it lags behind the missile. That is a good gun.’
Suddenly he felt himself whirled round and round – spinning like a top. The water, the banks, the forests, the now distant bridge, fort and men, all were commingled and blurred. Objects were represented by their colors only; circular horizontal streaks of color – that was all he saw. He had been caught in a vortex and was being whirled on with a velocity of advance and gyration that made him giddy and sick. In few moments he was flung upon the gravel at the foot of the left bank of the stream – the southern bank – and behind a projecting point which concealed him from his enemies. The sudden arrest of his motion, the abrasion of one of his hands on the gravel, restored him, and he wept with delight. He dug his fingers into the sand, threw it over himself in handfuls and audibly blessed it. It looked like diamonds, rubies, emeralds; he could think of nothing beautiful which it did not resemble. The trees upon the bank were giant garden plants; he noted a definite order in their arrangement, inhaled the fragrance of their blooms. A strange roseate light shone through the spaces among their trunks and the wind made in their branches the music of Aeolian harps.[7] He had no wish to perfect his escape – he was content to remain in that enchanting spot until retaken.
A whiz and a rattle of grapeshot among the branches high above his head roused him from his dream. The baffled cannoneer had fired him a random farewell. He sprang to his feet, rushed up the sloping bank, and plunged into the forest.
All that day he traveled, laying his course by the rounding sun. The forest seemed interminable; nowhere did he discover a break in it, not even a woodman’s road. He had not known that he lived in so wild a region. There was something uncanny in the revelation.
By nightfall he was fatigued, footsore, famished. The thought of his wife and children urged him on. At last he found a road which led him in what he knew to be the right direction. It was as wide and straight as a city street, yet it seemed untraveled. No fields bordered it, no dwelling anywhere. Not so much as the barking of a dog suggested human habitation. The black bodies of the trees formed a straight wall on both sides, terminating on the horizon in a point, like a diagram in a lesson in perspective. Overhead, as he looked up through this rift in the wood, shone great golden stars looking unfamiliar and grouped in strange constellations. He was sure they were arranged in some order which had a secret and malign significance. The wood on either side was full of singular noises, among which – once, twice, and again – he distinctly heard whispers in an unknown tongue.
His neck was in pain and lifting his hand to it found it horribly swollen. He knew that it had a circle of black where the rope had bruised it. His eyes felt congested; he could no longer close them. His tongue was swollen with thirst; he relieved its fever by thrusting it forward from between his teeth into the cold air. How softly the turf had carpeted the untraveled avenue – he could no longer feel the roadway beneath his feet!
Doubtless, despite his suffering, he had fallen asleep while walking, for now he sees another scene – perhaps he has merely recovered from a delirium.[8] He stands at the gate of his own home. All is as he left it, and all bright and beautiful in the morning sunshine. He must have traveled the entire night. As he pushes open the gate and passes up the wide white walk, he sees a flutter of female garments; his wife, looking fresh and cool and sweet, steps down from the veranda to meet him. At the bottom of the steps she stands waiting, with a smile of ineffable joy, an attitude of matchless grace and dignity. Ah, how beautiful she is! He springs forwards with extended arms. As he is about to clasp her he feels a stunning blow upon the back of the neck; a blinding white light blazes all about him with a sound like the shock of a cannon – then all is darkness and silence!
Peyton Fahrquhar was dead; his body, with a broken neck, swung gently from side to side beneath the timbers of the Owl Creek bridge.
Joseph Conrad
The Tale
Outside the large single window the crepuscular[9] light was dying out slowly in a great square gleam without colour, framed rigidly in the gathering shades of the room.
It was a long room. The irresistible tide of the night ran into the most distant part of it, where the whispering of a man’s voice, passionately interrupted and passionately renewed, seemed to plead against the answering murmurs of infinite sadness.
At last no answering murmur came. His movement when he rose slowly from his knees by the side of the deep, shadowy couch holding the shadowy suggestion of a reclining woman revealed him tall under the low ceiling, and sombre all over except for the crude discord of the white collar under the shape of his head and the faint, minute spark of a brass button here and there on his uniform.
He stood over her a moment, masculine and mysterious in his immobility, before he sat down on a chair nearby. He could see only the faint oval of her upturned face and, extended on her black dress, her pale hands, a moment before abandoned to his kisses and now as if too weary to move.
He dared not make a sound, shrinking as a man would do from the prosaic necessities of existence. As usual, it was the woman who had the courage. Her voice was heard first – almost conventional while her being vibrated yet with conflicting emotions.
‘Tell me something,’ she said.
The darkness hid his surprise and then his smile. Had he not just said to her everything worth saying in the world – and that not for the first time!
‘What am I to tell you?’ he asked, in a voice creditably steady. He was beginning to feel grateful to her for that something final in her tone which had eased the strain.
‘Why not tell me a tale?’
‘A tale!’ He was really amazed.
‘Yes. Why not?’
These words came with a slight petulance, the hint of a loved woman’s capricious will, which is capricious only because it feels itself to be a law, embarrassing sometimes and always difficult to elude.
‘Why not?’ he repeated, with a slightly mocking accent, as though he had been asked to give her the moon. But now he was feeling a little angry with her for that feminine mobility that slips out of an emotion as easily as out of a splendid gown.
He heard her say, a little unsteadily with a sort of fluttering intonation which made him think suddenly of a butterfly’s flight:
‘You used to tell – your – your simple and – and professional – tales very well at one time. Or well enough to interest me. You had a – a sort of art – in the days – the days before the war.’
‘Really?’ he said, with involuntary gloom. ‘But now, you see, the war is going on,’ he continued in such a dead, equable tone that she felt a slight chill fall over her shoulders. And yet she persisted. For there’s nothing more unswerving in the world than a woman’s caprice.
‘It could be a tale not of this world,’ she explained.
‘You want a tale of the other, the better world?’ he asked, with a matter-of-fact surprise. ‘You must evoke for that task those who have already gone there.’
‘No. I don’t mean that. I mean another – some other – world. In the universe – not in heaven.’
‘I am relieved. But you forget that I have only five days’ leave.’
‘Yes. And I’ve also taken a five days’ leave from – from my duties.’
‘I
Aeolian harps – Эолова арфа, струнный инструмент, звучащий от колебания ветра; в древнегреческой мифологии, Эол – бог ветра.
Delirium – делирий, психическое расстройство, характеризующееся спутанным сознанием, галлюцинациями и т. д. в результате интоксикации мозга, вызванной жаром или другим физическим расстройством.
Crepuscular – сумеречный; тусклый, неясный.
