be a flagrant breach of system to use anything else, and of all other things one's fingers. Oh, horrible thought!
Methodical Florence. Unalterable, admirable, tiresome Florence!
As Sir Guy speaks, Lilian being in one of her capricious moods, which seem reserved alone for her guardian, half turns her head toward him, looking at him out of two great unfriendly eyes, says:
"Is not that yours?" pointing to a cup that she has purposely placed at a considerable distance from her, so that she may have a decent excuse for not offering it to him with her own hands.
"Thank you," Chetwoode says, calmly, taking it without betraying the chagrin he is foolish enough to feel, but he is very careful not to trouble her a second time. It is evident to him that, for some reason or reasons unknown, he is in high disgrace with his ward; though long ago he has given up trying to discover just cause for her constant displays of temper.
Lady Chetwoode is knitting industriously. Already the heel is turned, and she is on the fair road to make a most successful and rapid finish. Humanly speaking, there is no possible doubt about old James Murland being in possession of the socks to-morrow evening. As she knits she speaks in the low dreamy tone that always seems to me to accompany the click of the needles.
"Florence sings very nicely," she says; "in the evening it was pleasant to hear her voice. Dear me, how it does rain, to be sure! one would think it never meant to cease. Yes, I am very fond of singing."
"I have rather a nice little voice," says Miss Chesney, composedly, – "at least" – with a sudden and most unlooked-for accession of modesty – "they used to say so at home. Shall I sing something for you, auntie? I should like to very much, if it would give you any pleasure."
"Indeed it would, my dear. I had no idea you were musical."
"I don't suppose I can sing as well as Florence," – apologetically, – "but I will try the 'Banks of Allan Water,' and then you will be able to judge for yourself."
She sits down, and sings from memory that very sweet and dear old song, – sings it with all the girlish tenderness of which she is capable, in a soft, sweet voice, that saddens as fully as it charms, – a voice that would certainly never raise storms of applause, but is perfect in its truthfulness and exquisite in its youth and freshness.
"My dear child, you sing rarely well," says Lady Chetwoode, while Guy has drawn near, unconsciously to himself, and is standing at a little distance behind her. How many more witcheries has this little tormenting siren laid up in store for his undoing? "It reminds me of long ago," says auntie, with a sigh for the gay hours gone: "once I sang that song myself. Do you know any Scotch airs, Lilian? I am so fond of them."
Whereupon Lilian sings "Comin' thro' the Rye" and "Caller Herrin'," which latter brings tears into Lady Chetwoode's eyes. Altogether, by the time the first dressing-bell rings, she feels she has made a decided success, and is so far elated by the thought that she actually condescends to forego her ill-temper for this occasion only, and bestows so gracious a smile and speech upon her hapless guardian as sends that ill-used young man to his room in radiant spirits.
CHAPTER IX
"So young, and so untender." —King Lear.
"I wonder why on earth it is some people cannot choose proper hours in which to travel," says Cyril, testily. "The idea of electing – (not any more, thank you) – to arrive at ten o'clock at night at any respectable house is barely decent."
"Yes, I wish she had named any other hour," says Lady Chetwoode. "It is rather a nuisance Guy having to go to the station so late."
"Dear Florence is so romantic," remarks Cyril: "let us hope for her sake there will be a moon."
It is half-past eight o'clock, and dinner is nearly over. There has been some haste this evening on account of Miss Beauchamp's expected arrival; the very men who are handing round the jellies and sweetmeats seem as inclined to hurry as their pomposity will allow: hence Cyril's mild ill-humor. No man but feels aggrieved when compelled to hasten at his meals.
Miss Chesney has arrayed herself with great care for the new-comer's delectation, and has been preparing herself all day to dislike her cordially. Sir Guy is rather silent; Cyril is not; Lady Chetwoode's usual good spirits seem to have forsaken her.
"Are you really going to Truston after dinner?" asks Lilian, in a tone of surprise, addressing Sir Guy.
"Yes, really; I do not mind it in the least," answering his mother's remark even more than hers. "It can scarcely be called a hardship, taking a short drive on such a lovely night."
"Of course not, with the prospect before him of so soon meeting this delightful cousin," thinks Lilian. "How glad he seems to welcome her home! No fear he would let Cyril meet her at the station!"
"Yes, it certainly is a lovely evening," she says, aloud. Then, "Was there no other train for her to come by?"
"Plenty," answers Cyril; "any number of them. But she thought she would like Guy to 'meet her by moonlight alone.'"
It is an old and favorite joke of Cyril's, Miss Beauchamp's admiration for Guy. He has no idea he is encouraging in any one's mind the impression that Guy has an admiration for Miss Beauchamp.
"I wonder you never tire of that subject," Guy says, turning upon his brother with sudden and most unusual temper. "I don't fancy Florence would care to hear you forever making free with her name as you do."
"I beg your pardon a thousand times. I had no idea it was a touchy subject with you."
"Nor is it," shortly.
"She will have her wish," says Lilian, alluding to Cyril's unfortunate quotation, and ignoring the remark that followed. "I am sure it will be moonlight by ten," – making a critical examination of the sky through the window, near which she is sitting. "How charming moonlight is! If I had a lover," – laughing, – "I should never go for a drive or walk with him except beneath its cool white rays. I think Miss Beauchamp very wise in choosing the hour she has chosen for her return home."
This is intolerable. The inference is quite distinct. Guy flushes crimson and opens his mouth to give way to some of the thoughts that are oppressing him, but his mother's voice breaking in checks him.
"Don't have any lovers for a long time, child," she says: "you are too young for such unsatisfactory toys. The longer you are without them, the happier you will be. They are more trouble than gratification."
"I don't mean to have one," says Lilian, with a wise shake of her blonde head, "for years and years. I was merely admiring Miss Beauchamp's taste."
"Wise child!" says Cyril, admiringly. "Why didn't you arrive by moonlight, Lilian? I'm never in luck."
"It didn't occur to me: in future I shall be more considerate. Are you fretting because you can't go to-night to meet your cousin? You see how insignificant you are: you would not be trusted on so important a mission. It is only bad little wards you are sent to welcome."
She laughs gayly as she says this; but Guy, who is listening, feels it is meant as a reproach to him.
"There are worse things than bad little wards," says Cyril, "if you are a specimen."
"Do you think so? It's a pity every one doesn't agree with you. No, Martin," to the elderly servitor behind her chair, who she knows has a decided weakness for her: "don't take away the ice pudding yet: I am very fond
