one ever saw him reading. He at once gave Smerdyakov the key of the bookcase. “Come, read. You shall be my librarian. You'll be better sitting reading than hanging about the courtyard. Come, read this,” and Fyodor Pavlovitch gave him Evenings in a Cottage near Dikanka.
He read a little but didn't like it. He did not once smile, and ended by frowning.
“Why? Isn't it funny?” asked Fyodor Pavlovitch.
Smerdyakov did not speak.
“Answer, stupid!”
“It's all untrue,” mumbled the boy, with a grin.
“Then go to the devil! You have the soul of a lackey. Stay, here's Smaragdov's Universal History. That's all true. Read that.”
But Smerdyakov did not get through ten pages of Smaragdov. He thought it dull. So the bookcase was closed again.
Shortly afterwards Marfa and Grigory reported to Fyodor Pavlovitch that Smerdyakov was gradually beginning to show an extraordinary fastidiousness. He would sit before his soup, take up his spoon and look into the soup, bend over it, examine it, take a spoonful and hold it to the light.
“What is it? A beetle?” Grigory would ask.
“A fly, perhaps,” observed Marfa.
The squeamish youth never answered, but he did the same with his bread, his meat, and everything he ate. He would hold a piece on his fork to the light, scrutinize it microscopically, and only after long deliberation decide to put it in his mouth.
“Ach! What fine gentlemen's airs!” Grigory muttered, looking at him.
When Fyodor Pavlovitch heard of this development in Smerdyakov he determined to make him his cook, and sent him to Moscow to be trained. He spent some years there and came back remarkably changed in appearance. He looked extraordinarily old for his age. His face had grown wrinkled, yellow, and strangely emasculate. In character he seemed almost exactly the same as before he went away. He was just as unsociable, and showed not the slightest inclination for any companionship. In Moscow, too, as we heard afterwards, he had always been silent. Moscow itself had little interest for him; he saw very little there, and took scarcely any notice of anything. He went once to the theater, but returned silent and displeased with it. On the other hand, he came back to us from Moscow well dressed, in a clean coat and clean linen. He brushed his clothes most scrupulously twice a day invariably, and was very fond of cleaning his smart calf boots with a special English polish, so that they shone like mirrors. He turned out a first-rate cook. Fyodor Pavlovitch paid him a salary, almost the whole of which Smerdyakov spent on clothes, pomade, perfumes, and such things. But he seemed to have as much contempt for the female sex as for men; he was discreet, almost unapproachable, with them. Fyodor Pavlovitch began to regard him rather differently. His fits were becoming more frequent, and on the days he was ill Marfa cooked, which did not suit Fyodor Pavlovitch at all.
“Why are your fits getting worse?” asked Fyodor Pavlovitch, looking askance at his new cook. “Would you like to get married? Shall I find you a wife?”
But Smerdyakov turned pale with anger, and made no reply. Fyodor Pavlovitch left him with an impatient gesture. The great thing was that he had absolute confidence in his honesty. It happened once, when Fyodor Pavlovitch was drunk, that he dropped in the muddy courtyard three hundred-rouble notes which he had only just received. He only missed them next day, and was just hastening to search his pockets when he saw the notes lying on the table. Where had they come from? Smerdyakov had picked them up and brought them in the day before.
“Well, my lad, I've never met any one like you,” Fyodor Pavlovitch said shortly, and gave him ten roubles. We may add that he not only believed in his honesty, but had, for some reason, a liking for him, although the young man looked as morosely at him as at every one and was always silent. He rarely spoke. If it had occurred to any one to wonder at the time what the young man was interested in, and what was in his mind, it would have been impossible to tell by looking at him. Yet he used sometimes to stop suddenly in the house, or even in the yard or street, and would stand still for ten minutes, lost in thought. A physiognomist studying his face would have said that there was no thought in it, no reflection, but only a sort of contemplation. There is a remarkable picture by the painter Kramskoy, called “Contemplation.” There is a forest in winter, and on a roadway through the forest, in absolute solitude, stands a peasant in a torn kaftan and bark shoes. He stands, as it were, lost in thought. Yet he is not thinking; he is “contemplating.” If any one touched him he would start and look at one as though awakening and bewildered. It's true he would come to himself immediately; but if he were asked what he had been thinking about, he would remember nothing. Yet probably he has, hidden within himself, the impression which had dominated him during the period of contemplation. Those impressions are dear to him and no doubt he hoards them imperceptibly, and even unconsciously. How and why, of course, he does not know either. He may suddenly, after hoarding impressions for many years, abandon everything and go off to Jerusalem on a pilgrimage for his soul's salvation, or perhaps he will suddenly set fire to his native village, and perhaps do both. There are a good many “contemplatives” among the peasantry. Well, Smerdyakov was probably one of them, and he probably was greedily hoarding up his impressions, hardly knowing why.
Chapter VII. The Controversy
But Balaam's ass had suddenly spoken. The subject was a strange one. Grigory had gone in the morning to make purchases, and had heard from the shopkeeper Lukyanov the story of a Russian soldier which had appeared in the newspaper of that day. This soldier had been taken prisoner in some remote part of Asia, and was threatened with an immediate agonizing death if he did not renounce Christianity and follow Islam. He refused to deny his faith, and was tortured, flayed alive, and died, praising and glorifying Christ. Grigory had related the story at table. Fyodor Pavlovitch always liked, over the dessert after dinner, to laugh and talk, if only with Grigory. This afternoon he was in a particularly good-humored and expansive mood. Sipping his brandy and listening to the story, he observed that they ought to make a saint of a soldier like that, and to take his skin to some monastery. “That would make the people flock, and bring the money in.”
Grigory frowned, seeing that Fyodor Pavlovitch was by no means touched, but, as usual, was beginning to scoff. At that moment Smerdyakov, who was standing by the door, smiled. Smerdyakov often waited at table towards the end of dinner, and since Ivan's arrival in our town he had done so every day.
“What are you grinning at?” asked Fyodor Pavlovitch, catching the smile instantly, and knowing that it referred to Grigory.
“Well, my opinion is,” Smerdyakov began suddenly and unexpectedly in a loud voice, “that if that laudable soldier's exploit was so very great there would have been, to my thinking, no sin in it if he had on such an emergency renounced, so to speak, the name of Christ and his own christening, to save by that same his life, for good deeds, by which, in the course of years to expiate his cowardice.”
“How could it not be a sin? You're talking nonsense. For that you'll go straight to hell and be roasted there like mutton,” put in Fyodor Pavlovitch.
It was at this point that Alyosha came in, and Fyodor Pavlovitch, as we have seen, was highly delighted at his appearance.
“We're on your subject, your subject,” he chuckled gleefully, making Alyosha sit down to listen.
“As for mutton, that's not so, and there'll be nothing there for this, and there shouldn't be either, if it's according to justice,” Smerdyakov maintained stoutly.
“How do you mean ‘according to justice’?” Fyodor Pavlovitch cried still more gayly, nudging Alyosha with his knee.
“He's
