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In the Land of Mosques & Minarets
CHAPTER I
GOING AND COMING
“Say, dear friend, wouldst thou go to the land where pass the caravans beneath the shadow of the palm trees of the Oasis; where even in mid-winter all is in flower as in spring-time elsewhere.” – Villiers de l’Isle Adam.
THE taste for travel is an acquired accomplishment. Not every one likes to rough it. Some demand home comforts; others luxurious appointments; but you don’t get either of these in North Africa, save in the palace hotels of Algiers, Biskra and Tunis, and even there these things are less complete than many would wish.
We knew all this when we started out. We had become habituated as it were, for we had been there before. The railways of North Africa are poor, uncomfortable things, and excruciatingly slow; the steamships between Marseilles or Genoa and the African littoral are either uncomfortably crowded, or wobbly, slow-going tubs; and there are many discomforts of travel – not forgetting fleas – which considerably mitigate the joys of the conventional traveller who affects floating hotels and Pullman car luxuries.
The wonderful African-Mediterranean setting is a patent attraction and is very lovely. Every one thinks that; but it is best always to take ways and means into consideration when journeying, and if the game is not worth the candle, let it alone.
This book is not written in commendation only of the good things of life which one meets with in North Africa, but is a personal record of things seen and heard by the artist and the author. As such it may be accepted as a faithful transcript of sights and scenes – and many correlative things that matter – which will prove to be the portion of others who follow after. These things have been seen by many who have gone before who, however, have not had the courage to paint or describe them as they found them.
Victor Hugo discovered the Rhine, Théophile Gautier Italy, De Nerval the Orient, and Merimée Spain; but they did not blush over the dark side and include only the more charming. For this reason the French descriptive writer has often given a more faithful picture of strange lands than that limned by Anglo-Saxon writers who have mostly praised them in an ignorant, sentimental fashion, or reviled them because they had left their own damp sheets and stogy food behind, and really did not enjoy travel – or even life – without them. There is a happy mean for the travellers’ mood which must be cultivated, if one is not born with it, else all hope of pleasurable travel is lost for ever.
The comparison holds good with regard to North Africa and its Arab population. Sir Richard Burton certainly wrote a masterful work in his “Pilgrimage to Mecca and Medina,” and set forth the Arab character as no one else has done; but he said some things, and did some things, too, that his fellow countrymen did not like, and so they were loth to accept his great work at its face value.
The African Mediterranean littoral, the mountains and the desert beyond, and all that lies between, have found their only true exponents in Mme. Myriam Harry, MM. Louis Bertrand, Arnaud and Maryval, André Gide and Isabelle Eberhardt, and Victor Barrucaud. These and some others mentioned further on are the latter-day authorities on the Arab life of Africa, though the makers of English books on Algeria and Tunisia seem never to have heard of them, much less profited by their next-to-the-soil knowledge. Instead they have preferred to weave their romances and novels on “home-country” lines, using a Mediterranean or Saharan setting for characters which are not of Africa and which have no place therein.
This book is a record of various journeyings in that domain of North Africa where French influence is paramount; and is confidently offered as the result of much absorption of first-hand experiences and observations, coupled with authenticated facts of history and romance. All the elements have been found sur place and have been woven into the pages which follow in order that nothing desirable of local colour should be lost by allowing too great an expanse of sea and land to intervene.
The story of Algeria and Tunisia has so often been told by the French, and its moods have so often been painted by les “gens d’esprit et de talent,” that a foreigner has a considerable task laid out for him in his effort to do the subject justice. Think of trying to catch the fire and spirit of Fromentin, of Loti, of the Maupassants or Masqueray, or the local colour of the canvases of Dinet, Armand Point, Potter, Besnard, Constant, Cabannes, Guillaumet, or Ziem! Then go and try to paint the picture as it looks to you. Yet why not? We live to learn; and, as all the phases of this subtropical land have not been exploited, why should we – the author and artist – not have a hand in it?
So we started out. The mistral had begun to blow at Martigues (la Venise Provençal known by artist folk of all nationalities, but unknown – as yet – to the world of tourists), where we had made our Mediterranean headquarters for some years, but the sirocco was still blowing contrariwise from the south on the African coast, and it was for that reason that the author, the artist and another – the agreeable travelling companion, a rara avis by the way – made a hurried start.
We were tired of the grime and grind of cities of convention; and were minded, after another round of travel, to repose a bit in some half-dormant, half-progressive little town of the Barbary coast, or some desert oasis where one might, if he would, still dream the dreams of the Arabian nights and days, regardless of a certain reflected glamour of vulgar modernity which filters through to the utmost Saharan outposts from the great ports of the coast.
By a fortunate chance weather and circumstances favoured this last journey, and thus the making of this book became a most enjoyable labour.
We left Marseilles for the land of the sun at six of an early autumn evening, the “heure verte” of the Marseillais, when the whole Cannebière smells of absinthe, alcohol, and anise, and all the world is at ease after a bustling, rustling day of busy affairs. These men of the Midi, though they seemingly take things easy are a very industrious race. There is no such virile movement in Paris, even on the boulevards, as one may witness on Marseilles’ famous Cannebière at the seducing hour of the Frenchman’s apéritif. Marseilles is a ceaseless turmoil of busy workaday affairs as well. From the ever-present gaiety of the Cannebière cafés it is but a step to the great quais and their creaking capstans and shouting longshoremen.
From the quais of La Joliette all the world and his wife come and go in an interminable and constant tide of travel, to Africa, to Corsica and Sardinia; to Jaffa and Constantinople; to Port Said and the East, India, Australia, China and Japan; and westward, through Gibraltar’s Strait to the Mexican Gulf and the Argentine. The like of Marseilles exists nowhere on earth; it is the most brilliant and lively of all the ports of the world. It is the principal seaport of the Mediterranean and the third city of France.
Our small, tubby steamer slipped slowly and silently out between the Joliette quais and past the towering Notre Dame de la Garde and the great Byzantine Cathedral of Sainte Marie Majeur, leaving the twinkling lights of the Vieux Port and the Pharo soon far behind. Past Château d’If, the Point des Catalans, Ratonneau and Pomègue we steamed, all reminiscent of Dumas and that masterpiece of his gallant portrait gallery, – “The Count of Monte Cristo.”
The great Planier light flashed its rays in our way for thirty odd miles seaward, keeping us company long after we had eaten a good dinner, a very good dinner indeed, with café-cognac– or chartreuse, real chartreuse, not the base imitation, mark you, tout compris, to top off with. The boat was a poor, wallowing thing of eight hundred tons or so, but the dinner was much better than many an Atlantic liner gives. It had character, and was served in a tiny saloon on deck, with doors and ports all open, and a gentle, sighing Mediterranean brise wafting about our heads.
We were six passengers all told, and we were very, very comfortably installed on the Isly of the Compagnie Touache, in spite of the fact that the craft owned to twenty-seven years and made only ten knots.
