The Women of The American Revolution, Vol. 1. Ellet Elizabeth Fries
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Although her home was in Plymouth, her place of residence was occasionally changed during the war. At one time she lived in the house at Milton, which Governor Hutchinson had occupied. Wherever she was, the friends of America were always welcomed to the shelter of her roof, and the hospitalities of her table. In different passages of her letters to Mr. Adams, the officers with whom she became acquainted are described. The following extract is interesting:
"The Generals Washington, Lee, and Gates, with several other distinguished officers from headquarters, dined with us (at Watertown) three days since. The first of these I think one of the most amiable and accomplished gentlemen, both in person, mind, and manners, that I have met with. The second, whom I never saw before, I think plain in his person to a degree of ugliness, careless even to unpoliteness – his garb ordinary, his voice rough, his manners rather morose; yet sensible, learned, judicious, and penetrating: a considerable traveller, agreeable in his narrations, and a zealous, indefatigable friend to the American cause; but much more from a love of freedom, and an impartial sense of the inherent rights of mankind at large, than from any attachment or disgust to particular persons or countries. The last is a brave soldier, a high republican, a sensible companion, an honest man, of unaffected manners and easy deportment."
She speaks thus of the Count D'Estaing:
"While the errand on which the Count D'Estaing came out excites our gratitude, the dignity of his deportment commands respect; and his reserved affability, if I may so express it, heightens our esteem."
And La Fayette is praised in laconic fashion: "Penetrating, active, sensible, and judicious, he acquits himself with the highest applause in the public eye, while the politeness of his manners, and the sociability of his temper, insure his welcome at every hospitable board."
Every page from the pen of Mrs. Warren, is remarkable for clearness and vigor of thought. Thus her style was not vitiated by the artificial tastes of the day; yet her expression is often studiously elaborated, in accordance with the prevalent fashion. This is the case in her letters written with most care; while in others her ardent spirit pours out its feelings with irrepressible energy, portraying itself in the genuine and simple language of emotion. The following passage perhaps did not then appear studied, even in a familiar letter:
"The late convulsions are only the natural struggles which ensue when the genius of liberty arises to assert her rights in opposition to the ghost of tyranny. I doubt not this fell form will ere long be driven from our land: then may the western skies behold virtue (which is generally the attendant of freedom) seated on a throne of peace, where may she ever preside over the rising Commonwealth of America."12
About this time, as it appears, was published "The Group" – a satirical dramatic piece in two Acts, in which many of the leading tory characters of the day were humorously introduced. A strong political influence has been ascribed to this and other satirical poems from her pen. It is in allusion to this that Mrs. Adams speaks of "a Rapatio soul" – Governor Hutchinson being thus designated. The following description is applied to him:
"But mark the traitor – his high crime glossed o'er
Conceals the tender feelings of the man,
The social ties that bind the human heart;
He strikes a bargain with his country's foes,
And joins to wrap America in flames.
Yet with feigned pity, and Satanic grin,
As if more deep to fix the keen insult,
Or make his life a farce still more complete,
He sends a groan across the broad Atlantic,
And with a phiz of crocodilian stamp,
Can weep, and wreathe, still hoping to deceive;
He cries – the gathering clouds hang thick about her,
But laughs within; then sobs —
Alas, my country!"
With the classical allusions then common, she mentions
" – India's poisonous weed,
Long since a sacrifice to Thetis made,
A rich regale. Now all the watery dames
May snuff souchong, and sip in flowing bowls
The higher flavored choice Hysonian stream,
And leave their nectar to old Homer's gods."
It may be imagined that such bold and keen satire would produce a marked sensation, and be severely felt by the persons against whom it was aimed. The author herself seems to have had some misgivings, fearing lest her patriotic feelings should have carried her too far. Mrs. Adams thus re-assures her:
"I observe my friend is laboring under apprehension, lest the severity with which a certain Group was drawn, was incompatible with that benevolence which ought always to be predominant in a female character. Though 'an eagle's talon asks an eagle's eye,' and satire in the hands of some is a very dangerous weapon; yet when it is so happily blended with benevolence, and is awakened only by the love of virtue and abhorrence of vice – when truth is unavoidably preserved, and ridiculous and vicious actions are alone the subject, it is so far from blamable that it is certainly meritorious."
Mrs. Warren employed much of her leisure with her pen. She kept a faithful record of occurrences during the dark days of her country's affliction, through times that engaged the attention both of the philosopher and the politician. She did this with the design of transmitting to posterity a faithful portraiture of the most distinguished characters of the day.
Her intention was fulfilled in her history of the war. Her poetical compositions, afterwards collected and dedicated to General Washington, were the amusement of solitude, when many of her friends were actively engaged in the field or cabinet. Some of them contain allusions to bodily sufferings, her health being far from robust. The tragedies, "The Sack of Rome," and "The Ladies of Castile," are more remarkable for patriotic sentiment than dramatic merit. The verse is smooth and flowing, and the language poetical, but often wanting in the simplicity essential to true pathos. An interest deeper than that of the story is awakened by the application of many passages to the circumstances of the times. The truth of the following lines must have been dolefully felt:
"'Mongst all the ills that hover o'er mankind,
Unfeigned, or fabled in the poet's page,
The blackest scroll the sister furies hold
For red-eyed wrath, or malice to fill up,
Is incomplete to sum up human woe;
Till civil discord, still a darker fiend,
Stalks forth unmasked from his infernal den,
With mad Alecto's torch in his right hand,
To light the flame, and rend the soul of nature."
Both these tragedies were read with interest, and much praised in after years. Alexander Hamilton writes to the author, July 1st, 1791:
"It is certain that in the 'Ladies of Castile,' the sex will find a new occasion of triumph. Not being a poet myself, I am in the less danger of feeling mortification at the idea that in the career of dramatic composition at least, female genius in the United States has out-stripped the male."
The criticism of John Adams – who writes from London, Dec. 25th, 1787,
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