Bellair of Belmont, Mr. Chetwoode is rather taken aback. He moves aside and colors faintly. Harry Bellair, who is a young gentleman addicted to huge plaids, and low hats, and three or four lockets on his watch chain, being evidently under the impression that Cyril has been "up to one of his larks," bestows upon him in passing a covert but odiously knowing wink, that has the effect of driving Cyril actually wild, and makes him give way to low expressions under his breath.
"Vulgar beast!" he says at length out loud with much unction, which happily affords him instant relief.
"Are you looking for me?" says a soft voice at his elbow, and turning he beholds a lovely childish face upturned somewhat timidly to his.
"Miss Chesney?" he asks, with hesitation, being mindful of his late defeat.
"Yes," smiling. "It is for me, then, you are looking? Oh," – with a thankful sigh, – "I am so glad! I have wanted to ask you the question for two minutes, but I was afraid you might be the wrong person."
"I wish you had spoken," laughing: "you would have saved me from much ignominy. I fancied you something altogether different from what you are," with a glance full of kindly admiration, – "and I fear I made rather a fool of myself in consequence. I beg your pardon for having kept you so long in suspense, and especially for having in my ignorance mistaken you for that black-browed lady." Here he smiles down on the fair sweet little face that is smiling up at him.
"Was it that tall young lady you called a 'beast'?" asks Miss Lilian, demurely. "If so, it wasn't very polite of you, was it?"
"Oh," – with a laugh, – "did you hear me? I doubt I have begun our acquaintance badly. No, notwithstanding the provocation I received (you saw the withering glance she bestowed upon me?), I refrained from evil language as far as she was concerned, and consoled myself by expending my rage upon her companion, – the man who was seeing after her. Are you tired? – Your journey has not been very unpleasant, I hope?"
"Not unpleasant at all. It was quite fine the entire time, and there was no dust."
"Your trunks are labeled?"
"Yes."
"Then perhaps you had better come with me. One of the men will see to your luggage, and will drive your maid home. She is with you?"
"Yes. That is, my nurse is; I have never had any other maid. This is Tipping," says Miss Chesney, moving back a step or two, and drawing forward with an affectionate gesture, a pleasant-faced, elderly woman of about fifty-five.
"I am glad to see you, Mrs. Tipping," says Cyril, genially, who does not think it necessary, like some folk, to treat the lower classes with studied coldness, as though they were a thing apart. "Perhaps you will tell the groom about your mistress's things, while I take her out of this draughty station."
Lilian follows him to the carriage, wondering as she goes. There is an air of command about this new acquaintance that puzzles her. Is he Sir Guy? Is it her guardian in propria persona who has come to meet her? And could a guardian be so – so – likable? Inwardly she hopes it may be so, being rather impressed by Cyril's manner and handsome face.
When they are about half-way to Chetwoode she plucks up courage to say, although the saying of it costs her a brilliant blush, "Are you my guardian?"
"I call that a most unkind question," says Cyril. "Have I fallen short in any way, that the thought suggests itself? Do you mean to insinuate that I am not guarding you properly now? Am I not taking sufficiently good care of you?"
"You are my guardian then?" says Lilian, with such unmistakable hope in her tones that Cyril laughs outright.
"No, I am not," he says; "I wish I were; though for your own sake it is better as it is. Your guardian is no end a better fellow than I am. He would have come to meet you to-day, but he was obliged to go some miles away on business."
"Business!" thinks Miss Chesney, disdainfully. "Of course it would never do for the goody-goody to neglect his business. Oh, dear! I know we shall not get on at all."
"I am very glad he did not put himself out for me," she says, glancing at Cyril from under her long curling lashes. "It would have been a pity, as I have not missed him at all."
"I feel intensely grateful to you for that speech," says Cyril. "When Guy cuts me out later on, – as he always does, – I shall still have the memory of it to fall back upon."
"Is this Chetwoode?" Lilian asks, five minutes later, as they pass through the entrance gate. "What a charming avenue!" – putting her head out of the window, "and so dark. I like it dark; it reminds me of" – she pauses, and two large tears come slowly, slowly into her blue eyes and tremble there – "my home," she says in a low tone.
"You must try to be happy with us," Cyril says, kindly, taking one of her hands and pressing it gently, to enforce his sympathy; and then the horses draw up at the hall door, and he helps her to alight, and presently she finds herself within the doors of Chetwoode.
CHAPTER IV
"Ye scenes of my childhood, whose loved recollection
Embitters the present, compared with the past." – Byron.
When Lady Chetwoode, who is sitting in the drawing-room, hears the carriage draw up to the door, she straightens herself in her chair, smoothes down the folds of her black velvet gown with rather nervous fingers, and prepares for an unpleasant surprise. She hears Cyril's voice in the hall inquiring where his mother is, and, rising to her feet, she makes ready to receive her new ward.
She has put on what she fondly hopes is a particularly gracious air, but which is in reality a palpable mixture of fear and uncertainty. The door opens; there is a slight pause; and then Lilian, slight, and fair, and pretty, stands upon the threshold.
She is very pale, partly through fatigue, but much more through nervousness and the self-same feeling of uncertainty that is weighing down her hostess. As her eyes meet Lady Chetwoode's they take an appealing expression that goes straight to the heart of that kindest of women.
"You have arrived, my dear," she says, a ring of undeniable cordiality in her tone, while from her face all the unpleasant fear has vanished. She moves forward to greet her guest, and as Lilian comes up to her takes the fair sweet face between her hands and kisses her softly on each cheek.
"You are like your mother," she says, presently, holding the girl a little way from her and regarding her with earnest attention. "Yes, – very like your mother, and she was beautiful. You are welcome to Chetwoode, my dear child."
Lilian, who is feeling rather inclined to cry, does not trust herself to make any spoken rejoinder, but, putting up her lips of her own accord, presses them gratefully to Lady Chetwoode's, thereby ratifying the silent bond of friendship that without a word has on the instant been sealed between the old woman and the young one.
A great sense of relief has fallen upon Lady Chetwoode. Not until now, when her fears have been proved groundless, does she fully comprehend the amount of uneasiness and positive horror with which she has regarded the admittance of a stranger into her happy home circle. The thought that something unrefined, disagreeable, unbearable, might be coming has followed like a nightmare for the past week, but now, in the presence of this lovely child, it has fled away ashamed, never to return.
Lilian's delicate, well-bred face and figure, her small hands, her graceful movements, her whole air, proclaim her one of the world to which Lady Chetwoode belongs, and the old lady, who is aristocrat to her fingers' ends,
