An Isle of Surrey: A Novel. Dowling Richard
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He moved to the door, opened it, and looked out.
No figure rose between him and the deep dusk of night. The light from the lamp on the table passed out through the doorway, and shone upon the wall of the old engine-house opposite.
"There is no one. It must have been a stone," said Bramwell, relieved, and drawing back.
"A stone cannot hit twice. There were two knocks. I heard two quite distinctly. Go out and look around. Or stay, I'll go. Give me back my revolver."
"No, no. Stay where you are. I will see."
He was in the act of stepping forth, when, looking down, he suddenly perceived the figure of a little child in the doorway. With a cry, "What is this?" he sprang back into the middle of the room.
Ray shouted, "Is the villain there? I told you it was Ainsworth!"
Ray was about to pass Bramwell at a bound, when the latter seized him and held him back, and, pointing to the child in the doorway, whispered, "Look!"
Ray peered into the gloom, and then came forward a pace warily, as though suspecting danger. "A child!" he cried in a whisper. "A little child! How did he come here? Do you know anything of him?"
"No." Bramwell shuddered and drew back until he could reach the support of the table, on which he rested his hand.
Ray advanced still further, and, bending his tall thin figure, asked in a muffled voice, "Who are you, my little man? and what have you got in your hand?" The child held something white in a hand which he extended to Ray.
The child did not answer, but crossed the threshold into the full light of the lamp, still offering the white object, which now could be seen to be a letter.
"What is your name, my little man?" repeated Ray, with a look of something like awe on his face.
"Don't!" whispered Bramwell, backing until he reached his chair. "Don't! Can't you see his name?"
"No. I am not able to make out what is on the paper at the distance. Give me the paper, my little lad."
Bramwell knew what the name of the child was, and Ray had a tumultuous and superstitious feeling that the coming of this child across the water in the night to the lonely islet and this solitary man had some portentous significance.
Ray took the letter from the child, and read the superscription with dull sight. Then he said, turning to Bramwell, "This does not explain how you know his name. There is nothing on this but,
What is your name? Tell me your name, my little man."
"Frank," said the child in a frightened voice.
"Yes. What else?"
"Mellor."
"What!" shouted Ray, catching up the boy from the floor and holding the little face close to the lamp.
"Did not you see his name on his face? Look! Is it not her face? Philip, I am suffocating!"
Ray gazed at the child long and eagerly. Bramwell, swaying to and fro by his chair, kept his eyes on the rosy face of the boy. The boy blinked at the light, and looked from one man to the other with wide-open, unconcerned eyes. At length Ray put the little fellow on the floor. The boy went to the table and began looking at the papers spread upon it. From his self possessed, unabashed manner, it was plain he was well accustomed to strangers.
"Who brought you here?" asked Ray again. The other man seemed bereft of voice and motion, save the long swaying motion, which he mechanically tried to steady by laying hold of the arm of the chair.
"A man," answered the child, running his chubby young fingers through some papers.
"Where did you come from?"
"Mother," answered the child.
"Who is mother?"
The boy looked round in smiling surprise.
"Mother is mother," and he laughed at the notion of grown-up people not knowing so simple a thing as that his mother was mother. He was thoroughly at his ease-quite a person of the world.
"You had better open the letter," said Ray, holding it out to Bramwell. "I did not recognise the writing. It is not like what I remember, and it is in pencil."
Bramwell took the letter. His face worked convulsively as he examined it. "I should not recognise the writing either, and yet it could be no other than hers, once you think of her and look at it." He turned the unopened envelope round and round in his hand. "What is the good of opening this, Philip? It will make no difference in me. I shall never look at her of my own free-will again."
"How can you judge the good of opening it unless you know what it contains? You cannot send it back by this messenger. My little lad," he said, turning to the child, who was still moving his dimpled fingers through the confused mass of papers on the table, "where is the man that brought you here?"
"Gone away," answered the child, without suspending his occupation.
"He left you at the door and knocked and went away?"
The boy nodded.
"He brought you across the water and set you down and knocked, and went back across the water?"
"Went back across the water," repeated the boy.
"What did he do then?"
"Ran off."
"You see, Frank," said Ray to the other man, "you cannot send back the letter by the messenger who brought it."
"Shall I throw it into the canal? I made up my mind never to know anything about her again in this life," said Bramwell.
Ray put his hand on the child's head and said, "Where did you leave your mother?"
"At home."
"Where?"
"A long way."
"Do you know where?"
"Yes; in bed."
Bramwell tore open the envelope, read the letter, handed it to Ray, and flung himself into his chair. The note, written in pencil like the address on the cover,