The Ranch Girls at Rainbow Lodge. Vandercook Margaret
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"We will be back early, Jim," Jean added.
"All right," Jim agreed. His eyes twinkled at the vision of Jean and Jack sketching under the shadow of the great stone peaks whose broken outline looked like the profile of a giant's face. The Giant's Cañon was five miles across the plains, but the ranch girls were in the habit of riding over to it. Between the ridges of rock, nestling in the deep gorge, were little lakes filled with shimmering trout. One of the rocky caverns in the cañon, Frieda had adopted as her very own. The girls always spoke of it as Frieda's cave.
Frieda's stone castle was really two stories high. A large flat rock jutted out over a second one about eight feet below it while a flight of natural stairs ran from the ground to the floor of the cave.
Frieda unpacked the saddle bags, while Jean and Jack tethered the ponies to a great cottonwood tree not far from the edge of the gorge. The place was entirely deserted, except for an eagle that swooped out of her eyrie and floated above the newcomers' heads. Frieda slipped down the stairs into her cave, spread out her pony's blanket and set to housekeeping, humming as cheerfully as though she had been in her own private room at the ranch. She was not in the least awed by the grandeur and loneliness of the scenery about her. Indeed Frieda was so much at home in her cavern that she kept an old frying pan hung from one of the sharp points of the rock and some broken dishes stored away in a crevice which formed a kind of natural pantry.
Jean and Jack made a fire, because no camper is really happy without one. Then they religiously got out their sketch books and set to work to make pictures of their three sturdy bronchos munching the buffalo grass in their neighborhood.
Both girls worked patiently for about ten minutes and then Jean sighed once or twice. She had used her eraser oftener than her drawing pencil. Holding her drawing out, she gazed at it critically. Finally she tore it into small bits and strolled over to Jack, to gaze over her shoulder.
"And what be those critturs you are picturing, Friend Ralston?" Jean demanded, in a familiar, Western tone. "If they are native to this here state of Wyoming, I ain't never seen 'em before. Be they mules or buffaloes?"
Jack frowned and bit her pencil. "Don't be a goose, Jean," she answered, "and please don't interrupt." Jack surveyed her masterpiece critically. "The ponies do look a bit queer," she confessed. "One of them has three legs and the other five, but then I haven't worked very long. Do go away and see if you can do any better yourself. You know we solemnly vowed that we were going to sketch an hour each day."
Jean departed to another ten minutes of labor. But the sun was shining gloriously; the day was one long, sunlit delight. She could hear the water trickling over the rocks in the gorge below, and Frieda moving about at her housekeeping. Jean picked up her fishing rod, selected a choice fly and slipped her sketch book into her knapsack.
"Au revoir, Jack dear," she announced cheerfully. "Stay here and look after Frieda. I am going down to the pool to get some trout for lunch." Jean flung some pine knots on their fire, kissed her hand to Frieda and marched off, smiling wickedly at Jack, who was drawing as though her life depended on it. She wished to be an object lesson of industry to slothful Jean.
When Jean had entirely disappeared down the side of the ravine, Jack stopped to gaze sadly at her morning's work. "I am afraid I am not a natural-born artist," she declared aloud. "It may be all right for geniuses to work from life, but I can't make any headway without a teacher. I wish Cousin Ruth had not put French and drawing into her list of what a young woman should know. They may be easy enough for girls to learn in her beloved old Vermont, but they are pretty hard work out here. I am afraid the ranch girls don't know any of the things they should." Jack's red lips parted. "But it's lots of fun to know the unnecessary things like fishing and riding. Gee whiz, I can't stand working any longer."
Jack leaned over the ledge of rock. Her drawing fluttered down to her sister. "Here Frieda, decorate your cave with that work of art. It looks like a drawing made by the Indians in pre-historic days. You won't mind, will you, if I go away for a while? I won't be out of calling distance and I won't stay long. If you need me, just sing out."
Frieda smiled. Her blue eyes looked like a reflection of the clear sky above them. She had so little idea of feeling any fear, that she did not even trouble to answer Jack's question. There were no more wild animals in the gorge. Besides, the ranch girls knew that few animals would attack them, except in self-defense.
Frieda climbed down the rocky cliff to fill an old teakettle with water from a spring not far below and then hung it over the fire on a crooked stick. If the water boiled long before Jean and Jack returned, the pleasant, sizzly sound would keep her company. Frieda's house was in order, so she set out her luncheon dishes, arranging them around in a circle on the floor of her cave. In the center, in a broken teacup, she placed the bunch of violets she had worn in her trip across the plain. Still the girls had not returned; Frieda might have studied, but she decided that it would be more fun to enlarge the crevice in the rocks, which formed the storehouse for her kitchen and dining-room utensils.
She struck the rock sharply with a large stone. A piece chipped off, then another. It was red sandstone and not very hard and Frieda was banging away with all her might, when she gave a quick exclamation of surprise. A great crack appeared along one side of the stone wall, and a big boulder crashed down at Frieda's feet. Before her, she beheld another cavern in the rock, almost as large as the one in which she played.
The little girl jumped back. At any moment she expected to see a pair of wild eyes glaring at her from the rocky retreat, believing that she had accidentally broken into the cave of some animal. But nothing happened; there was no stir, no sound from the darkness inside.
Frieda's heart beat rapidly. Her face was pale from excitement. She looked cautiously into the opening, thrust one small hand into it and drew out a round dish of hard, baked clay, engraved with queer, Indian characters. Frieda gave a shriek of delight, although she did not realize that she had accidentally discovered an important collection of Indian relics. But she was fascinated with the arrow heads and queer Indian dolls that she dug out a second later.
In the midst of her search, Frieda heard a sound that made her heart stand still. At the head of the gorge, about a quarter of a mile away, there was a dense thicket of evergreens. From this direction came a cry of pain and terror. Frieda flew up to the ground above.
"Jean, Jack!" she called. "What has happened? Is one of you hurt? Please come to me." Frieda gave the call, that was always the signal between the three ranch girls. "Oh-oo, Oh-ooo, Oh-oooo," ending in a shrill, drawn-out note, as she touched her lips with her fingers, three times in quick succession.
Then she listened, but neither Jean nor Jack answered her. The ranch girls could hear sounds from afar off, as they had spent their lives in the open country. As Frieda ran forward a few steps, she caught the echo of light feet, flying along the ground. A girl came out of the woods, rushing toward her blindly. But Frieda could not tell who it was or guess what had happened. Was it Jean or Jack?
CHAPTER III
FRIEDA AND THE OTHER GIRL
THE apparition drew near enough for Frieda to see that it was a stranger with straight black hair. She was barefoot and wore a short, ragged skirt, a bright red jacket, and a red scarf twisted around her throat. In her startled glance at the girl, Frieda beheld