at it with nervous and irregular jerks; but quickly finding herself at odds with the stitches, she threw it aside, and walked hurriedly about the room. At length she paused before the portrait of the stern old Puritan, her ancestor, and the founder of the house. In one sense, this picture had almost faded into the canvas, and hidden itself behind the duskiness of age; in another, she could not but fancy that it had been growing more prominent and strikingly expressive, ever since her earliest familiarity with it as a child. For, while the physical outline and substance were darkening away from the beholder's eye, the bold, hard, and, at the same time, indirect character of the man seemed to be brought out in a kind of spiritual relief. Such an effect may occasionally be observed in pictures of antique date. They acquire a look which an artist (if he have anything like the complacency of artists nowadays) would never dream of presenting to a patron as his own characteristic expression, but which, nevertheless, we at once recognize as reflecting the unlovely truth of a human soul. In such cases, the painter's deep conception of his subject's inward traits has wrought itself into the essence of the picture, and is seen after the superficial coloring has been rubbed off by time.
While gazing at the portrait, Hepzibah trembled under its eye. Her hereditary reverence made her afraid to judge the character of the original so harshly as a perception of the truth compelled her to do. But still she gazed, because the face of the picture enabled her—at least, she fancied so—to read more accurately, and to a greater depth, the face which she had just seen in the street.
"This is the very man!" murmured she to herself. "Let Jaffrey Pyncheon smile as he will, there is that look beneath! Put on him a skull-cap, and a band, and a black cloak, and a Bible in one hand and a sword in the other,—then let Jaffrey smile as he might,—nobody would doubt that it was the old Pyncheon come again. He has proved himself the very man to build up a new house! Perhaps, too, to draw down a new curse!"
Thus did Hepzibah bewilder herself with these fantasies of the old time. She had dwelt too much alone,—too long in the Pyncheon House,—until her very brain was impregnated with the dry-rot of its timbers. She needed a walk along the noonday street to keep her sane.
By the spell of contrast, another portrait rose up before her, painted with more daring flattery than any artist would have ventured upon, but yet so delicately touched that the likeness remained perfect. Malbone's miniature, though from the same original, was far inferior to Hepzibah's air-drawn picture, at which affection and sorrowful remembrance wrought together. Soft, mildly, and cheerfully contemplative, with full, red lips, just on the verge of a smile, which the eyes seemed to herald by a gentle kindling-up of their orbs! Feminine traits, moulded inseparably with those of the other sex! The miniature, likewise, had this last peculiarity; so that you inevitably thought of the original as resembling his mother, and she a lovely and lovable woman, with perhaps some beautiful infirmity of character, that made it all the pleasanter to know and easier to love her.
"Yes," thought Hepzibah, with grief of which it was only the more tolerable portion that welled up from her heart to her eyelids, "they persecuted his mother in him! He never was a Pyncheon!"
But here the shop-bell rang; it was like a sound from a remote distance,—so far had Hepzibah descended into the sepulchral depths of her reminiscences. On entering the shop, she found an old man there, a humble resident of Pyncheon Street, and whom, for a great many years past, she had suffered to be a kind of familiar of the house. He was an immemorial personage, who seemed always to have had a white head and wrinkles, and never to have possessed but a single tooth, and that a half-decayed one, in the front of the upper jaw. Well advanced as Hepzibah was, she could not remember when Uncle Venner, as the neighborhood called him, had not gone up and down the street, stooping a little and drawing his feet heavily over the gravel or pavement. But still there was something tough and vigorous about him, that not only kept him in daily breath, but enabled him to fill a place which would else have been vacant in the apparently crowded world. To go of errands with his slow and shuffling gait, which made you doubt how he ever was to arrive anywhere; to saw a small household's foot or two of firewood, or knock to pieces an old barrel, or split up a pine board for kindling-stuff; in summer, to dig the few yards of garden ground appertaining to a low-rented tenement, and share the produce of his labor at the halves; in winter, to shovel away the snow from the sidewalk, or open paths to the woodshed, or along the clothes-line; such were some of the essential offices which Uncle Venner performed among at least a score of families. Within that circle, he claimed the same sort of privilege, and probably felt as much warmth of interest, as a clergyman does in the range of his parishioners. Not that he laid claim to the tithe pig; but, as an analogous mode of reverence, he went his rounds, every morning, to gather up the crumbs of the table and overflowings of the dinner-pot, as food for a pig of his own.
In his younger days—for, after all, there was a dim tradition that he had been, not young, but younger—Uncle Venner was commonly regarded as rather deficient, than otherwise, in his wits. In truth he had virtually pleaded guilty to the charge, by scarcely aiming at such success as other men seek, and by taking only that humble and modest part in the intercourse of life which belongs to the alleged deficiency. But now, in his extreme old age,—whether it were that his long and hard experience had actually brightened him, or that his decaying judgment rendered him less capable of fairly measuring himself,—the venerable man made pretensions to no little wisdom, and really enjoyed the credit of it. There was likewise, at times, a vein of something like poetry in him; it was the moss or wall-flower of his mind in its small dilapidation, and gave a charm to what might have been vulgar and commonplace in his earlier and middle life. Hepzibah had a regard for him, because his name was ancient in the town and had formerly been respectable. It was a still better reason for awarding him a species of familiar reverence that Uncle Venner was himself the most ancient existence, whether of man or thing, in Pyncheon Street, except the House of the Seven Gables, and perhaps the elm that overshadowed it.
This patriarch now presented himself before Hepzibah, clad in an old blue coat, which had a fashionable air, and must have accrued to him from the cast-off wardrobe of some dashing clerk. As for his trousers, they were of tow-cloth, very short in the legs, and bagging down strangely in the rear, but yet having a suitableness to his figure which his other garment entirely lacked. His hat had relation to no other part of his dress, and but very little to the head that wore it. Thus Uncle Venner was a miscellaneous old gentleman, partly himself, but, in good measure, somebody else; patched together, too, of different epochs; an epitome of times and fashions.
"So, you have really begun trade," said he,—"really begun trade! Well, I'm glad to see it. Young people should never live idle in the world, nor old ones neither, unless when the rheumatize gets hold of them. It has given me warning already; and in two or three years longer, I shall think of putting aside business and retiring to my farm. That's yonder,—the great brick house, you know,—the workhouse, most folks call it; but I mean to do my work first, and go there to be idle and enjoy myself. And I'm glad to see you beginning to do your work, Miss Hepzibah!"
"Thank you, Uncle Venner" said Hepzibah, smiling; for she always felt kindly towards the simple and talkative old man. Had he been an old woman, she might probably have repelled the freedom, which she now took in good part. "It is time for me to begin work, indeed! Or, to speak the truth, I have just begun when I ought to be giving it up."
"Oh, never say that, Miss Hepzibah!" answered the old man. "You are a young woman yet. Why, I hardly thought myself younger than I am now, it seems so little while ago since I used to see you playing about the door of the old house, quite a small child! Oftener, though, you used to be sitting at the threshold, and looking gravely into the street; for you had always a grave kind of way with you,—a grown-up air, when you were only the height of my knee. It seems as if I saw you now; and your grandfather with his red cloak, and his white wig, and his cocked hat, and his cane, coming out of the house, and stepping so grandly up the street! Those old gentlemen that grew up before the Revolution used to put on grand airs. In my young days, the great man of the town was commonly called King; and his wife, not Queen to be sure, but Lady. Nowadays, a man would not dare to be called King; and if he feels himself a little
