and the Probe.”I’ve a most superb assortment, on the very cheapest terms,
Done up carefully in tin-foil, of my A 1 “Trilby Germs.”
So perchance if you’re ambitious in a literary line,
Be as dull as e’er you can be, you will surely cut a shine,
If you’ll only take advantage of this opportunity,
When you’re passing by to stop in for a little chat with me.
You may ask me, in conclusion, why I do not seek myself
All the laurel and the glory of these seeds I sell for pelf.
I will tell you, though the confidence I can’t deny is rash,
I’m a trifle long on laurels, and a little short of cash.
THE AUTHOR’S BOOMERANG
He frowns with reason; he has always said,
“The public has no knowledge of true art;
The book of worth these days would not be read;
’Tis trash not truth that goes upon the mart.”
And then was published his belovéd work —
Some twenty-six editions it has had —
And he his own conclusion cannot shirk:
With such success as this it must be bad!
TO AN EGOTISTICAL BIOGRAPHER
I’ve read your story of your friend’s fine life,
But really, gentle sir, I fail to see,
Why you have named it “Blank, and Jane his wife,”
When you had better called it simply “Me.”
NO COPYRIGHT NEEDED
I’ve penned a score of essays bright,
In Addison’s best style;
I’ve taken many a lofty flight,
The Muses to beguile.
Of novels I have written few —
I think no more than ten;
With history I’ve had to do,
Like several other men.
And still, to my intense regret,
Through all my woe and weal,
I’ve never penned a volume yet,
A foreigner would steal.
INGREDIENTS OF GREATNESS
The style of man I’d like to be,
If I could have my way,
Would be a sort of pot-pourri
Of Poe and Thackeray;
Of Horace, Edison, and Lamb;
Of Keats and Washington,
Gérôme and blest Omar Khayyám,
And R. L. Stevenson;
Of Kipling and the Bard of Thrums,
And Bonaparte the great —
If I were these, I’d snap my thumbs
Derisively at Fate.
A COMMON FAVORITE
Charles Lamb is good, and so is Thackeray,
And so’s Jane Austen in her pretty way;
Charles Dickens, too, has pleased me quite a lot,
As also have both Stevenson and Scott.
I like Dumas and Balzac, and I think
Lord Byron quite a dab at spreading ink;
But on the whole, at home, across the sea,
The author I like best is Mr. Me.
A “first” of Elia filled my soul with joy.
A Meredith de luxe held no alloy.
And when I found Pendennis in the parts
A throb of gladness stirred my heart of hearts.
A richly pictured set of Avon’s bard
Upon my liking bounded pretty hard;
But none brought out that cloying sense of glee
That came from that first book by Mr. Me.
And so I beg you join me in the toast
To him that I confess I love the most.
He does not always do his level best,
But no one lives who can survive that test.
His work is queer, and some folks call it bad,
And some aver ’tis but a passing fad;
But I don’t care, the fact remains that he
Has won my admiration – dear old Me.
THEIR PENS
The poet pens his odes and sonnets spruce
With quills plucked from the ordinary goose,
While critics write their sharp incisive lines
With quills snatched from the fretful porcupines.
AN UNSOLVED PROBLEM
If Bacon wrote those grand inspiring lines
At which alternately man weeps and laughs,
Who was it penned those chirographic vines
We know these times as Shakespeare’s autographs?
THE BIBLIOPHILE’S THREAT
If some one does not speedily indite
A volume that is worthy of my shelf,
I’ll have to buy materials and write
A novel and some poetry myself.
MY TREASURES
My library o’erflows with treasures rare:
Of “Dickens’ firsts,” a full, unbroken set;
And in a little nooklet off the stair
The whole edition of my novelette.
A POET’S FAD
He writes bad verse on principle,
E’en though it does not sell.
He thinks the plan original —
So many folk write well.
THE POET UNDONE
He was a poet born, but unkind Fate
Once doomed him for his verses to be paid,
Whereon he left the poet-born’s estate
And wrote like one who’d happened to be made.
A WANING MUSE
“Why art thou sad, Poeticus?” said I.
So blue was he I feared he would not speak.
“Alas! I’ve lost my grip,” was his reply —
“I’ve
