The Orange Girl. Walter Besant
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'Not too poor,' said his wife gently. Indeed her poor shabby dress showed what she meant.
'Peace, woman. He shall be poor, I say. Happy lad! He shall be poor. He shall never have money in a stocking, and he shall never want any. He shall live like the sparrows, from day to day, fed by the bounty of the Lord.'
'Who loveth the Dog and Duck,' said his wife.
The husband frowned. 'To sum up, Will, thy lot shall be the happiest that the world can give. What?' He lifted his hand and his eyes grew brighter. 'For the musician the curse of labour is remitted: for him there is no longing after riches: for him there is no flattery of great men: for him there is no meanness; for him there are no base arts: for him there is no wriggling: for him there are no back stairs: for him there is no patron. – In a word, Will, the musician is the only free man in the world.'
'In the Rules, you mean, my dear.' This was his wife's correction.
'Will,' said Alice, 'shall you really become like Tom?'
'Truly, Alice, if I can.'
'Wife,' said Tom. 'Will shall stay with us. He can sleep in the garret. We must find a mattress somewhere.'
'Nay, but I must pay my footing. See, Tom. I have five guineas.' I showed this mine of wealth. He took one and gave it to his wife.
'Aha!' he laughed. 'Buy him a mattress and a blanket, wife. And this evening we will have a bowl of punch. Will, we shall fare like Kings and like the Great ones of the Earth.'
CHAPTER III
A WAY TO LIVE
I think that Tom Shirley was the most good-natured man in the whole world: the most ready to do anything he could for anybody: always cheerful: always happy: partly, I suppose, because he looked at everything through spectacles of imagination. He joined, however, to his passion for music another which belonged to a lower world: namely, for punch. Yet he was not an intemperate man: he showed neither purple cheeks, nor a double chin, nor a swollen neck, nor a rubicund nose – all of which were common sights on Change and in the streets of London. The reason why he displayed no signs of drink was that he could seldom gratify his passion for punch by reason of his poverty, and that in eating, which, I believe, also contributes its share to the puffing out of the neck and the painting of the nose, such as may be seen on Change, he was always as moderate, although he thought every meal a feast, as became his slender means.
I do not know how he got into the King's Bench, but the thing is so easy that one marvels that so many are able to keep out. They put him in and kept him there for a time, when he was enabled to obtain the privilege of the Rules. He was, as he boasted, always rich, because he thought he was rich. His wife took from him, every week, the whole of his wages, otherwise he would have given them away.
At one o'clock Alice laid the cloth and we had dinner. Tom lifted the knife and fork and held it over the cold boiled beef as if fearing to mar that delicate dish by a false or clumsy cut. 'Is there anything,' he said, 'more delicious to the palate than cold boiled beef? It must be cut delicately and with judgment – with judgment, Will.' He proceeded to exercise judgment. There was a cabbage on the table. 'This delicacy,' he said, 'is actually grown for us – for us – in the gardens of Lambeth Marsh. Remark the crispness of it: there is a solid heart for you: there is colour: there is flavour.' All this was, I remember, the grossest flattery. 'Oat cake,' he said, breaking a piece. 'Some, I believe, prefer wheaten bread. They do wrong. Viands must not be judged by their cost but by their fitness to others on the table, and by the season. Remember, Will, that with cold boiled beef, oat cake is your only eating.' He poured out some beer into a glass and held it up to the light. 'Watch the sparkles: hear the humming: strong October this' – it was the most common small beer – 'have a care, Will, have a care.' And so on, turning the simple meal into a banquet.
His wife and sister received these extravagances without a smile. They were used to them. The latter, at least, believed that they were the simple truth. The poor girl was innocently proud of her humble home, this cottage on St. George's Fields, within the Rules.
After dinner, we talked. As the subject was Music Tom was somewhat carried away; yet there was method in his madness.
'I said, lad, that there would be no Art if there were no necessity. 'Tis Poverty alone makes men became musicians and painters and poets. Where can you find a rich man who was ever a great artist? I am no scholar, but I have asked scholars this question, and they agree with me that riches destroy Art. Hardly may Dives become even a Connoisseur. He may become a general or a statesman: we do not take all from him: we leave him something – but not the best – that we keep for ourselves – we keep Art for ourselves. As for a rich merchant becoming a musician or a painter – it is impossible: one laughs at the very thought.'
'Well, that danger is gone, Tom, so far as I am concerned.'
'Ay. The reason I take it, is that Art demands the whole man – not a bit of him – the whole man – all his soul, all his mind, all his thoughts, all his strength. You must give all that to music, Will.'
'I ask nothing better.'
'Another reason is that Art raises a man's thoughts to a higher level than is wanted for Trade. It is impossible for a man's mind to soar or to sink according as he thinks of art or trade. You will remember, Will, for your comfort, that your mind is raised above the City.'
'I will remember.'
'Well, then, let us think about what is best to be done.'
He pondered a little. Then he smiled.
'Put pride in pocket, Will. Now what would you like?'
'To write great music.'
'A worthy ambition. It has been my own. It is not for me to say whether my songs, which are nightly sung at the Dog and Duck, are great music or not. Posterity may judge. Lad, it is one thing to love music – and another thing to compose it. The latter is given to few: the former to many. It may be that it is thy gift. But I know not. Meantime, we must live.'
'I will do anything.'
'Again – put pride in pocket. Now there is a riverside tavern at Bermondsey. It is a place for sailors and their Dolls. A rough and coarse place it is, at best. They want a fiddler from six o'clock till ten every night, and later on Saturdays.'
I heard with a shiver. To play in a sailors' tavern! It was my father's prophecy.
'Everybody must begin, Will. What? A sailors' tavern is no place for the son of a City merchant, is it? But that is gone. Thou art now nobody's son – a child of the gutter – the world is thine oyster – free of all ties – with neither brother nor cousin to say thee nay. Lucky dog! What? We must make a beginning – I say – in the gutter.'
His eyes twinkled and smiled, and I perceived without being told that he meant to try my courage. So, with a rueful countenance and a foolish sense of shame, I consented to sit in the corner of a sanded room in a common riverside tavern and to make music for common sailors and their sweethearts.
'Why,' said Tom, 'that is well. And now, my lad, remember. There are no better judges of a fiddle than sailors. They love their music as they love their lobscouse, hot and strong and plenty. Give it elbow, Will. They are not for fine fingering or for cunning strokes and effects – they like the tune to come out full and sweet. They will be thy masters. As for dancing, they like the time to be marked as well as the tune. Find out how they like to take it. There is one time for a hornpipe and