had not quarrelled; but they had not made peace; and the open question of lithography and the new works still separated them. Sometimes they had approached each other, pretending amiably or even affectionately that there was no open question. But the reality of the question could not be destroyed by any pretence of ignoring it.
While gazing at the piano, Hilda could also see Edwin. She thought she knew him, but she was always making discoveries in this branch of knowledge. Now and then she was so bewildered by discoveries that she came to wonder why she had married him, and why people do marry-really! The fact was that she had married him for the look in his eyes. It was a sad look, and beyond that it could not be described. Also, a little, she had married him for his bright untidy hair, and for that short oblique shake of the head which with him meant a greeting or an affirmative. She had not married him for his sentiments nor for his goodness of heart. Some points in him she did not like. He had a tendency to colds, and she hated him whenever he had a cold. She often detested his terrible tidiness, though it was a convenient failing. More and more she herself wilfully enjoyed being untidy, as her mother had been untidy… And to think that her mother's untidiness used to annoy her! On the other hand she found pleasure in humouring Edwin's crotchettiness in regard to the details of a meal. She did not like his way of walking, which was ungainly, nor his way of standing, which was infirm. She preferred him to be seated. She could not but regret his irresolution, and his love of ease. However, the look in his eyes was paramount, because she was in love with him. She knew that he was more deeply and helplessly in love with her than she with him, but even she was perhaps tightlier bound than in her pride she thought.
Her love had the maladies of a woman's love when it is great; these may possibly be also the maladies of a man's love. It could be bitter. Certainly it could never rest from criticism, spoken or unspoken. In the presence of others she would criticise him to herself, if not aloud, nearly all the time; the ordeal was continuous. When she got him alone she would often endow him at a stroke with perfection, and her tenderness would pour over him. She trusted him profoundly; and yet she had constant misgivings, which weakened or temporarily destroyed her confidence. She would treat a statement from him with almost hostile caution, and accept blindly the very same statement from a stranger! Her habit was to assume that in any encounter between him and a stranger he would be worsted. She was afraid for him. She felt that she could protect him better than he could protect himself, – against any danger whatever. This instinct to protect him was also the instinct of self-protection; for peril to him meant peril to her. And she had had enough of peril. After years of disastrous peril she was safe and George was safe. And if she was passionately in love with Edwin, she was also passionately in love with safety. She had breathed a long sigh of relief, and from a desperate self-defender had become a woman. She lay back, as it were, luxuriously on a lounge, after exhausting and horrible exertions; she had scarcely ceased to pant. At the least sign of recurring danger all her nerves were on the qui vive. Hence her inimical attitude towards the project of the new works and the extension of lithography in Bursley. The simpleton (a moment earlier the perfect man) might ruin himself-and her! In her view he was the last person to undertake such an enterprise.
Since her marriage, Clara, Maggie, and Auntie Hamps had been engaged in the pleasant endless task of telling her all about everything that related to the family, and she had been permitted to understand that Edwin, though utterly admirable, was not of a creative disposition, and that he had done nothing but conserve what his father had left. Without his father Edwin "would have been in a very different position." She believed this. Every day, indeed, Edwin, by the texture of his hourly life, proved the truth of it… All the persons standing to make a profit out of the new project would get the better of his fine ingenuous temperament-naturally! She knew the world. Did Edwin suppose that she did not know what the world was? … And then the interminable worry of the new enterprise-misgivings, uncertainties, extra work, secret preoccupations! What room for love, what hope of tranquillity in all that? He might argue- But she did not want to argue; she would not argue. She was dead against the entire project. He had not said to her that it was no affair of hers, but she knew that such was his thought, and she resented the attitude. No affair of hers? When it threatened her felicity? No! She would not have it. She was happy and secure. And while lying luxuriously back in her lounge she would maintain all the defences of her happiness and her security.
Holding the green book in front of her, Edwin said quietly:
"Read this!"
"Which?"
He pointed with his finger.
She read:
"I think I could turn and live with animals, they are so placid and self-contained.
I stand and look at them long and long.
They do not sweat and whine about their condition.
They do not lie awake in the dark and weep for their sins.
They do not make me sick discussing their duty to God.
Not one is dissatisfied, not one is demented with the mania of owning things.
Not one kneels to another, nor to his kind that lived thousands of years ago.
Not one is respectable or unhappy over the whole earth."
Edwin had lately been exciting himself, not for the first time, over Walt Whitman.
"Fine, isn't it?" he said, sure that she would share his thrill.
"Magnificent!" she agreed with quiet enthusiasm. "I must read more of that." She gazed over the top of the book through the open blue-curtained window into the garden.
He withdrew the book and closed it.
"You haven't got that tune exactly right, you know," he said, jerking his head in the direction of the music.
"Oh!" She was startled. What did he know about it? He could not play the piano.
"Where are you?" he asked. "Show me. Where's the confounded place on the piano? Well! At the end you play it like this." He imitated her. "Whereas it ought to be like this." He played the last four notes differently.
"So it ought!" She murmured with submission, after having frowned.
"That bit of a tune's been running in my head, too," he said.
The strange beauty of Whitman and the strange beauty of Dvorak seemed to unite, and both Edwin and Hilda were uplifted, not merely by these mingled beauties, but by their realisation of the wondrous fact that they both took intense pleasure in the same varied forms of beauty. Happiness rose about them like a sweet smell in the spaces of the comfortable impeccable drawing-room. And for a moment they leaned towards each other in bliss-across the open question… Was it still open? … Ah! Edwin might be ingenuous, a simpleton, but Hilda admitted the astounding, mystifying adroitness of his demeanour. Had he abandoned the lithographic project, or was he privately nursing it? In his friendliness towards herself was there a reserve, or was there not? She knew … she did not know … she knew… Yes, there was a reserve, but it was so infinitesimal that she could not define it, – could not decide whether it was due to obstinacy of purpose, or merely to a sense of injury, whether it was resentful or condescending. Exciting times! And she perceived that her new life was gradually getting fuller of such excitements.
"Well," said he. "It's nearly three. Quarter-day's coming along. I'd better be off down and earn a bit towards Maggie's rent."
Before the June quarter-day, he had been jocular in the same way about Maggie's rent. In the division of old Darius Clayhanger's estate Maggie had taken over the Clayhanger house, and Edwin paid rent to her therefor.
"I
