down – an accident which fills her with delight. He offers to play with Mink, who growls, and receives his advances with such hauteur that he has to be reminded of the humility of his own beginnings, and of the Dogs' Home. The snubbed fox throws himself on the sward and pants, swishing his brush from side to side like a cross cat. Then they restore him to his prison, at which he opens his red mouth wide, making little angry wild noises.
After they have done with the fox, they have still the garden to water; the kittens in the hayloft – to which they ascend, on the joint invitation of Alfred and Lily – to see; peas to throw to the pretty prosy pigeons, long-windedly courting in fans and pouts, and prism-coloured throats on the dove-cot roof. And when at length her guests take their tardy leave, Peggy is insensibly lured, step by step, into accompanying them more than half-way home.
Into what could not such an evening lure one? Through a barley-field first; all the pale spears slanting westward in the level sun; then a field of old pasture, knapweeds purpling, little hawkweed clocks telling the time in fairyland, loitering buttercups. Then a hedgerow with woody nightshade and long blue vetch; then the green night of a little wood. Though the sun is nearing his declension, the delicious smell that all day long he has compelled the grass and the flowers to bring him, in odorous tribute, still tarries, making the air rich —âcre, as the French say; a word for which there is no precise English equivalent. On the farther side of the tiny forest they part; if so short a severance can indeed be called to part. Are not they to meet again in an hour or so, at that dinner-party at the Manor, to which both Peggy and Prue are bidden? and even if it were not so, have not they to-morrow, and again to-morrow, and yet to-morrow again, to look forward to? This being so, why is it that such a curious last-time feeling clings to Talbot as he crosses the park with his little chattering comrade, making him turn his head again and again in futile seeking towards the sylvan gate whence his tall and white-gowned friend has already disappeared?
On entering the house, and going through an upper passage to his room, he is accosted by Betty's maid, who tells him that her ladyship's headache is better; that she is on the sofa in Lady Roupell's boudoir, and that she has expressed a wish to see him as soon as he comes in. He follows with a guilty conscience and a sinking heart. Has he for one moment of his long blissful afternoon remembered the headache, to which alone he owed his freedom; the headache genuine enough – though it took its birth from mortification and spleen – to keep her stretched in pain and solitary darkness the livelong day? She is in semi-darkness still, her windows closed (a headache always makes her chilly); not a glint of apricot cloud or suave blue sky-field reaching her. A sense of pity, largely touched with remorse, comes over him, as he takes her hand, and says softly:
'You are better at last? Come, that is well!'
She leaves her hand, languid and rather feverish, lying in his.
'It is time that I should be better!' she says, with an impatient sigh. 'What a day I have had! – our last day!' There is such genuine grief and regret in the accent with which she pronounces the three final words that his remorse deepens; but that increase of self-reproach does not make it the least more possible to him to echo her lamentation. 'I asked Julie how often you had been to inquire after me,' continues she, turning her eyes, innocent to-day of their usual black smouches, interrogatively upon him; 'she said she could not remember.'
Talbot blesses the wisely ambiguous maid; and, to hide his confusion, stoops his head over the hand, which he still – since it is evidently expected of him – holds.
'I wish my inquiries could have made you better,' says he, taking – and feeling with shame that he is taking – a leaf out of Julie's book. 'I am afraid that you will not be able to come down to dinner.'
'Oh, but I shall!' returns she sharply. 'Why do you think I shall not? Is the wish father to the thought?'
He laughs constrainedly, taking refuge in what is often the best disguise, truth.
'Yes, that is it!'
'Milady would never forgive me,' pursues she, rolling her head restlessly about upon the cushions, 'if I left her to struggle with the natives alone; I am sure I have not the heart to struggle with any one! Oh, how miserable I am! John!' – laying her other hand on his, and clasping it between both hers – 'how am I to get through the next fortnight?'
Talbot wonders whether the burning blush that he feels searing him all through his body shows in his face, whether he looks the double-faced cur that he feels. Probably he does not, or else the faint light helps him; for she goes on unsuspiciously:
'You have never told me where you have decided to go to-morrow – to the Mackintoshes or the Delaneys? If you ask my advice,' with a rather showery smile, 'I should say the Delaneys; for you will be less well amused there, and have more time to think of me! Remember that you have not given me your address; give it me now, lest you should forget it!'
The tug of war has come. He would rather have put it off until her headache was gone – until he could meet her upon more equal terms. What chance has a man against a woman lying on a sofa with her eyes full of tears, and a handkerchief wetted with eau-de-Cologne tied round her aching brows? None. His hesitation is so obvious that she cannot but notice it.
'Well,' she says, with some sharpness, 'why do not you answer me? Where is the difficulty?'
He laughs artificially.
'The difficulty,' he says, trying to speak carelessly – 'the difficulty is that there is no difficulty. You have my address already. I am going to stay here!'
He has deposited his box of dynamite: he has now only to wait for the explosion. But for twenty or thirty heart-beats she remains entirely silent, and, at the end of that time, only repeats his own words:
'To – stay – here!'
'Yes.'
Another silence. He begins to wish that the explosion would come. It would at least be better than this. She has sat up on her sofa, and pushed back the wet bandage from her damp and straightened hair. She has neither belladonna nor rouge. He has always strongly deprecated and even reviled the use of either; and yet he cannot help thinking, though he hates himself for so thinking, that she looks old and haggard without them.
'And this,' says she at last, speaking between her teeth in a low voice, 'is your delicate way of intimating to me that I am superseded!'
He has risen to his feet. They stand staring each at each in the twilight room, the one not whiter than the other. How much worse it is than he had feared! Close outside the window a robin is piping blithely. A stupid wonder flashes across his mind as to whether he is one of those for whom Peggy scatters crumbs on her window-sill.
'I think that that is a question not worth answering,' he replies, trying to speak calmly.
'But all the same it must be answered,' rejoins she, with symptoms of rising excitement. 'You shall not leave the room until it is answered.'
'Will you please to repeat it then in a more intelligible form?' asks he, with a forced composure.
For a moment she glares at him with dead-white face and shining eyes; then, rising from her sofa, flings herself into his arms.
'How can you expect me to say such words twice?' cries she, bursting into a tempest of tears; 'but if it is so, tell me the truth. You have always blamed me for not speaking truth; learn your own lesson: tell me the truth. Is it all over – all at an end?'
She has withdrawn herself again from him, and now stands holding him at arm's length, a hand upon each shoulder, her dimmed eyes fixed upon his face, searching for the least sign of faltering or evasion upon it.
