Лучшие истории о любви / Best love stories. Отсутствует

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Ailie says she doesn’t want to see that other gentleman anymore. She says come in if you like.”

      She was in the library. I had expected to see a picture of cool, outraged dignity, but her face was distraught, tumultuous. Her eyes were red-rimmed, as though she had been crying slowly and painfully, for hours.

      “Oh, hello, Andy,” she said brokenly. “I haven’t seen you for so long. Has he gone?”

      “Now, Ailie – ”

      “Now, Ailie!” she cried. “Now, Ailie! He spoke to me, you see. He lifted his hat. He stood there ten feet from me with that horrible – that horrible woman – holding her arm and talking to her, and then when he saw me he raised his hat. Andy, I didn’t know what to do. I had to go in the drug store and ask for a glass of water, and I was so afraid he’d follow in after me that I asked Mr. Rich to let me go out the back way. I never want to see him or hear of him again.”

      I talked. I said what one says in such cases. I said it for half an hour. I could not move her. Several times she answered by murmuring something about his not being “sincere,” and for the fourth time I wondered what the word meant to her. Certainly not constancy; it was, I half suspected, some special way she wanted to be regarded.

      I got up to go. And then, unbelievably, the automobile horn sounded three times impatiently outside. It was amazing. It said as plainly as if Earl were in the room, “All right; go to the devil then! I’m not going to wait here all night.”

      Ailie looked at me horrified. And suddenly a peculiar look came into her face, flickered, and turned into a teary, hysterical smile.

      “Isn’t he awful?” she cried in helpless despair. “Isn’t he terrible?”

      “Hurry up,” I said quickly. “This is our last night.”

      And I can still feel that last night vividly, the candlelight that flickered over the rough tables of the mess, the sad mandolin down the street that kept picking My Indiana Home out of the universal nostalgia of the departing summer. The three girls lost in this mysterious men’s city felt something, too – a bewitched impermanence as though they were on a magic carpet that had lighted on the Southern countryside, and any moment the wind would lift it and waft it away. We toasted ourselves and the South. Then we left our napkins and empty glasses and a little of the past on the table, and hand in hand went out into the moonlight itself and got into a waiting car.

      Then Ailie and Earl, Sally and I, two and two in the wide back seat, each couple turned from the other, absorbed and whispering, drove away into the wide, flat darkness.

      We drove through pine woods and parked under the broken shadow of a mill where there was the sound of running water and restive birds. The South sang to us – I wonder if they remember. I remember – the cool pale faces, the somnolent amorous eyes and the voices:

      “Are you comfortable?”

      “Yes; are you?”

      “Are you sure you are?”

      “Yes.”

      Suddenly we knew it was late and there was nothing more. We turned home.

      Our detachment started for Camp Mills next day, but I didn’t go to France after all. There wasn’t any more war. I had missed the war. When I came back to Tarleton I tried to get out of the Army, but I had a regular commission and it took most of the winter. But Earl Schoen was one of the first to be demobilized. He wanted to find a good job “while the picking was good.” Ailie was noncommittal, but there was an understanding between them that he’d be back.

      By January the camps, which for two years had dominated the little city, were already fading. What life remained centered bitterly about divisional headquarters building, with the disgruntled regular officers who had also missed the war.

      And now the young men of Tarleton began drifting back from the ends of the earth – some with Canadian uniforms, some with crutches or empty sleeves.

      Just before Christmas, Bill Knowles arrived unexpectedly one day and left the next – either he gave Ailie an ultimatum or she had made up her mind at last. I saw her sometimes when she wasn’t busy with returned heroes from Savannah and Augusta, but I felt like an outmoded survival – and I was. She was waiting for Earl Schoen with such a vast uncertainty that she didn’t like to talk about it. Three days before I got my final discharge he came.

      I first happened upon them walking down Market Street together, and I don’t think I’ve ever been so sorry for a couple in my life; though I suppose the same situation was repeating itself in every city where there had been camps. Exteriorly Earl had about everything wrong with him that could be imagined. His hat was green, with a feather; his suit was braided in a grotesque fashion that national advertising and the movies have put an end to. Evidently he had been to his old barber, for his hair bloused neatly on his pink, shaved neck. In these clothes even the natural grace of that magnificent body had departed. At first he boasted of his fine job; it would get them along all right until he could “see some easy money.” But from the moment he came back into Ailie’s world on its own terms he must have known it was hopeless. I don’t know what Ailie said or how much her grief weighed against her stupefaction. She acted quickly – three days after his arrival, Earl and I went North together on the train.

      “Well, that’s the end of that,” he said moodily. “She’s a wonderful girl, but too much of a highbrow for me. I guess she’s got to marry some rich guy that’ll give her a great social position. I can’t see that stuck-up sort of thing.” And then, later: “She said to come back and see her in a year, but I’ll never go back. This aristocrat stuff is all right if you got the money for it, but – ”

      “But it wasn’t real,” he meant to finish. The provincial society in which he had moved with so much satisfaction for six months already appeared to him as affected and artificial.

      “Say, did you see what I saw getting on the train?” he asked me after a while. “Two wonderful girls, all alone. What do you say if we ask them to lunch? I’ll take the one in blue.” Halfway down the car he turned around suddenly. “Say, Andy,” he demanded, frowning; “one thing – how do you suppose she knew I used to command a street car?[44] I never told her that.”

      “I’ve no idea.”

      III

      This narrative arrives now at one of the big gaps that stared me in the face when I began. For six years, while I finished at Harvard Law and built commercial aeroplanes, Ailie Calhoun was scarcely more than a name on a Christmas card; something that blew a little in my mind on warm nights when I remembered the magnolia flowers. Occasionally an acquaintance of Army days would ask me, “What became of that blond girl who was so popular?” but I didn’t know. I ran into Nancy Lamar at the Montmartre in New York one evening and learned that Ailie had become engaged to a man in Cincinnati, had gone North to visit his family and then broken it off. She was lovely as ever and there was always an admirer or two. But neither Bill Knowles nor Earl Schoen had ever come back.

      And somewhere about that time I heard that Bill Knowles had married a girl he met on a boat.

      Oddly enough, a girl seen at twilight in a small Indiana station started me thinking about going South. The girl, in a pink dress, threw her arms about a man who got off our train and hurried him to a waiting car, and I felt a sort of pang. It seemed to me that she was bearing him off into the lost midsummer world of my early twenties, where time had stood still and charming girls still walked slowly along

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<p>44</p>

street car – трамвай