in secret. I don't believe you can find any. Women are much tougher about the pericardium than we give them credit for, my dear fellow, – much. I don't see why it should hurt a woman more than a man to be jilted. We shall never truly philosophise this important matter till we regard women with something of the fine penetration and impartiality with which they regard each other. Look at the stabs they give and take – they would kill men! And the graceful ferocity with which they despatch any of their number who happens to be down is quite unexampled in natural history. How much do you suppose her lady friends have left of that poor girl whose case wrings your foolish bosom all the way from Paris? I don't believe so much as a boot-button. Why, even your correspondent – a very lively woman, by the way – can't conceal under all her indignation her little satisfaction that so proud a girl as Miss What's-her-name should have been jilted. Of course, she doesn't say it."
Cummings hotly. – "No, she doesn't say it, and it's not to your credit to imagine it."
Bartlett, with a laugh. – "Oh, I don't ask any praise for the discovery. You deserve praise for not making it. It does honour to your good heart. Well, don't be vexed, old fellow. And in trying to improve me on this little point – a weak point, I'll allow, with me – do me the justice to remember that I didn't flaunt my misanthropy, as you call it, in your face; I didn't force my confidence upon you."
Cummings, with compunction. – "I didn't mean to hurt your feelings, Bartlett."
Bartlett.– "Well, you haven't. It's all right."
Cummings, with anxious concern. – "I wish I could think so."
Bartlett, dryly. – "You have my leave – my request, in fact." He takes a turn about the room, thrusting his fingers through the hair on his forehead, and letting it fall in a heavy tangle, and then pulling at either side of his parted beard. In facing away from one of the sofas at the end of the room, he looks back over his shoulder at it, falters, wheels about, and picks up from it a lady's shawl and hat. "Hallo!" He lets the shawl fall again into picturesque folds on the sofa. "This is the spoil of no local beauty, Cummings. Look here; I don't understand this. There has been an arrival."
Cummings, joining his friend in contemplation of the hat and shawl: "Yes; it's an arrival beyond all question. Those are a lady's things. I should think that was a Paris hat." They remain looking at the things some moments in silence.
Bartlett.– "How should a Paris hat get here? I know the landlord wasn't expecting it. But it can't be going to stay; it's here through some caprice. It may be a transient of quality, but it's a transient. I suppose we shall see the young woman belonging to it at dinner." He sets the hat on his fist, and holds it at arm's length from him. "What a curious thing it is about clothes" —
Cummings.– "Don't, Bartlett, don't!"
Bartlett.– "Why?"
Cummings.– "I don't know. It makes me feel as if you were offering an indignity to the young lady herself."
Bartlett.– "You express my idea exactly. This frippery has not only the girl's personality but her very spirit in it. This hat looks like her; you can infer the whole woman from it, body and soul. It has a conscious air, and so has the shawl, as if they had been eavesdropping and had understood everything we were saying. They know all about my heart-break, and so will she as soon as she puts them on; she will be interested in me. The hat's in good taste, isn't it?"
Cummings, with sensitive reverence for the millinery which his friend handles so daringly. – "Exquisite it seems to me; but I don't know about such things."
Bartlett.– "Neither do I; but I feel about them. Besides, a painter and glazier sees some things that are hidden from even a progressive minister. Let us interpret the lovely being from her hat. This knot of pale-blue flowers betrays her a blonde; this lace, this mass of silky, fluffy, cob-webby what-do-you-call-it, and this delicate straw fabric show that she is slight; a stout woman would kill it, or die in the attempt. And I fancy – here pure inspiration comes to my aid – that she is tallish. I'm afraid of her! No – wait! The shawl has something to say." He takes it up and catches it across his arm, where he scans it critically. "I don't know that I understand the shawl, exactly. It proves her of a good height, – a short woman wouldn't, or had better not, wear a shawl, – but this black colour: should you think it was mourning? Have we a lovely young widow among us?"
Cummings.– "I don't see how it could go with the hat, if it were."
Bartlett.– "True; the hat is very pensive in tone, but it isn't mourning. This shawl's very light, it's very warm; I construct from it a pretty invalid." He lets the shawl slip down his arm to his hand, and flings it back upon the sofa. "We return from the young lady's heart to her brain – where she carries her sentiments. She has a nice taste in perfumes, Cummings: faintest violet; that goes with the blue. Of what religion is a young lady who uses violet, my reverend friend?"
Cummings.– "Bartlett, you're outrageous. Put down that hat!"
Bartlett.– "No, seriously. What is her little æsthetic specialty? Does she sketch? Does she scribble? Tell me, thou wicked hat, does she flirt? Come; out with the vows that you have heard poured into the shelly ear under this knot of pale-blue flowers! Where be her gibes now, her gambols, her flashes of merriment? Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favour she must come; make her laugh at that. Dost thou think, Horatio Cummings, Cleopatra looked o' this fashion? And smelt so?" – he presses the knot of artificial flowers to his moustache – "Pah!" He tosses the hat on the sofa and walks away.
Cummings.– "Bartlett, this is atrocious. I protest" —
Bartlett.– "Well, give me up, I tell you." He returns, and takes his friend by the shoulders, as before, and laughs. "I'm not worth your refined pains. I might be good, at a pinch, but I never could be truly lady-like."
Cummings.– "You like to speak an infinite deal of nothing, don't you?"
Bartlett.– "It's the only thing that makes conversation." As he releases Cummings, and turns away from him, in the doorway he confronts an elderly gentleman, whose white hair and white moustache give distinction to his handsome florid face. There is something military in his port, as he stands immoveably erect upon the threshold, his left hand lodged in the breast of his frock-coat, and his head carried with an officer-like air of command. His visage grows momently redder and redder, and his blue eyes blaze upon Bartlett with a fascinated glare that briefly preludes the burst of fury with which he advances toward him.
General Wyatt.– "You infernal scoundrel! What are you doing here?" He raises his stick at Bartlett, who remains motionlessly frowning in wrathful bewilderment, his strong hand knotting itself into a fist where it hangs at his side, while Cummings starts toward them in dismay, with his hand raised to interpose. "Didn't I tell you if I ever set eyes on you again, you villain – didn't I warn you that if you ever crossed my path, you" – He stops with a violent self-arrest, and lets his stick drop as he throws up both his hands in amaze. "Good Heavens! It's a mistake! I beg your pardon, sir; I do, indeed." He lets fall his hands, and stands staring into Bartlett's face with his illusion apparently not fully dispelled. "A mistake, sir, a mistake. I was misled, sir, by the most prodigious resemblance" – At the sound of voices in the corridor without, he turns from Bartlett, and starts back toward the door.
A Voice, very sweet and weak, without. – "I left them in here, I think."
Another Voice.– "You must sit down, Constance,
