about the ideal, and beauty, and all your northern madness? – Beauty is not to compare with solid pudding – and what am I! – You have ideas in your brain? What is the use of them? I too have ideas. What is the good of all the fine things you may have in your soul if you can make no use of them? Those who have ideas do not get so far as those who have none, if they don't know which way to go.
"Instead of thinking over your ideas you must work. – Now, what have you done while I was out?"
"What did your pretty cousin say?"
"Who told you she was pretty?" asked Lisbeth sharply, in a tone hollow with tiger-like jealousy.
"Why, you did."
"That was only to see your face. Do you want to go trotting after petticoats? You who are so fond of women, well, make them in bronze. Let us see a cast of your desires, for you will have to do without the ladies for some little time yet, and certainly without my cousin, my good fellow. She is not game for your bag; that young lady wants a man with sixty thousand francs a year – and has found him!
"Why, your bed is not made!" she exclaimed, looking into the adjoining room. "Poor dear boy, I quite forgot you!"
The sturdy woman pulled off her gloves, her cape and bonnet, and remade the artist's little camp bed as briskly as any housemaid. This mixture of abruptness, of roughness even, with real kindness, perhaps accounts for the ascendency Lisbeth had acquired over the man whom she regarded as her personal property. Is not our attachment to life based on its alternations of good and evil?
If the Livonian had happened to meet Madame Marneffe instead of Lisbeth Fischer, he would have found a protectress whose complaisance must have led him into some boggy or discreditable path, where he would have been lost. He would certainly never have worked, nor the artist have been hatched out. Thus, while he deplored the old maid's grasping avarice, his reason bid him prefer her iron hand to the life of idleness and peril led by many of his fellow-countrymen.
This was the incident that had given rise to the coalition of female energy and masculine feebleness – a contrast in union said not to be uncommon in Poland.
In 1833 Mademoiselle Fischer, who sometimes worked into the night when business was good, at about one o'clock one morning perceived a strong smell of carbonic acid gas, and heard the groans of a dying man. The fumes and the gasping came from a garret over the two rooms forming her dwelling, and she supposed that a young man who had but lately come to lodge in this attic – which had been vacant for three years – was committing suicide. She ran upstairs, broke in the door by a push with her peasant strength, and found the lodger writhing on a camp-bed in the convulsions of death. She extinguished the brazier; the door was open, the air rushed in, and the exile was saved. Then, when Lisbeth had put him to bed like a patient, and he was asleep, she could detect the motives of his suicide in the destitution of the rooms, where there was nothing whatever but a wretched table, the camp-bed, and two chairs.
On the table lay a document, which she read:
"I am Count Wenceslas Steinbock, born at Prelia, in Livonia.
"No one is to be accused of my death; my reasons for killing myself are, in the words of Kosciusko, Finis Polonioe!
"The grand-nephew of a valiant General under Charles XII. could not beg. My weakly constitution forbids my taking military service, and I yesterday saw the last of the hundred thalers which I had brought with me from Dresden to Paris. I have left twenty-five francs in the drawer of this table to pay the rent I owe to the landlord.
"My parents being dead, my death will affect nobody. I desire that my countrymen will not blame the French Government. I have never registered myself as a refugee, and I have asked for nothing; I have met none of my fellow-exiles; no one in Paris knows of my existence.
"I am dying in Christian beliefs. May God forgive the last of the Steinbocks!
Mademoiselle Fischer, deeply touched by the dying man's honesty, opened the drawer and found the five five-franc pieces to pay his rent.
"Poor young man!" cried she. "And with no one in the world to care about him!"
She went downstairs to fetch her work, and sat stitching in the garret, watching over the Livonian gentleman.
When he awoke his astonishment may be imagined on finding a woman sitting by his bed; it was like the prolongation of a dream. As she sat there, covering aiguillettes with gold thread, the old maid had resolved to take charge of the poor youth whom she admired as he lay sleeping.
As soon as the young Count was fully awake, Lisbeth talked to give him courage, and questioned him to find out how he might make a living. Wenceslas, after telling his story, added that he owed his position to his acknowledged talent for the fine arts. He had always had a preference for sculpture; the necessary time for study had, however, seemed to him too long for a man without money; and at this moment he was far too weak to do any hard manual labor or undertake an important work in sculpture. All this was Greek to Lisbeth Fischer. She replied to the unhappy man that Paris offered so many openings that any man with will and courage might find a living there. A man of spirit need never perish if he had a certain stock of endurance.
"I am but a poor girl myself, a peasant, and I have managed to make myself independent," said she in conclusion. "If you will work in earnest, I have saved a little money, and I will lend you, month by month, enough to live upon; but to live frugally, and not to play ducks and drakes with or squander in the streets. You can dine in Paris for twenty-five sous a day, and I will get you your breakfast with mine every day. I will furnish your rooms and pay for such teaching as you may think necessary. You shall give me formal acknowledgment for the money I may lay out for you, and when you are rich you shall repay me all. But if you do not work, I shall not regard myself as in any way pledged to you, and I shall leave you to your fate."
"Ah!" cried the poor fellow, still smarting from the bitterness of his first struggle with death, "exiles from every land may well stretch out their hands to France, as the souls in Purgatory do to Paradise. In what other country is such help to be found, and generous hearts even in such a garret as this? You will be everything to me, my beloved benefactress; I am your slave! Be my sweetheart," he added, with one of the caressing gestures familiar to the Poles, for which they are unjustly accused of servility.
"Oh, no; I am too jealous, I should make you unhappy; but I will gladly be a sort of comrade," replied Lisbeth.
"Ah, if only you knew how I longed for some fellow-creature, even a tyrant, who would have something to say to me when I was struggling in the vast solitude of Paris!" exclaimed Wenceslas. "I regretted Siberia, whither I should be sent by the Emperor if I went home. – Be my Providence! – I will work; I will be a better man than I am, though I am not such a bad fellow!"
"Will you do whatever I bid you?" she asked.
"Yes."
"Well, then, I will adopt you as my child," said she lightly. "Here I am with a son risen from the grave. Come! we will begin at once. I will go out and get what I want; you can dress, and come down to breakfast with me when I knock on the ceiling with the broomstick."
That day, Mademoiselle Fischer made some inquiries, at the houses to which she carried her work home, as to the business of a sculptor. By dint of many questions she ended by hearing of the studio kept by Florent and Chanor, a house that made a special business of casting and finishing decorative bronzes and handsome silver plate. Thither she went with Steinbock, recommending him as an apprentice in sculpture, an idea that was regarded as too eccentric. Their business was to copy the works of the greatest artists, but they did not teach the
