Burning Sands. Weigall Arthur Edward Pearse Brome
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She had moved freely in the segment of London society which patronizes Covent Garden, hobnobs with the stage, and becomes ecstatic over the latest painter, sculptor, poet, or dancer. She had been shown all the little vices and failings of the world in their most attractive guise; and for her special edification the ancient virtues had been rendered even more seemingly ridiculous than the virtuous themselves had made them. Obediently she had laid her thoughtless tribute at the altar of the alluring goddess of today; and she had been shown the correct posture of obeisance that was to be made to the World, the Flesh, and the Devil.
She had been taught, if she had not actually mastered, all the short cuts to that appearance of culture which is so highly appraised; and, in matters of taste and form, she had been shown how to be bizarre without being crude, audacious without being vulgar. She knew just what to say about men of letters, and what books to leave lying about the room; and in regard to politics, the church, and sport, she had been shown how to lump the three together under the one heading of “Tradition.”
It was now three years since this part of her education had begun; and yet she had passed through the school with a surprisingly unsullied mind. Like most pupils of her age, she was, of course, in complete outward subjection to Mistress Fashion; but a spirit of mutiny still plotted in the dark chambers of her heart.
She had not yet altogether stupefied herself into that chronic semblance of light-heartedness which passes for happiness; and there were moments when in inward revolt she sent her entire circle of friends to blazes. At such times she was vaguely aware that, in some subtle manner, she was in bondage; but so carefully had she been trained to wear her golden chains with grace that the fleeting consciousness of their presence induced little more than an extra yawn or two, and a more luxurious enjoyment of any opportunity to kick up her heels.
As she lay now upon the bed, she was not conscious of any lack of freedom in her life, and yet she was profoundly happy to be out here in Egypt, where the day’s routine was not so hide-bound as it was in England.
The drone of the flies and the plaintive cry of the circling kites, the incessant cawing of the crows in the garden, and the occasional song of the boatmen on the Nile, soon lulled her to sleep; and it was four o’clock before she arose to dress herself for her ride with Rupert Helsingham. When she descended the stairs half an hour later, she was wearing a new riding-habit of white linen and a wide-brimmed felt hat in which she was conscious of appearing at her best.
Rupert, too, who awaited her at the tea-table in the drawing-room, was aware of his own becoming costume; and the spurs upon his highly polished boots clicked more frequently than was necessary. He was certainly good-looking, if somewhat undersized.
“I’ve told them to meet us with the horses on the other side of the water,” he said. “We’ll go across in the launch, which will save a long round by the bridge.”
After a hasty cup of tea, therefore, they walked through the garden to the landing-steps, and were soon speeding over the river in the glare of the afternoon sun, the cloudless heavens above them and the swift-flowing waters of the ancient Nile shining beneath.
They landed amidst the cool shade of the palms on the opposite bank, near a road along which many native carriages and English dogcarts were passing to and fro, this being the fashionable hour for taking the air; and many curious eyes were turned upon the immaculate couple as they mounted their horses, for the white launch with its little Union Jack at the stern, and the scarlet livery of the native attendants, revealed their identity, and Lady Muriel’s charms had already become a topic of general conversation.
“Which way would you like to go?” asked Rupert. “By the native roads across the fields, or straight along the main road out to Mena House?”
Muriel looked quickly at him. “Mena House?” she said. “Isn’t that on the edge of the desert, where Mr. Lane said he was starting from?”
Her companion nodded. “Yes,” he answered. “We would probably run into him. Shall we go the other way?”
Muriel drew rein for a moment. She would like to take her first view over that garden wall of which Daniel Lane had spoken, and it might be interesting to watch him ride away towards the setting sun. She might even have an opportunity of firing a parting shot at him – something about his rumoured harîm of Bedouin women to whom he seemed so anxious to return. She would like to hurt him.
“No, let’s go to Mena House,” she answered at length, and she gave as her reason her anxiety to see the Pyramids which stand on the edge of the desert, dominating the well-known Mena House Hotel.
Rupert looked at his watch. “It’s nearly five,” he remarked, without any particular reason. He was not thinking of the hour of Daniel Lane’s departure.
But Muriel was thinking of it, and, for answer, she urged her horse forward.
“I enjoy a good long gallop, don’t you?” she said, as they turned into the avenue of acacias which runs in a fine straight line out to the desert, flanked by a riding-track of soft earth.
“It’s a bit hot for anything strenuous, isn’t it?” he suggested. He wanted to ride quietly and talk to her as they went.
For some distance they trotted in silence, but at length Muriel shortened her rein. “Come in!” she laughed, and therewith she gave her restless Arab a touch with her heel, and instantly was off and away in a cloud of dust, as though she and her horse had been discharged in one piece from some monstrous gun.
Rupert swore peevishly, and followed in her wake, presently overtaking her and galloping by her side. The tree-trunks on either hand seemed to whirl past them, and the foliage, which met overhead, formed a sort of tunnel pierced at one side by stabbing shafts of dazzling sunlight. The effect was blinding, and soon Rupert, an excellent horseman, began to feel as though he were the maddened villain of some flickering film of the Wild West, whose career had soon to end in a frightful tumble.
“Isn’t it lovely?” shouted Muriel, ecstatically. Her blood seemed to be boiling in her veins; she glowed like a fiery immortal being, full of tremendous excitement and enthusiasm. This was life! – this was youth! She dragged her hat over her eyes, regardless of her own appearance, regardless of the hat’s. She felt entirely crazy, and presumably her horse felt the same, for not for a moment did he slacken his thundering speed. The warm wind whistled in her ears; occasional roadside villas appeared to whirl past almost as soon as they were sighted; an automobile, full of gesticulating Egyptians, raced them and had difficulty in beating them; the electric tram from the Pyramids to Cairo appeared to leap past them with wildly clanging bell; she caught sudden glimpses of peasant carts and an occasional smart carriage, astonished brown faces and smiling white ones. Her hair began to come down.
At last her horse had had enough, and his gallop decreased to a trot, his trot to a walk. Her companion turned a laughing red face to her. He had caught the infection of her spirits, and, like her, was conscious of a burning sense of youth and strength. The perspiration was streaming down his cheeks.
“Phew!” he exclaimed, and recklessly mopped his forehead with a coloured silk handkerchief intended only for a breast-pocket ornament. “D’you often get taken like that?”
Muriel laughed excitedly, and, twisting the reins around her arm, pulled off her hat, thereby letting loose a tumbling mass of brown hair, which fell about her shoulders. Then, handing the hat to Rupert to hold, she raised her hands and coiled up the hair on to her head again, fastening it with the few remaining hairpins.