Secret Service Being the Happenings of a Night in Richmond in the Spring of 1865 Done into Book Form from the Play by WIlliam Gillette
The many people of the stage, personally known and unknown by me, who have so often interested, amused, instructed, and inspired me by their presentations of life in all its infinite variety. They are a much misunderstood people by the public generally, and I take this occasion to testify that, in my wide acquaintance with stage people, I have found them as gentle, as generous, as refined, and as considerate as any group of people with whom I have associated in my long and varied career.
PREFACE
Once upon a time a novel of mine was turned into a play. The dramatist who prepared the story for stage production sent me a copy of his efforts toward that end. About the only point of resemblance between his production and mine was the fact that they both bore the same title, the hero in each had the same name, and the action in both cases took place on this earth.
I was a young author then, and timid. I ventured humbly to enquire why the drama differed so entirely from the novel; and this ingenious, I might almost say ingenuous, explanation was vouchsafed me:
“Well, to tell you the truth, after I had read a chapter or two of your book, I lost it, and I just wrote the play from my own imagination.”
I do not wish to criticise the results of his efforts, for he has since proved himself to be a dramatist of skill and ability, but to describe that particular effort as a dramatisation of my book was absurd. Incidentally, it was absurd in other ways and, fortunately for the reputation of both of us, it never saw the light.
When my dear friends, the publishers, asked me to turn this play into a novel, I recalled my experience of by-gone days, and the idea flashed into my mind that here was an opportunity to get even, but I am a preacher as well as a story-writer, and in either capacity I found I could not do it. Frankly, I did not want to do it.
My experience, however, has made me perhaps unduly sensitive, and I determined, since I had undertaken this work, to make it represent Mr. Gillette’s remarkable and brilliant play as faithfully as I could, and I have done so. I have used my own words only in those slight changes necessitated by book presentation instead of production on the stage. I have entered into as few explanations as possible and have limited my own discussion of the characters, their motives, and their actions, to what was absolutely necessary to enable the reader to comprehend. On the stage much is left to the eye which has to be conveyed by words in a book, and this is my excuse for even those few digressions that appear.
I have endeavoured to subordinate my own imagination to that of the accomplished playwright. I have played something of the part of the old Greek Chorus which explained the drama, and there has been a touch of the scene-painter’s art in my small contribution to the book.
Otherwise, I have not felt at liberty to make any departure from the setting, properties, episodes, actions, or dialogue. Mine has been a very small share in this joint production. The story and the glory are Mr. Gillette’s, not mine. And I am cheerfully determined that as the author of the first, he shall have all of the second.
BOOK I
WHAT HAPPENED AT EIGHT O’CLOCK
CHAPTER I
THE BATTERY PASSES
Outside, the softness of an April night; the verdure of tree and lawn, the climbing roses, already far advanced in that southern latitude, sweetly silvered in the moonlight. Within the great old house apparently an equal calm.
Yet, neither within nor without was the night absolutely soundless. Far away to the southward the cloudless horizon, easily visible from the slight eminence on which the house stood, was marked by quivering flashes of lurid light. From time to time, the attentive ear might catch the roll, the roar, the reverberation of heavy sound like distant thunder-peals intermingled with sharper detonations. The flashes came from great guns, and the rolling peals were the sound of the cannon, the detonations explosions of the shells. There was the peace of God in the heaven above; there were the passions of men on the earth beneath.
Lights gleamed here and there, shining through the twining rose foliage, from the windows of the old house, which stood far back from the street. From a room on one side of the hall, which opened from the broad pillared portico of Colonial fashion, a hum of voices arose.
A group of women, with nervous hands and anxious faces, working while they talked, were picking lint, tearing linen and cotton for bandages. Their conversation was not the idle chatter of other days. They “told sad stories of the death of kings!” How “Tom” and “Charles” and “Allen” and “Page” and “Burton” had gone down into the Valley of the Shadow of Death, whence they had not come back. How this fort had been hammered yesterday, the other, the day before. How So-and-So’s wounds had been ministered to. How Such-a-One’s needs had been relieved. How the enemy were drawing closer and closer and closer, and how they were being held back with courage, which, alas! by that time was the courage of despair. And much of their speech was of their own kind, of bereft women and fatherless children. And ever as they talked, the busy fingers flew.
Upstairs from one of the front rooms the light shone dimly through a window partly covered by a half-drawn Venetian blind. One standing at the side of the house and listening would have heard out of the chamber low moanings, muttered words from feverish lips and delirious brain. The meaningless yet awful babble was broken now and again by words of tenderness and anguish. Soft hands were laid on the burning brow of the poor sufferer within, while a mother’s eyes dropped tears upon bloodstained bandages and wasted frame.
And now the gentle wind which swept softly through the trees bore a sudden sharper, stranger sound toward the old house in the garden. The tramp of horse, the creak of wheels, the faint jingling of arms and sabres drew nearer and rose louder. Sudden words of command punctured the night. Here came a battery, without the rattle of drum or the blare of bugles, with no sound but its own galloping it rolled down the street. Lean, gaunt horses were ridden and driven by leaner and gaunter men in dusty, worn, ragged, tattered uniforms. Only the highly polished brass guns – twelve-pounder Napoleons – gleamed bright in the moonlight.
The sewing women came out on the porch and the blind of the window above was lifted and a white-haired woman stood framed in the light.
No, those watchers did not cheer as the battery swept by on its way to the front. For one thing, a soldier lay upstairs dying; for another, they had passed the time when they cheered that tattered flag. Now they wept over it as one weeps as he beholds for the last time the face of a friend who dies. Once they had acclaimed it as the sunrise in the morning, now they watched it silently go inevitably to the sunset of defeat.
The men did not cheer either. They were not past cheering – oh, no! They were made of rougher stuff than the women, and the time would come when, in final action, they would burst forth into that strange, wild yell that struck terror to the hearts of the hearers. They could cheer even in the last ditch, even in the jaws of death – face the end better for their cheering perhaps; but women are more silent in the crisis. They bear and give no tongue.
The officer in command saw the little group of women on the porch. The moonlight shone from the street side and high-lighted them, turning the rusty black of most of the gowns, home-dyed mourning, – all that could be come at in those last awful days in Richmond, – into soft shadows, above which their faces shone angelic. He saw the woman’s head in the window, too. He knew who lay upon the bed of death within the chamber. He had helped to bring him back from the front several
