all of whom were proud to be known as employees of Tony Seaver's "Ten-Spot" would have died for their beautiful employer if need be.
And the "Ten-Spot" made good. In five years Tony had garnered a million or two of well-earned dollars, and then she sold out and retired from business. Also, to the chagrin of an army of suitors, she married an artist named Jason Jones, whose talent, it was said, was not so great as his luck. So far, his fame rested on his being "Tony Seaver's husband." But Tony's hobby was art, and she had recognized real worth, she claimed, in Jason Jones' creations. On her honeymoon she carried her artist husband to Europe and with him studied the works of the masters in all the art centers of the Continent. Then, enthusiastic and eager for Jason's advancement, she returned with him to New York and set him up in a splendid studio where he had every convenience and incentive to work.
So much the world at large knew. It also knew that within three years Mrs. Antoinette Seaver Jones separated from her husband and, with her baby girl, returned West to live. The elaborate Jones studio was abandoned and broken up and the "promising young artist" disappeared from the public eye. Mrs. Jones, a thorough business woman, had retained her fortune in her own control and personally attended to her investments. She became noted as a liberal patron of the arts and a generous donor to worthy charities. In spite of her youth, wealth, and beauty, she had no desire to shine in society and lived a somewhat secluded life in luxurious family hotels, attending with much solicitude to the training and education of her daughter Alora.
At first she had made Denver her home, but afterward migrated from one middle-west city to another until she came to Chicago, where she had now lived for nearly three years, occupying the most expensive suite of rooms at the very exclusive Hotel Voltaire.
Alora fairly worshipped her beautiful mother and although Mrs. Antoinette Seaver Jones was considered essentially cold and unemotional by those who knew her casually, there was no doubt she prized her child as her dearest possession and lavished all the tenderness and love of which she was capable upon her.
Retrospectively, Doctor Anstruther considered this historical revue of his fair patient as he sat facing her. It seemed a most unhappy fate that she should be cut off in the flower of her womanhood, but her case was positively hopeless, and she knew it and had accepted the harsh verdict without a murmur. Bravery had always been Tony Seaver's prime characteristic. To Doctor Anstruther it seemed that she might as well know the truth which she had demanded from his lips.
"This disease is one that accelerates toward the end," he said. "Within the past few days we have noted its more virulent tendency. All we can do now is to keep you from suffering until – the end."
"And that will be – when?" she demanded.
"I think I can safely give you a week but – "
"Then I must act at once," she said, as he hesitated. "I must, first of all, make provision for Alora's future, and in this I require your help."
"You know you may depend upon me," he said simply.
"Please telegraph at once to my husband Jason Jones, in New York."
The request startled him, for never before had she mentioned her husband's name in his presence. But he asked, calmly enough:
"What is his address?"
"Hand me that small memorandum-book," pointing to the stand beside him. He obeyed, and as she turned the leaves slowly she said:
"Doctor Anstruther, you have been my good and faithful friend, and you ought to know and to understand why I am now sending for my husband, from whom I have been estranged for many years. When I first met Jason Jones he was a true artist and I fell in love with his art rather than with the man. I was ambitious that he should become a great painter, world-famous. He was very poor until he married me, and he had worked industriously to succeed, but as soon as I introduced him to a life of comfort – I might even add, of luxury – his ambition to work gradually deserted him. With his future provided for, as he thought, he failed to understand the necessity of devoting himself to his brush and palette, but preferred a life of ease – of laziness, if you will. So we quarreled. I tried to force him back to his work, but it was no use; my money had ruined his career. I therefore lost patience and decided to abandon him, hoping that when he was again thrown upon his own resources he would earnestly resume his profession and become a master, as I believed him competent to be. We were not divorced: we merely separated. Finding I had withdrawn his allowance he was glad to see me go, for my unmerciful scoldings had killed any love he may have had for me. But he loved Lory, and her loss was his hardest trial. I may have been as much to blame as he for our lack of harmony, but I have always acted on my impulses.
"I'll give Jason Jones the credit for not whimpering," she resumed thoughtfully, after a brief pause, "nor has he ever since appealed to me for money. I don't know how well he has succeeded, for we do not correspond, but I have never heard his name mentioned in the art circles I have frequented. He remained in New York, I believe, and so I chose to keep away from New York. A year or two ago, however, I met a man who had known Jason Jones and who gave me his address. Here it is: 1744 East Sixty-seventh street. Will you make a copy of it, Doctor?"
He nodded.
"What shall I say in the telegram?" he asked, writing the address in his notebook.
"Tell him I am dying and seek a reconciliation before I pass away. Beg him to come to me at once."
Dr. Anstruther jotted down the instructions underneath the address.
"You must understand," she continued, "that Jason Jones is an honorable man and in many ways a high-minded gentleman. I have lived with him as his wife and I know that he is well fitted to care for our child and to rear her properly. I have left my entire fortune to Alora, but I have made Jason my sole executor, and he is to have control, under certain restrictions, of all the income until Alora is eighteen. I think he will be glad to accept the responsibility, both on Alora's account and for the money."
"Doubtless, if he has not been a success as an artist since your separation," remarked the doctor, drily.
"The man I spoke of said Jason was living in quite modest circumstances. He said that although he had succeeded in selling a few paintings they had brought rather insignificant sums – which surprised me, as I know they must have possessed a degree of merit. However, I may be mistaken in thinking his talent exceptional. Anyhow, my experiment in leaving him to his own devices seems not to have resulted as I had hoped, and I now am willing he should handle Alora's income and live comfortably while he is educating her. She will probably provide for her father when she comes of age, but I have not included such a request in my will and I have endeavored, in case he proves inclined to neglect her, to require the court to appoint another guardian. That is, of course, merely a precaution, for I know his nature is gentle and kind, and he adores – or at least he used to adore children."
The doctor sat, notebook in hand, musing. The matter-of-fact, businesslike way in which she referred to her marital relations and her assumed unconcern over her own dreadful fate impressed the good man as extraordinary. But he was relieved to know that little Alora, of whom he had grown quite fond, was to have the guardianship of a parent, and glad that the character of Jason Jones was above reproach. The man's failure to succeed as an artist, while it might have been a source of chagrin to his art-loving wife, did not lower him to any extent in Dr. Anstruther's opinion.
"I suppose Alora does not remember her father?" he presently remarked.
"She was about two years old when we separated."
"And you say your will is already drawn?"
"Judge Bernsted, my lawyer, has attended to it. It is now in his possession, properly signed
