text or prayer to Osiris, king of the gods: “O Osiris, who hast become king of Egypt, Menkara living eternally, child of heaven, son of the divine mother, heir of time, over thee may she stretch herself and cover thee, thy divine mother, in her name as mystery of heaven. May she grant that thou shouldst be like god, free from all evils, king Menkara, living eternally.”
The prayer is not uncommon, for parts of it have been found on other monuments. Its sense is, “Delivered from mortal matter, the soul of the dead king passes through the immense spaces of heaven to unite itself with god, after having overcome the evil which opposed it on its journey through earth.”
The entrance to the great pyramid was formerly quite concealed, only the priests knowing where to find the movable stone that would admit them. But now the opening is plain, and is about forty-five feet from the ground on the north side. Thence there is a descent through a narrow passage for 320 feet into the sepulchral chamber. The passage is much blocked and difficult. The great red granite sarcophagus is there, empty and broken, mute receptacle of departed greatness, for which the relic hunter has had quite too little respect.
With the end of the fifth dynasty pyramid building ceased. The glory of Memphis departed and went to Thebes, where kingly vanity seems to have sought outlet in the temple architecture whose ruins are the wonder of the world.
Above the old site of Memphis, is Toora, and out on its desert side are the pyramids of Sakkarah, eleven in number. The most remarkable is the Step Pyramid, believed to be more ancient than those of Ghiseh. But there is something even more wonderful here – the Temple of Serapis, which it took four years to disengage from the sands of the desert after its site was discovered. It seems to have been dedicated to Serapis, the sacred bull of Egypt. Beneath it is a great catacomb where once laid the remains of thousands of sacred bulls. Their stone coffins are still there, cut out of solid blocks of granite, and measuring fourteen feet long by eleven feet high.
Further up the Nile are the high limestone cliffs of Gebel-et-Teyr, on which perches the Coptic “Convent of the Pulley.” The monks who live here are great beggars. They let themselves down from the cliff and swim off to a passing boat to ask alms in the name of their Christianity.
The next town of moment is Siout, capital of Upper Egypt. It stands on the site of ancient Lycopolis, “wolf city,” and is backed in by lofty cliffs, from which the views are very fine. Further up is Girgeh, whence you must take journey on the back of donkeys to Abydos, off eastward on the edge of the desert. Here was the most ancient city of This, or Tini, where Mena reigned, on whose ruins Abydos was built, itself an antiquity and wonder. Here is the great temple begun by Seti I. and completed by his son Rameses II., 1333 B.C. Rameses II., was the Pharaoh of the Exodus. Its roof, pillars and walls are all preserved and the chiselling on the latter is something marvellous. What renders it doubly interesting is, the name of the sculptor is preserved. His name was Hi, and he must have been a man of decided genius, for his picture of the king and son taming the bull is quite spirited. In this temple is also the celebrated sculpture called the “Table of Abydos,” which gives a list of sixty-five kings, from Menes down to the last king of the twelfth dynasty, a period of 2166 years. It is a most invaluable record and has done much to throw light on Egyptian history. It was discovered in 1865. Abydos then, or Tini, was the starting point of Egyptian power and civilization, as we now know it. Here was the first dynasty of the Pharaohs, transferred afterwards to Memphis where the pyramids became their monuments, re-transferred to Thebes where the temples chronicled their greatness and grandeur. Old as Thebes is, Abydos is older, and Tini older still. Most carefully has the temple at Abydos been exhumed from the sand which has preserved it for three thousand years, most of the time against the hands of those who, knowing better, would have spoiled its fair proportions and its great historic value. Abydos seems to have been a city of tombs, and it is possible that the greatness of all Egypt sought it as a burial place.
The most powerful of these Theban Kings, were those of the twelfth dynasty and on, beginning 2466 B.C., though Thebes can be traced back to the sixth dynasty as a city. It was a period in which strong monarchs ruled, and the arts were cultivated with magnificent results. Thebes was the capital, and on its temples and palaces the most enormous labor and expense were lavishly bestowed. And this not in Thebes alone, but in all the cities of Egypt; and they all make history too, impressive, invaluable history.
Siout owes its present importance to the caravan trade with Darfur and Nubia. Passing on toward Thebes, the river banks get more and more bluffy. You soon come to Dendera on the west bank. Its ruins are magnificent, and by many regarded as the finest in Egypt. The portico of its ancient temple is inconceivably grand. Its length is 265 feet and height 60 feet. It is entirely covered with mystic, varied and fantastic sculptures, hieroglyphics, groups, figures of deities, sacred animals, processions of soldiers – in short the manners and mythology of all Egypt. The workmanship is elaborate and finished. The interior is no less beautiful. The roof contained a sculptured representation of the twelve signs of the Zodiac. It has been taken down and is now in the museum at Paris.
A few miles further on in this bewildering region of solid rock bluffs, immense quarries, deep sculptured caverns, you come to Thebes itself, “City of the hundred gates,” lying on both sides of the Nile, the reports of whose power and splendor we would regard as fabulous, were its majestic ruins not there still to corroborate every glowing account. Whatever of Egyptian art is older than that of the Theban era lacked the beauty which moves to admiration. Beginning with the Theban kings of the twelfth dynasty, the harmonious form of beauty united with truth and nobleness meets the eye of the beholder as well in buildings as in statues. The great labyrinth and the excavation for the artificial lake Mœris, at Alexandria, were made during this period. In Tanis, at the mouth of the Nile, was erected a temple whose inscriptions show not only the manners of the country with great historic accuracy, but tell the tale of frequent trade with the people from Arabia and Canaan.
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