which can be evoked to prove the Harmony of Reason amidst the most varied accomplishments. Although Pope's name occurs but seldom in the history of Freethought – while that of Bolingbroke is emblazoned in all its glory, and Voltaire is enshrined as its only Deity – yet we must not forget that what is now known as the only collection of St. John's works (the edition in five volumes by Mallet,) were written for the instruction of Pope – sent to him in letters – discussed and agreed to by him – so that the great essayist is as much implicated in them as the author of the Dictionary. It is said, "In his society these two illustrious men felt and acknowledged a superior genius; and if he had no claim to excellence in poetry – the art in which they were so pre-eminent – he surpassed them both in the philosophy they so much admired."
For ten years after this period, he devoted himself to various political writings, which were widely circulated; but we must waive the pleasure at present of analyzing those, and confine our attention to the alliance between Pope and Bolingbroke, in the new school of philosophy.
Bolingbroke's principal friends were Pope, Swift, Mallet, Wyndam, and Atterbury. The first three were most in his confidence in regard to religion: and although Pope was educated a Roman Catholic, and occasionally conformed to that hierarchy (and like Voltaire, for peace, died in it,) yet the philosophical letters which passed between Pope and St. John, fully established him as a consistent Deist – an honor to which Swift also attained, although being a dignitary of the Church: but if doubts arise on the subject, they can easily be dispelled. General Grimouard, in his "Essai sur Bolingbroke," says that "he was intimate with the widow of Mallet, the poet, who was a lady of much talent and learning, and had lived upon terms of friendship with Bolingbroke, Swift, Pope, and many other distinguished characters of the day, who frequently met at her house." The General adds, that the lady has been frequently heard to declare, that these men were all equally deistical in their sentiments (que c'était une société de purs déistes;) that Swift from his clerical character was a little more reserved than the others, but he was evidently of the same sentiments at bottom.
There is a remarkable passage in one of Pope's letters to Swift, which seems rather corroborative of the General's. He is inviting Swift to come and visit him. "The day is come," he says, "which I have often wished, but never thought to see, when every mortal I esteem is of the same sentiments in politics and religion." Dr. Warton remarks upon this paragraph "At this time therefore (1733) he (Pope and Bolingbroke were of the same sentiment in religion as well as politics);" * and Pope writing to Swift is proof sufficient that Bolingbroke, Swift, and himself, were united in opinions. Wherever Swift's name is known, it is associated with his spleen on account of his not being elevated to the Episcopal Bench, when he was promised a vacancy, which was reserved for him; but Queen Anne absolutely refused to confer such a dignity upon the author of "Gulliver's Travels" – that profound satire upon society and religion; and this occurring at a time when his energetic services were so much needed in defence of the government he so assisted by pamphleteering, satire, and wholesale lampoons. Mr. Cooke says, "The Earl of Nottingham, in the debate upon the Dissenters' Bill, chiefly founded his objection to the provision that the Bishops should have the only power of licensing tutors, upon the likelihood there was that a man who was in a fair way for becoming a Bishop, was hardly suspected of being a Christian." This pointed allusion to Swift passed without comment or reply in a public assembly, composed in a great measure of his private friends and associates. This seems to intimate that the opinion of his contemporaries was not very strong in favor of Swift's religious principles. This may suffice to prove the unanimity of sentiment existing among this brilliant coterie – one a political Churchman – another the greatest poet of his age – the third, the most accomplished statesman of his country. Although they were united in religious conviction, it would have been certain ruin to any of the confederates if the extent of their thoughts had reached the public ear. The Dean wrote for the present – the poet for his age – and the peer for the immediate benefit of his friends and a record for the future. But they were all agreed that some code of ethics should be promulgated, which should embody the positive speculations of Bolingbroke, with the easy grace of Pope – the elaborate research of the philosopher with the rhetoric of the poet. Swift coalesced in this idea, but was, to a certain extent, ignorant of its subsequent history. It was not thought prudent to trust Mallet and others with the secret. For this purpose the "Essay of Man" was designed on the principles elaborated by Bolingbroke in his private letters to Pope. It was Bolingbroke who drew up the scheme, mapped out the arguments, and sketched the similes – it was Pope who embellished its beauties, and turned it into rhyme. Doctor Warton, the editor of Pope, also proves this: – "Lord Bathurst told the Doctor that he had read the whole of the 'Essay on Man' in the handwriting of Bolingbroke, and drawn up in a series of propositions which Pope was to amplify, versify, and to illustrate." If further proofs are required, that Bolingbroke was not only a co-partner but coadjutor with Pope, it is found in the opening of the poem, where the poet uses the plural in speaking of Bolingbroke —
"Awake, my St. John, leave all meaner things
To low ambition, and the pride of kings.
Laugh when we must, be candid when you can,
And vindicate the ways of God to man."
* Cook's Life of Bolingbroke, 2nd vol., p. 97..
This is sufficient to prove the partnership in the poem, and from the generally acknowledged fact of his connection, we have no hesitation in declaring that this poem is the grand epic of Deism, and is as much the offspring of Bolingbroke, as his own ideas when enunciated by others. There is not a single argument in the Essay but what is much more elaborated in the works of Bolingbroke, while every positive argument is reduced to a few poetic maxims in the Essay. We may as well look here for Bolingbroke's creed, rather than amongst his prose works. There is, however, this difference, that in the Essay there is laid down an ethical scheme of positivism —i. e., of everything in morals which can be duly tested and nothing more: while in the prose writings of Bolingbroke, the negative side of theology is discussed with an amount of erudition which has never been surpassed by any of the great leaders of Freethought. The first proposition of the Essay is based on a postulate, upon which the whole reasoning is built. Overthrow this substratum, and the philosophy of the Essay is overturned – admit it, and its truth is evident; it is —
"What can we reason but from what we know?"
This is equivalent to saying that we can only reason concerning man as a finite part of an infinite existence, and we can only predicate respecting what comes under the category of positive knowledge; we are therefore disabled from speculating in any theories which have for a basis opposition to the collected experience of mankind. This was a position laid down by Bolingbroke to escape all the historical arguments which some men deduce from alleged miraculous agency in the past, or problematical prophecy in the future. It likewise shows the untenable nature of all analogy, which presumes to trace an hypothetical first cause or personal intelligence, to account for a supposed origin of primeval existence, by which nature was caused, or forms of being first evolved. Although it may be deemed inconsistent with the philosophy of Bolingbroke to admit a God in the same argument as the above, we must not forget that in all speculative reasoning there must be an assumption of some kind, which ought to be demonstrated by proof, or a suitable equivalent in the form of universal consent. Yet in the case of the God of the Essay, we look in vain for the attributes with which Theists love to clothe their God, and we can but perceive inexorable necessity in the shape of rigid and unswerving laws, collected in one focus by Pope, and dignified with the name of God; so that the difference betwixt a Deist of the old, and an Atheist of the modern school, is one of mere words – they both commence with an assumption, the Atheist only defining his terms more strictly, the subject-matter in both instances being the same. The only difference being, the one deceives himself with a meaningless word, the other is speechless on what he cannot comprehend. The Essay shows a scheme of universal gradation, composed of a series of links, which are one entwined within the other – every rock being placed in its necessitated position – every plant amidst its growth bearing an exoteric similitude to itself – every animal, from the lowest
