hys chamber, besyde hys study,Hys harper's chamber was fast ther by,
Many tymes, by nightes and dayes,
He hade solace of notes and layes.
One asked him the resun why
He hadde delyte in minstrelsy?
He answered hym on thys manere
Why he helde the harpe so dere:
The virtu of the harpe thurh skill and right
Wyll destrye the fendys myght,
And to the cros by gode skeyl
Ys the harpe lykened weyl.
He who looks and listens for the voice of the people in these ancient times hears no more than a confused murmur: one sees a swarm working like ants; a bell rings: they knock off work; another bell: they run together; they shout; they wave their hats; the listener, however, hears no words. It is difficult in any age – even in the present day – to learn or understand what the bas peuple think and what they desire. They want few things indeed in every generation; only, as I said above, the three elements of freedom, health, and just pay. Give them these three and they will grumble no longer. When a poet puts one of them on his stage and makes him act and makes him speak, we learn the multitude from the type. Later on, after Chaucer and Piers Ploughman have spoken, we know the people better; as yet we guess at them, we do not even know them in part. Observe, however, one thing about London – a thing of great significance. When there is a Jacquerie, when the people, who have hitherto been as silent as the patient ox, rise with a wild roar of rage, it is not in London. Here men have learned – however imperfectly – the lesson that only by combination of all for the general welfare is the common weal advanced. I think, also, that London men, even those on the lowest levels, have always known very well that their humility of place is due to their own lack of purpose and self-restraint. The air of London has always been charged with the traditions and histories of those who have raised themselves; there never has been a city more generous to her children, more ready to hold out a helping hand; this we shall see illustrated later on; at present all is beginning. The elementary three conditions are felt, but not yet put into words.
We are at present in the boyhood of a city which after a thousand years is still in its strong and vigorous manhood, showing no sign, not the least sign, of senility or decay. Rather does it appear like a city in its first spring of eager youth. But the real work for Saxon and Norman London lies before. It is to come. It is a work which is to be the making of Great Britain and of America, Australia, and the Isles. It is the work of building up, defending, and consolidating the liberties of the Anglo-Saxon race.
They were not wretched at all, these early London citizens; but, on the contrary, joyous and happy and hopeful. And not only for the reasons already stated, but for the great fact – the greatest fact of the time – of their blind and unreasoning faith. It is impossible to exaggerate the importance of unreasoning faith as a factor in human happiness. The life of the meanest man was full of dignity and of splendor, because of the great inheritance assured to him by the Church. We must never leave out the Church in speaking of the past. We must never forget that all people, save here and there a doubting Rufus or a questioning Prince of Anjou, believed without the shadow of any doubt. Knowledge brought the power of questioning. As yet there was no knowledge. Therefore every man's life, however miserable, was, to his happy ignorance, the certain ante-room of heaven. We are fond of dwelling on the mediæval hell, the stupidity and the brutality of its endless torture, and the selfishness of buying salvation by masses. Hell, my friends, was always meant for the other man. He who saw the devils painted on the church-wall, rending, tearing, frying, cutting, burning the poor souls in hell, knew these souls for those of his enemies. Like Dante, he saw among them all his public and his private foes. He looked upward for his hope. There he beheld loving angels bearing aloft in their soft arms the soul redeemed to the abode of perfect bliss. In that soul he recognized himself; he saw the portraiture, exact and lifelike, of his own features.
When the ambassadors of the Caliph Haroun al Raschid brought gifts to the great King Karl, the finest thing he had to show them was the splendid service of the Church.
This story is told literally. It might be told as an allegory. In London Saxon and Norman, as also for many centuries to follow, the finest thing they had to show was the Church, with its music that moved the heart to tears; its promises, which steeled the soul to endurance; its glories, which carried the beholder far away from the wattle and clay of his hut and his grimy leathern doublet; its frown, which stood between him and the tyrannous Over Lord, and saved his home from starvation and his womankind from dishonor. Fortunate was it for the people that they had the Church to show to those ambassadors of the Moslem.
III
PLANTAGENET
Prince Pantagruel and his companions, pursuing their incomparable voyage, sailed three days and three nights without discovering anything, and on the fourth day made land. The Pilot told them that it was the Ringing Island; and, indeed, they heard afar off a kind of a confused and oft-repeated noise, that seemed at a distance not unlike the sound of great, middle-sized, and little bells rung all at once.
Commentators have been much exercised as to the city which the great Master of Allegory had in view when he described l'Ile Sonnante. Foolish commentators! As if even a small master of allegory, much less the great and illustrious Alcofribas Nasier, could, or would, mean any one town in particular! One might as well search for the man whose portrait he painted and called Panurge. He described all towns. For, in truth, every mediæval city was an Ile Sonnante, and the greater, the richer, the more populous, the more powerful was the city, the louder and the more frequent were the jinglings and the janglings, the sonorous clang and the melodious peal, the chimings and the strikings, the music and the jarring of the thousand Bells. They rang all day long; they rang from the great Cathedral and from the little Parish Church; from the stately monastery, the nunnery, the College of Priests, the Spital, the Chantry, the Chapel, and the Hermitage. They rang for Festivals, for Fasts, for Pageants, for Processions, for Births, Marriages, and Funerals; for the election of city officers, for Coronations, for Victories, and for daily service; they rang to mark the day and the hour; they rang in the baby; they rang out the passing soul; they rang for the bride; they rang in memory of the dead; they rang for work to begin and for work to cease; they rang to exhort, to admonish, to console.
With their ringing the City was never quiet. Four miles out of London, the sound of the Bells rang in the ears of the downcast 'prentice boy who sat upon the green slopes of Highgate: the chimes of Bow struck merrily upon his ear above the tinkling of the sheep bell, the carol of the lark, and the song of the thrush. To him they brought a promise and a hope. What they brought to the busy folk in the streets I know not; but since they were a folk of robust nerves, the musical, rolling, melodious, clashing, joyous ringing of bells certainly brought for the most part a sense of elation, hope, and companionship. So, in this our later day, the multitudinous tripper or the Hallelujah lad is not happy unless he can make, as he goes, music – loud music – in the train and on the sands. So, again, those who march in procession do not feel complete without a braying band with drums great and small, banging and beating and roaring an accompaniment to the mottoes on their banners, and uplifting the souls of the champions who are about to harangue the multitude.
The Ile Sonnante of Rabelais may have been Paris – of course it was Paris; it may have been Avignon – there is not the least doubt that it was Avignon; it may also have been London – there can be no manner of question on that point. Rabelais never saw London; but so loud was the jingle-jangle of the City bells that they smote upon his ear while he was beginning that unfinished book of his and inspired the first chapters. London, without a doubt, London, and no other, is the true Ile Sonnante.
Of Plantagenet London there is much to be said and written. Place à l'Église! It was a time when
