The Children's Book of Celebrated Pictures. Bryant Lorinda Munson
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One day when she was in the garden the Archangel St. Michael came to her in a glory of light. He said she was a good little girl and that she must go to church and that some day she was to do a great act; she was to crown the dauphin as king of France at Rheims. Joan was afraid and cried at what the angel told her, but St. Michael said, "God will help you."
These messages kept coming to her until, when she was sixteen, the voices insisted, "You must help the king, and save France."
France was in a terrible state at this time, 1428. The English held most of France. The French king, Charles VI, became insane and died. The son, Dauphin Charles, was weak and lazy and discouraged; he had no money, no army, no energy, and like most cowards, ran from his duty and wasted his time in wickedness.
Joan was still urged by voices to save France. At last a peasant uncle went with her to a man in power to ask for troops. The man was angry, and said sharply:
"The girl is crazy! Box her ears and take her back to her father." But Joan did not give up. She insisted that some one must take her to Dauphin Charles, that God willed it. She said:
"I will go if I have to wear my legs down to my knees." She went, and she saved France by crowning the dauphin as Charles VII at Rheims. But the French and the English people condemned Joan of Arc as a witch and burned her at the stake. Too late they cried:
"We are lost! We have burned a saint!"
THE FATES
Michael Angelo Buonarroti (1474-1564)
When a new baby comes to a home, legend says, three beautiful young girls come to take care of the baby all through its life, but no one ever sees these young girls. Each one has a strange work to do. One, called Clotho, carries a spindle on which is wound flax. The second, named Lachesis, twists a thread from the spindle, called the thread of life. And Atropos, the third, has a pair of shears ready to cut the thread of life.
A funny story is told about Michael Angelo when he designed this picture of "The Fates." An old woman annoyed the artist very much by coming every day to see him. She insisted that he should appoint her son a special place in the fighting line in the seige of Florence (1529). Michael Angelo took revenge on the old woman by using her as a model for all of the women in his "Fates." And that is why Michael Angelo's fates are old women instead of young girls, as legend says they are.
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