Cathedral to-day. Service in the chapel is over, and the Foundling children are at dinner.
There are numerous lookers-on at the dinner, as the custom is. There are two or three governors, whole families from the congregation, smaller groups of both sexes, individual stragglers of various degrees. The bright autumnal sun strikes freshly into the wards; and the heavy-framed windows through which it shines, and the panelled walls on which it strikes, are such windows and such walls as pervade Hogarth’s pictures. The girls’ refectory (including that of the younger children) is the principal attraction. Neat attendants silently glide about the orderly and silent tables; the lookers-on move or stop as the fancy takes them; comments in whispers on face such a number from such a window are not unfrequent; many of the faces are of a character to fix attention. Some of the visitors from the outside public are accustomed visitors. They have established a speaking acquaintance with the occupants of particular seats at the tables, and halt at those points to bend down and say a word or two. It is no disparagement to their kindness that those points are generally points where personal attractions are. The monotony of the long spacious rooms and the double lines of faces is agreeably relieved by these incidents, although so slight.
A veiled lady, who has no companion, goes among the company. It would seem that curiosity and opportunity have never brought her there before. She has the air of being a little troubled by the sight, and, as she goes the length of the tables, it is with a hesitating step and an uneasy manner. At length she comes to the refectory of the boys. They are so much less popular than the girls that it is bare of visitors when she looks in at the doorway.
But just within the doorway, chances to stand, inspecting, an elderly female attendant: some order of matron or housekeeper. To whom the lady addresses natural questions: As, how many boys? At what age are they usually put out in life? Do they often take a fancy to the sea? So, lower and lower in tone until the lady puts the question: “Which is Walter Wilding?”
Attendant’s head shaken. Against the rules.
“You know which is Walter Wilding?”
So keenly does the attendant feel the closeness with which the lady’s eyes examine her face, that she keeps her own eyes fast upon the floor, lest by wandering in the right direction they should betray her.
“I know which is Walter Wilding, but it is not my place, ma’am, to tell names to visitors.”
“But you can show me without telling me.”
The lady’s hand moves quietly to the attendant’s hand. Pause and silence.
“I am going to pass round the tables,” says the lady’s interlocutor, without seeming to address her. “Follow me with your eyes. The boy that I stop at and speak to, will not matter to you. But the boy that I touch, will be Walter Wilding. Say nothing more to me, and move a little away.”
Quickly acting on the hint, the lady passes on into the room, and looks about her. After a few moments, the attendant, in a staid official way, walks down outside the line of tables commencing on her left hand. She goes the whole length of the line, turns, and comes back on the inside. Very slightly glancing in the lady’s direction, she stops, bends forward, and speaks. The boy whom she addresses, lifts his head and replies. Good humouredly and easily, as she listens to what he says, she lays her hand upon the shoulder of the next boy on his right. That the action may be well noted, she keeps her hand on the shoulder while speaking in return, and pats it twice or thrice before moving away. She completes her tour of the tables, touching no one else, and passes out by a door at the opposite end of the long room.
Dinner is done, and the lady, too, walks down outside the line of tables commencing on her left hand, goes the whole length of the line, turns, and comes back on the inside. Other people have strolled in, fortunately for her, and stand sprinkled about. She lifts her veil, and, stopping at the touched boy, asks how old he is?
“I am twelve, ma’am,” he answers, with his bright eyes fixed on hers.
“Are you well and happy?”
“Yes, ma’am.”
“May you take these sweetmeats from my hand?”
“If you please to give them to me.”
In stooping low for the purpose, the lady touches the boy’s face with her forehead and with her hair. Then, lowering her veil again, she passes on, and passes out without looking back.
ACT I
THE CURTAIN RISES
In a court-yard in the City of London, which was No Thoroughfare either for vehicles or foot-passengers; a court-yard diverging from a steep, a slippery, and a winding street connecting Tower Street with the Middlesex shore of the Thames; stood the place of business of Wilding & Co., Wine Merchants. Probably as a jocose acknowledgment of the obstructive character of this main approach, the point nearest to its base at which one could take the river (if so inodorously minded) bore the appellation Break-Neck-Stairs. The court-yard itself had likewise been descriptively entitled in old time, Cripple Corner.
Years before the year one thousand eight hundred and sixty-one, people had left off taking boat at Break-Neck-Stairs, and watermen had ceased to ply there. The slimy little causeway had dropped into the river by a slow process of suicide, and two or three stumps of piles and a rusty iron mooring-ring were all that remained of the departed Break-Neck glories. Sometimes, indeed, a laden coal barge would bump itself into the place, and certain laborious heavers, seemingly mud-engendered, would arise, deliver the cargo in the neighbourhood, shove off, and vanish; but at most times the only commerce of Break-Neck-Stairs arose out of the conveyance of casks and bottles, both full and empty, both to and from the cellars of Wilding & Co., Wine Merchants. Even that commerce was but occasional, and through three-fourths of its rising tides the dirty indecorous drab of a river would come solitarily oozing and lapping at the rusty ring, as if it had heard of the Doge and the Adriatic, and wanted to be married to the great conserver of its filthiness, the Right Honourable the Lord Mayor.
Some two hundred and fifty yards on the right, up the opposite hill (approaching it from the low ground of Break-Neck-Stairs) was Cripple Corner. There was a pump in Cripple Corner, there was a tree in Cripple Corner. All Cripple Corner belonged to Wilding and Co., Wine Merchants. Their cellars burrowed under it, their mansion towered over it. It really had been a mansion in the days when merchants inhabited the City, and had a ceremonious shelter to the doorway without visible support, like the sounding-board over an old pulpit. It had also a number of long narrow strips of window, so disposed in its grave brick front as to render it symmetrically ugly. It had also, on its roof, a cupola with a bell in it.
“When a man at five-and-twenty can put his hat on, and can say ‘this hat covers the owner of this property and of the business which is transacted on this property,’ I consider, Mr. Bintrey, that, without being boastful, he may be allowed to be deeply thankful. I don’t know how it may appear to you, but so it appears to me.”
Thus Mr. Walter Wilding to his man of law, in his own counting-house; taking his hat down from its peg to suit the action to the word, and hanging it up again when he had done so, not to overstep the modesty of nature.
An innocent, open-speaking, unused-looking man, Mr. Walter Wilding, with a remarkably pink and white complexion, and a figure much too bulky for so young a man, though of a good stature. With crispy curling brown hair, and amiable bright blue eyes. An extremely communicative man: a man with whom loquacity was the irrestrainable outpouring of contentment and gratitude. Mr. Bintrey, on the other hand, a cautious man, with twinkling beads of eyes in a large overhanging bald head, who inwardly but intensely enjoyed the comicality of openness of speech, or hand, or heart.
“Yes,”
