Frederick said, “After this I go to Berkeley.” He turned and stared at Ilana, who ignored him.
Dennis said, “Ring-a-Ding Ding the book is about a sensitive brute who happens to be the twentieth century’s greatest entertainer. The movie Ring-a-Ding Ding is a piece of shit. But that’s not my point. My point is that the kid who’s supposed to be eighteen was played by a twenty-six-year-old, and the eighteen-year-olds who saw it thought the guy looked like a senior citizen.”
Dennis had red hair and a pink forehead and surprisingly bright blue eyes. If you tried to make eye contact, he couldn’t see you. I liked to think of this as the result of some head trauma. It was a kind of blindness that made him unlikable but high-functioning. He’d written four biographies and two screenplays and went on morning talk shows when his books came out. I could imagine back in caveman days someone like him being cut from the tribe, dragged away, and thrown off a cliff.
Heather buttered a roll. She used to be a drunk but now wrote poems about bartending, drinking binges, blackouts, and AA. Roberta was a filmmaker. She’d been making a documentary for the past nine years about corrupt black mayors of major American cities, filming them in jail, running for office again, taking walks with their aged mothers. Frederick taught the musical book, whatever that was, and had been the genius behind last year’s musical about Karl Rove. Ilana Zimmer had headlined an indie rock band, with one hit in the eighties, then had a ho-hum solo career, and now dabbled in kids’ music. She ran a songwriting workshop every year in Frederick’s class. Vicky had paintings in museums around the world that were violent, cartoonish, biting, dark, and funny, that dealt with war, religiosity, porn, rape, but also the cost of art education, women’s bodies, and people who lived in garbage dumps. And Tom McLaughlin had been a high school English
