would already have set on her face the signs of old maidenhood. She was not of the newer order of femininity, eager to get out in the world and follow some individual line of self-development and interest. Rather was she a home woman wanting some one man to look after and love. The wonder and beauty of her dream of happiness with Eugene now made the danger of its loss and the possible compulsory continuance of a humdrum, underpaid, backwoods existence, heart-sickening.
Meanwhile, as the summer passed, Eugene was casually enlarging his acquaintance with women. MacHugh and Smite had gone back home for the summer, and it was a relief from his loneliness to encounter one day in an editorial office, Norma Whitmore, a dark, keen, temperamental and moody but brilliant writer and editor who, like others before her, took a fancy to Eugene. She was introduced to him by Jans Jansen, Art Director of the paper, and after some light banter she offered to show him her office.
She led the way to a little room no larger than six by eight where she had her desk. Eugene noticed that she was lean and sallow, about his own age or older, and brilliant and vivacious. Her hands took his attention for they were thin, shapely and artistic. Her eyes burned with a peculiar lustre and her loose-fitting clothes were draped artistically about her. A conversation sprang up as to his work, which she knew and admired, and he was invited to her apartment. He looked at Norma with an unconsciously speculative eye.
Christina was out of the city, but the memory of her made it impossible for him to write to Angela in his old vein of devotion. Nevertheless he still thought of her as charming. He thought that he ought to write more regularly. He thought that he ought pretty soon to go back and marry her. He was approaching the point where he could support her in a studio if they lived economically. But he did not want to exactly.
He had known her now for three years. It was fully a year and a half since he had seen her last. In the last year his letters had been less and less about themselves and more and more about everything else. He was finding the conventional love letters difficult. But he did not permit himself to realize just what that meant – to take careful stock of his emotions. That would have compelled him to the painful course of deciding that he could not marry her, and asking her to be released from his promise. He did not want to do that. Instead he parleyed, held by pity for her passing youth and her undeniable affection for him, by his sense of the unfairness of having taken up so much of her time to the exclusion of every other person who might have proposed to her, by sorrow for the cruelty of her position in being left to explain to her family that she had been jilted. He hated to hurt any person's feelings. He did not want to be conscious of the grief of any person who had come to suffering through him and he could not make them suffer very well and not be conscious. He was too tender hearted. He had pledged himself to Angela, giving her a ring, begging her to wait, writing her fulsome letters of protest and desire. Now, after three years, to shame her before her charming family – old Jotham, her mother, her sisters and brothers – it seemed a cruel thing to do, and he did not care to contemplate it.
Angela, with her morbid, passionate, apprehensive nature, did not fail to see disaster looming in the distance. She loved Eugene passionately and the pent-up fires of her nature had been waiting all these years the warrant to express their ardor which marriage alone could confer. Eugene, by the charm of his manner and person, no less than by the sensuous character of some of his moods and the subtleties and refinements of his references to the ties of sex, had stirred her to anticipate a perfect fruition of her dreams, and she was now eager for that fruition almost to the point of being willing to sacrifice virginity itself. The remembrance of the one significant scene between her and Eugene tormented her. She felt that if his love was to terminate in indifference now it would have been better to have yielded then. She wished that she had not tried to save herself. Perhaps there would have been a child, and he would have been true to her out of a sense of sympathy and duty. At least she would have had that crowning glory of womanhood, ardent union with her lover, and if worst had come to worst she could have died.
She thought of the quiet little lake near her home, its glassy bosom a mirror to the sky, and how, in case of failure, she would have looked lying on its sandy bottom, her pale hair diffused by some aimless motion of the water, her eyes sealed by the end of consciousness, her hands folded. Her fancy outran her daring. She would not have done this, but she could dream about it, and it made her distress all the more intense.
As time went by and Eugene's ardor did not revive, this problem of her love became more harrassing and she began to wonder seriously what she could do to win him back to her. He had expressed such a violent desire for her on his last visit, had painted his love in such glowing terms that she felt convinced he must love her still, though absence and the excitements of city life had dimmed the memory of her temporarily. She remembered a line in a comic opera which she and Eugene had seen together: "Absence is the dark room in which lovers develop negatives" and this seemed a case in point. If she could get him back, if he could be near her again, his old fever would develop and she would then find some way of making him take her, perhaps. It did not occur to her quite clearly just how this could be done at this time but some vague notion of self-immolation was already stirring vaguely and disturbingly in her brain.
The trying and in a way disheartening conditions of her home went some way to sustain this notion. Her sister Marietta was surrounded by a score of suitors who were as eager for her love as a bee is for the honey of a flower, and Angela could see that they were already looking upon herself as an elderly chaperon. Her mother and father watched her going about her work and grieved because so good a girl should be made to suffer for want of a proper understanding. She could not conceal her feelings entirely and they could see at times that she was unhappy. She could see that they saw it. It was hard to have to explain to her sisters and brothers, who occasionally asked after Eugene, that he was doing all right, and never be able to say that he was coming for her some day soon.
At first Marietta had been envious of her. She thought she would like to win Eugene for herself, and only consideration for Angela's age and the fact that she had not been so much sought after had deterred her. Now that Eugene was obviously neglecting her, or at least delaying beyond any reasonable period, she was deeply sorry. Once, before she had grown into the age of courtship, she had said to Angela: "I'm going to be nice to the men. You're too cold. You'll never get married." And Angela had realized that it was not a matter of "too cold," but an innate prejudice against most of the types she met. And then the average man did not take to her. She could not spur herself to pleasure in their company. It took a fire like Eugene's to stir her mightily, and once having known that she could brook no other. Marietta realized this too. Now because of these three years she had cut herself off from other men, particularly the one who had been most attentive to her – faithful Victor Dean. The one thing that might save Angela from being completely ignored was a spirit of romance which kept her young in looks as in feelings.
With the fear of desertion in her mind Angela began to hint in her letters to Eugene that he should come back to see her, to express the hope in her letters that their marriage need not – because of any difficulty of establishing himself – be postponed much longer. She said to him over and over that she could be happy with him in a cottage and that she so longed to see him again. Eugene began to ask himself what he wanted to do.
The fact that on the passional side Angela appealed to him more than any woman he had ever known was a saving point in her favor at this juncture. There was a note in her make-up which was stronger, deeper, more suggestive of joy to come than anything he had found elsewhere. He remembered keenly the wonderful days he had spent with her – the one significant night when she begged him to save her against herself. All the beauty of the season with which she was surrounded at that time; the charm of her family, the odor of flowers and the shade of trees served to make a setting for her delightfulness which still endured with him as fresh as yesterday. Now, without having completed that romance – a very perfect flower – could he cast it aside?
At this time he was not entangled with any woman. Miriam Finch was too conservative and intellectual; Norma Whitmore not attractive enough. As for some other charming examples of femininity whom he had met here and there, he had not
