on a large square sofa of gilded wood with a magnificent brocaded cover, the young countess lay as it were extended, in an attitude of utter weariness. Returning at six o’clock from the confines of Brie, having played the part of scout to the four gentlemen whom she guided safely to their last halting-place before they entered Paris, she had found Monsieur and Madame d’Hauteserre just finishing their dinner. Pressed by hunger she sat down to table without changing either her muddy habit or her boots. Instead of doing so at once after dinner, she was suddenly overcome with fatigue and allowed her head with its beautiful fair curls to drop on the back of the sofa, her feet being supported in front of her by a stool. The warmth of the fire had dried the mud on her habit and on her boots. Her doeskin gloves and the little peaked cap with its green veil and a whip lay on the table where she had flung them. She looked sometimes at the old Boule clock which stood on the mantelshelf between the candelabra, perhaps to judge if her four conspirators were asleep, and sometimes at the card-table in front of the fire where Monsieur and Madame d’Hauteserre, the cure of Cinq-Cygne, and his sister were playing a game of boston.
Even if these personages were not embedded in this drama, their portraits would have the merit of representing one of the aspects of the aristocracy after its overthrow in 1793. From this point of view, a sketch of the salon at Cinq-Cygne has the raciness of history seen in dishabille.
Monsieur d’Hauteserre, then fifty-two years of age, tall, spare, high-colored, and robust in health, would have seemed the embodiment of vigor if it were not for a pair of porcelain blue eyes, the glance of which denoted the most absolute simplicity. In his face, which ended in a long pointed chin, there was, judging by the rules of design, an unnatural distance between his nose and mouth which gave him a submissive air, wholly in keeping with his character, which harmonized, in fact, with other details of his appearance. His gray hair, flattened by his hat, which he wore nearly all day, looked much like a skull-cap on his head, and defined its pear-shaped outline. His forehead, much wrinkled by life in the open air and by constant anxieties, was flat and expressionless. His aquiline nose redeemed the face somewhat; but the sole indication of any strength of character lay in the bushy eyebrows which retained their blackness, and in the brilliant coloring of his skin. These signs were in some respects not misleading, for the worthy gentlemen, though simple and very gentle, was Catholic and monarchical in faith, and no consideration on earth could make him change his views. Nevertheless he would have let himself be arrested without an effort at defence, and would have gone to the scaffold quietly. His annuity of three thousand francs kept him from emigrating. He therefore obeyed the government de facto without ceasing to love the royal family and to pray for their return, though he would firmly have refused to compromise himself by any effort in their favor. He belonged to that class of royalists who ceaselessly remembered that they were beaten and robbed; and who remained thenceforth dumb, economical, rancorous, without energy; incapable of abjuring the past, but equally incapable of sacrifice; waiting to greet triumphant royalty; true to religion and true to the priesthood, but firmly resolved to bear in silence the shocks of fate. Such an attitude cannot be considered that of maintaining opinions, it becomes sheer obstinacy. Action is the essence of party. Without intelligence, but loyal, miserly as a peasant yet noble in demeanor, bold in his wishes but discreet in word and action, turning all things to profit, willing even to be made mayor of Cinq-Cygne, Monsieur d’Hauteserre was an admirable representative of those honorable gentlemen on whose brow God Himself has written the word mites, – Frenchmen who burrowed in their country homes and let the storms of the Revolution pass above their heads; who came once more to the surface under the Restoration, rich with their hidden savings, proud of their discreet attachment to the monarchy, and who, after 1830, recovered their estates.
Monsieur d’Hauteserre’s costume, expressive envelope of his distinctive character, described to the eye both the man and his period. He always wore one of those nut-colored great-coats with small collars which the Duc d’Orleans made the fashion after his return from England, and which were, during the Revolution, a sort of compromise between the hideous popular garments and the elegant surtouts of the aristocracy. His velvet waistcoat with flowered stripes, the style of which recalled those of Robespierre and Saint-Just, showed the upper part of a shirt-frill in fine plaits. He still wore breeches; but his were of coarse blue cloth, with burnished steel buckles. His stockings of black spun-silk defined his deer-like legs, the feet of which were shod in thick shoes, held in place by gaiters of black cloth. He retained the former fashion of a muslin cravat in innumerable folds fastened by a gold buckle at the throat. The worthy man had not intended an act of political eclecticism in adopting this costume, which combined the styles of peasant, revolutionist, and aristocrat; he simply and innocently obeyed the dictates of circumstances.
Madame d’Hauteserre, forty years of age and wasted by emotions, had a faded face which seemed to be always posing for its portrait. A lace cap, trimmed with bows of white satin, contributed singularly to give her a solemn air. She still wore powder, in spite of a white kerchief, and a gown of puce-colored silk with tight sleeves and full skirt, the sad last garments of Marie-Antoinette. Her nose was pinched, her chin sharp, the whole face nearly triangular, the eyes worn-out with weeping; but she now wore a touch of rouge which brightened their grayness. She took snuff, and each time that she did so she employed all the pretty precautions of the fashionable women of her early days; the details of this snuff-taking constituted a ceremony which could be explained by one fact – she had very pretty hands.
For the last two years the former tutor of the Simeuse twins, a friend of the late Abbe d’Hauteserre, named Goujet, Abbe des Minimes, had taken charge of the parish of Cinq-Cygne out of friendship for the d’Hauteserres and the young countess. His sister, Mademoiselle Goujet, who possessed a little income of seven hundred francs, added that sum to the meagre salary of her brother and kept his house. Neither church nor parsonage had been sold during the Revolution on account of their small value. The abbe and his sister lived close to the chateau, for the wall of the parsonage garden and that of the park were the same in places. Twice a week the pair dined at the chateau, but they came every evening to play boston with the d’Hauteserres; for Laurence, unable to play a game, did not even know one card from another.
The Abbe Goujet, an old man with white hair and a face as white as that of an old woman, endowed with a kindly smile and a gentle and persuasive voice, redeemed the insipidity of his rather mincing face by a fine intellectual brow and a pair of keen eyes. Of medium height, and very well made, he still wore the old-fashioned black coat, silver shoe-buckles, breeches, black silk stockings, and a black waistcoat on which lay his clerical bands, giving him a distinguished air which detracted nothing from his dignity. This abbe, who became bishop of Troyes after the Restoration, had long made a study of young people and fully understood the noble character of the young countess; he appreciated her at her full value, and had shown her, from the first, a respectful deference which contributed much to her independence at Cinq-Cygne, for it led the austere old lady and the kind old gentleman to yield to the young girl, who by rights should have yielded to them. For the last six months the abbe had watched Laurence with the intuition peculiar to priests, the most sagacious of men; and although he did not know that this girl of twenty-three was thinking of overturning Bonaparte as she lay there twisting with slender fingers the frogged lacing of her riding-habit, he was well aware that she was agitated by some great project.
Mademoiselle Goujet was one of those unmarried women whose portrait can be drawn in one word which will enable the least imaginative mind to picture her; she was ungainly. She knew her own ugliness and was the first to laugh at it, showing her long teeth, yellow as her complexion and her bony hands. She was gay and hearty. She wore the famous short gown of former days, a very full skirt with pockets full of keys, a cap with ribbons and a false front. She was forty years of age very early, but had, so she said, caught up with herself by keeping at that age for twenty years. She revered the nobility; and knew well how to preserve her own dignity by giving to persons of noble birth the respect and deference that were due to them.
This little company was a god-send to Madame d’Hauteserre, who had not, like her husband, rural occupations, nor, like Laurence, the tonic of hatred, to enable her to bear the dulness of a retired life. Many things had happened to ameliorate that life within the last six years.
